Noble court in the context of "Valet de chambre"

Diego Rodríguez de Silva y Velázquez (baptised 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He is generally considered one of the greatest artists in the history of Western art.

He was an individualistic artist of the Baroque period (c. 1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656).

Courtly love (Occitan: fin'amor [finaˈmuɾ]; French: amour courtois [amuʁ kuʁtwa]) was a medieval European literary conception of love that emphasized nobility and chivalry. Medieval literature is filled with examples of knights setting out on adventures and performing various deeds or services for ladies because of their "courtly love". This kind of love was originally a literary fiction created for the entertainment of the nobility, but as time passed, these ideas about love spread to popular culture and attracted a larger literate audience. In the High Middle Ages, a "game of love" developed around these ideas as a set of social practices. "Loving nobly" was considered to be an enriching and improving practice.

Courtly love began in the ducal and princely courts of Aquitaine, Provence, Champagne, ducal Burgundy and the Norman Kingdom of Sicily at the end of the eleventh century. In essence, courtly love was an experience between erotic desire and spiritual attainment, "a love at once illicit and morally elevating, passionate and disciplined, humiliating and exalting, human and transcendent". The topic was prominent with both musicians and poets, being frequently used by troubadours, trouvères and Minnesänger. The topic was also popular with major writers, including Dante, Petrarch and Geoffrey Chaucer.

The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully.

Las Meninas (Spanish for 'The Ladies-in-waiting' pronounced [las meˈninas]) is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. It has become one of the most widely analyzed works in Western painting for the way its complex and enigmatic composition raises questions about reality and illusion, and for the uncertain relationship it creates between the viewer and the figures depicted.

The painting is believed by the art historian F. J. Sánchez Cantón to depict a room in the Royal Alcazar of Madrid during the reign of Philip IV, and presents several figures, most identifiable from the Spanish court, captured in a particular moment as if in a snapshot. Some of the figures look out of the canvas towards the viewer, while others interact among themselves. The five-year-old Infanta Margaret Theresa is surrounded by her entourage of maids of honour, chaperone, bodyguard, two little people and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázquez looks outwards beyond the pictorial space to where a viewer of the painting would stand. In the background there is a mirror that reflects the upper bodies of the king and queen. They appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Velázquez is shown working on.

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.

Modern popular dance music initially emerged from late 19th century's Western ballroom and social dance music. During the early 20th century, ballroom dancing gained popularity among the working class who attended public dance halls. Dance music became enormously popular during the 1920s. In the 1930s, known as the Swing era, Swing music was the popular dance music in America. In the 1950s, rock and roll became the popular dance music. The late 1960s saw the rise of soul and R&B music. Dominican and Cuban New Yorkers created the popular salsa dance in the late 1960s which stemmed from the Latin music genre of salsa. The rise of disco in the early 1970s led to dance music becoming popular with the public. By the late 1970s, electronic dance music was developing. This music, made using electronics, is a style of popular music commonly played in nightclubs, radio stations, shows and raves. Many subgenres of electronic dance music have evolved.

Court appointments are the traditional positions within a royal, ducal, or noble household. In the early Middle Ages, when such households were established, most court officials had either domestic or military duties; the monarch's closest advisers were those who served in the household. However, as time went by, most of these positions became hereditary, and their role in the running of the household was gradually eroded. In England, for instance, the Lord Great Chamberlain and the Earl Marshal were originally responsible for the running of the royal household and the royal stables respectively; however, from the late medieval period onwards, their roles became largely honorary, their places in the household being taken by the Lord Chamberlain and the Master of the Horse.

Today, many court titles survive in those European nations that retain royal courts. Examples of court appointments would include:

Durbar is a Persian-derived term (from Persian: دربار, romanized: darbār) referring to the noble court of a king or ruler or a formal meeting where the king held all discussions regarding the state. It was used in South Asia for a ruler's court or feudal levy. A durbar may be either a feudal state council for administering the affairs of a princely state, or a purely ceremonial gathering, as was increasingly the case during British rule in India.

The most famous durbars belonged to powerful emperors and kings. In the north of India, cities like Baroda, Gwalior, Udaipur, Jaipur, Jodhpur, Jaisalmer, Agra, and the city of Lahore in Pakistan have palaces and forts that adorn such halls. The Mughal emperor Akbar had two halls—one for his ministers, and the other for the general public. Usually, durbar halls are lavishly decorated with the best possible materials available at the time.