Nostalgia in the context of "Americana (culture)"

In contemporary literary studies, a theme is a main topic, subject, or message within a narrative. Themes are ideas that are central to a story, which can often be summed in a single abstract noun (for example, love, death, betrayal, nostalgia, or parenthood) or noun phrase (for example, coming of age, humans in conflict with technology, seeking spirituality in the modern era, or the dangers of unchecked ambition). A theme may be exemplified by the actions, utterances, or thoughts of characters, as in the theme of loneliness in John Steinbeck's Of Mice and Men, wherein many of the characters seem isolated and long for community with others. It may or may not differ from the thesis—the text's or author's implied worldview.

A story may have several themes and generally longer works, such as novels, plays, films, or television series, do. Themes often explore historically common or cross-culturally recognizable ideas, such as ethical questions, and are usually implied rather than stated explicitly. An example of this would be whether one should live a seemingly better life, at the price of giving up parts of one's humanity, which is a theme in Aldous Huxley's Brave New World. Along with plot, character, setting, and style, theme is considered one of the components of fiction. Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject".

Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist construction showcasing the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick, angular geometric shapes and a predominantly monochrome colour palette; other materials, such as steel, timber, and glass, are also featured.

Descended from Modernism, brutalism is said to be a reaction against the nostalgia of architecture in the 1940s. Derived from the Swedish word nybrutalism, the term "new brutalism" was first used by British architects Alison and Peter Smithson for their pioneering approach to design. The style was further popularised in a 1955 essay by architectural critic Reyner Banham, who also associated the movement with the French phrases béton brut ("raw concrete") and art brut ("raw art"). The style, as developed by architects such as the Smithsons, Hungarian-born Ernő Goldfinger, and the British firm Chamberlin, Powell & Bon, was partly foreshadowed by the modernist work of other architects such as French-Swiss Le Corbusier, Estonian-American Louis Kahn, German-American Ludwig Mies van der Rohe, and Finnish Alvar Aalto.

Good old days – commonly stylized as "good ol' days" – is a cliché in popular culture used to reference a time considered by the speaker to be better than the current era. It is a form of nostalgia that can reflect homesickness or yearning for long-gone moments.

There is a predisposition, caused by cognitive biases such as rosy retrospection, a form of survivorship bias, for people to view the past more favourably and future more negatively.

"Rip Van Winkle" (Dutch pronunciation: [ˈrɪp fɑŋ ˈʋɪŋkəl]) is a short story by the American author Washington Irving, first published in 1819. It follows a Dutch-American villager in colonial America named Rip Van Winkle who meets mysterious Dutchmen, imbibes their strong liquor and falls deeply asleep in the Catskill Mountains. He awakes 20 years later to a very changed world, having missed the American Revolution.

Inspired by a conversation on nostalgia with his American expatriate brother-in-law, Irving wrote the story while temporarily living in Birmingham, England. It was published in his collection, The Sketch Book of Geoffrey Crayon, Gent. While the story is set in New York's Catskill Mountains near where Irving later took up residence, he admitted, "When I wrote the story, I had never been on the Catskills."

Neo-Stalinism is the promotion of positive views of Joseph Stalin's role in history, the partial re-establishing of Stalin's policies on certain or all issues, and nostalgia for the Stalinist period. Neo-Stalinism overlaps significantly with neo-Sovietism and Soviet nostalgia. Various definitions of the term have been given over the years. Neo-Stalinism is being actively promoted by Eurasianist currents in various post-Soviet states and official rehabilitation of Stalin has occurred in Russia under Vladimir Putin. Eurasianist philosopher Aleksandr Dugin, an influential neo-Stalinist ideologue in Russian elite circles, has praised Stalin as the “greatest personality in Russian history”, comparing him to Ivan IV who established the Tsardom of Russia.

Sergei Alexandrovich Yesenin (Russian: Серге́й Алекса́ндрович Есе́нин, IPA: [sʲɪrˈɡʲej ɐlʲɪkˈsandrəvʲɪtɕ jɪˈsʲenʲɪn]; 3 October [O.S. 21 September] 1895 – 28 December 1925), sometimes spelled as Esenin, was a Russian lyric poet. He is one of the most popular and well-known Russian poets of the 20th century. One of his narratives was "lyrical evocations of and nostalgia for the village life of his childhood – no idyll, presented in all its rawness, with an implied curse on urbanisation and industrialisation".