Brutalist architecture in the context of "Nostalgia"

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⭐ Core Definition: Brutalist architecture

Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist construction showcasing the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick, angular geometric shapes and a predominantly monochrome colour palette; other materials, such as steel, timber, and glass, are also featured.

Descended from Modernism, brutalism is said to be a reaction against the nostalgia of architecture in the 1940s. Derived from the Swedish word nybrutalism, the term "new brutalism" was first used by British architects Alison and Peter Smithson for their pioneering approach to design. The style was further popularised in a 1955 essay by architectural critic Reyner Banham, who also associated the movement with the French phrases béton brut ("raw concrete") and art brut ("raw art"). The style, as developed by architects such as the Smithsons, Hungarian-born Ernő Goldfinger, and the British firm Chamberlin, Powell & Bon, was partly foreshadowed by the modernist work of other architects such as French-Swiss Le Corbusier, Estonian-American Louis Kahn, German-American Ludwig Mies van der Rohe, and Finnish Alvar Aalto.

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Brutalist architecture in the context of Chișinău

Chișinău (/ˌkɪʃɪˈn/ KISH-in-OW, US also /ˌkʃˈn/ KEE-shee-NOW, Romanian: [kiʃiˈnəw] ; formerly known as Kishinev) is the capital and largest city of Moldova. The city is Moldova's main industrial and commercial centre. It is situated in the middle of the country, on the river Bîc, a tributary of the Dniester. According to the results of the 2024 Moldovan census, the population of the city proper stood at over 567,000 inhabitants, while the population of the Municipality of Chișinău (which includes the city itself and other nearby communities) numbered over 720,000 people. Chișinău is the most economically prosperous locality in Moldova and the country's largest transport hub. Nearly a third of Moldova's population resides in the metropolitan area.

Moldova has a history of winemaking dating back to at least 3,000 BC. As the capital city, Chișinău hosts the yearly national wine festival every October. Though the city's buildings were significantly damaged during the Second World War and earthquakes, a rich architectural heritage remains. In addition, it has numerous buildings designed in the postwar Socialist realism and Brutalist architecture styles.

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Brutalist architecture in the context of Glass brick

Glass brick, also known as glass block, is an architectural element made from glass. The appearance of glass blocks can vary in color, size, texture and form. Glass bricks provide visual obscuration while admitting light. The modern glass block was developed from pre-existing prism lighting principles in the early 1900s to provide natural light in manufacturing plants. Glass bricks have several attributes that make them useful as a building material, providing insulation and admitting light while still allowing for privacy.

The first hollow glass block was patented in France on November 11th, 1886 by Swiss architect Gustave Falconnier [fr]. Mass production of glass blocks began in 1932, with the construction of the Owens-Illinois Glass Block building. It has had a varied popularity since, appearing in Streamline Moderne and Brutalist architecture. Today glass blocks are used in walls, skylights, and sidewalk lights.

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Brutalist architecture in the context of Marcel Breuer

Marcel Lajos Breuer (/ˈbrɔɪər/ BROY-ur; 21 May 1902 – 1 July 1981) was a Hungarian-American modernist architect and furniture designer. He moved to the United States in 1937 and became a naturalized American citizen in 1944.

At the Bauhaus he designed the Wassily Chair and the Cesca Chair, which The New York Times have called some of the most important chairs of the 20th century. Breuer extended the sculpture vocabulary he had developed in the carpentry shop at the Bauhaus into a personal architecture that made him one of the world's most popular architects at the peak of 20th-century design. His work includes art museums, libraries, college buildings, office buildings, and residences. Many are in a Brutalist architecture style, including the former IBM Research and Development facility which was the birthplace of the first personal computer. He is regarded as one of the great innovators of modern furniture design and one of the most-influential exponents of the International Style.

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Brutalist architecture in the context of Adam Clayton Powell Jr. State Office Building

The Adam Clayton Powell Jr. State Office Building, originally the Harlem State Office Building, is a nineteen-story, high-rise office building located at 163 West 125th Street at the corner of Adam Clayton Powell Jr. Boulevard in the Harlem neighborhood of Manhattan, New York City. It is named after Adam Clayton Powell Jr, the first African-American elected to Congress from New York. It was designed by the African-American architecture firm of Ifill Johnson Hanchard in the shape of an African mask in the Brutalist style. It is the tallest building in Harlem, overtaking the nearby Hotel Theresa.

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Brutalist architecture in the context of List of tallest buildings and structures in London

London, the capital and largest city of the United Kingdom, has 128 completed buildings that are at least 100 metres (328 feet) tall as of 2025, 42 of which have a height greater than 150 metres (492 ft). London has one of the largest skylines in Europe; it has the most skyscrapers taller than 150 m (492 ft) in the United Kingdom and in Western Europe, and the third most of any city in Europe overall, after Moscow and Istanbul. London's skyline has undergone immense transformation in the early 21st century. Since 2013, the tallest building in London and the United Kingdom has been The Shard, the only supertall skyscraper. The pyramid-shaped building in Southwark rises to a height of 306 m (1,004 ft). London has two primary skyscraper clusters: the City of London in central London, and Canary Wharf with the Isle of Dogs in East London, alongside numerous smaller groupings throughout Greater London.

For two centuries since 1710, St Paul's Cathedral was the tallest structure in London. While early skyscrapers sprouted in the late 19th and early 20th century in the United States, London—then the world's largest city—avoided this trend. In 1894, after work on the 12-storey Queen Anne’s Mansions, the London Building Act imposed a height limit of 30 m (98 ft) or less across the city. This restriction was lifted in the 1950s, permitting the construction of high-rises taller than St. Paul's. The destruction during The Blitz allowed more room for modern development. Early skyscrapers were built on the west side of central London, most notably the BT Tower in Fitzrovia in 1965. A concentration of tall buildings arose in the City of London, including office towers such as St Helen's and Tower 42, and Barbican Estate, a three-towered residential complex that is a prominent example of brutalism. The London Docklands in the Isle of Dogs, which had become disused in the 1960s, underwent a significant redevelopment plan in the 1980s, resulting in the financial district of Canary Wharf. Among the first skyscrapers built there was One Canada Square in 1991. At 236 m (774 ft), it surpassed Tower 42 to be London's tallest building; it is currently the city's third-tallest building and still the tallest in Canary Wharf.

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Brutalist architecture in the context of Southbank Centre

Southbank Centre is an arts centre in London, England. It is adjacent to the separately owned National Theatre and BFI Southbank.

It comprises the three main performance spaces – the Royal Festival Hall, Queen Elizabeth Hall, and Purcell Room – as well as the Hayward Gallery and National Poetry Library. It is the largest centre for the arts in the UK. The Southbank Centre drew around 3.7 million visitors in 2024 and stages approximately 5,000 performances each year. Three to four major art exhibitions are presented at the Hayward Gallery annually. Together with the Barbican Centre, a similar arts venue, the Southbank Centre is also known for its brutalist architecture.

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