Nigel Godrich in the context of "Beck"

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⭐ Core Definition: Nigel Godrich

Nigel Timothy Godrich (born 28 February 1971) is an English record producer, recording engineer and musician. He has worked with acts including Radiohead, Travis, Beck, Air, Paul McCartney, U2, R.E.M., Pavement, Roger Waters, Arcade Fire and Idles.

Early in his career, Godrich worked as the house engineer at RAK Studios, London, under the producer John Leckie. He first worked with Radiohead while engineering their second album, The Bends (1995), at RAK. Radiohead hired him to produce OK Computer (1997), which was a major success and brought him attention from major artists. He has produced all of Radiohead's albums since, along with several other projects with the Radiohead members Thom Yorke and Jonny Greenwood. Godrich won the Grammy Award for Best Engineered Non-Classical Album for the 2003 Radiohead album Hail to the Thief.

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In this Dossier

Nigel Godrich in the context of Radiohead

Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. The band members are Thom Yorke (vocals, guitar, keyboards); the brothers Jonny Greenwood (guitar, keyboards, other instruments) and Colin Greenwood (bass); Ed O'Brien (guitar, backing vocals); and Philip Selway (drums). They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.

Radiohead signed to EMI in 1991 and released their debut album, Pablo Honey, in 1993. Their debut single, "Creep", was a worldwide hit, and their popularity and critical standing rose with The Bends in 1995. Their third album, OK Computer (1997), is acclaimed as a landmark record and one of the greatest albums in popular music, with complex production and themes of modern alienation. Their fourth album, Kid A (2000), marked a dramatic change in style, incorporating influences from electronic music, jazz, classical music and krautrock. Though Kid A divided listeners, it was later named the best album of the decade by multiple outlets. It was followed by Amnesiac (2001), recorded in the same sessions. Radiohead's final album for EMI, Hail to the Thief (2003), blended rock and electronic music, with lyrics addressing the war on terror.

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Nigel Godrich in the context of Thom Yorke

Thomas Edward Yorke (born 7 October 1968) is an English musician who is the singer and main songwriter of the rock band Radiohead. He plays guitar, bass, keyboards and other instruments, and is noted for his falsetto. Rolling Stone described Yorke as one of the greatest and most influential singers of his generation.

Yorke formed Radiohead with schoolmates at Abingdon School in Oxfordshire. They gained notice with their debut single, "Creep" (1992), and went on to achieve acclaim and sales of more than 30 million albums. Yorke's early influences included alternative rock acts such as the Pixies and R.E.M. With Radiohead's fourth album, Kid A (2000), Yorke moved into electronic music, influenced by artists such as Aphex Twin. For most of his career, he has worked with the producer Nigel Godrich and the cover artist Stanley Donwood.

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Nigel Godrich in the context of The Bends (album)

The Bends is the second studio album by the English rock band Radiohead, released on 13 March 1995 by Parlophone. It was produced by John Leckie, with extra production by Radiohead, Nigel Godrich and Jim Warren. The Bends combines guitar songs and ballads, with more restrained arrangements and cryptic lyrics than Radiohead's debut album, Pablo Honey (1993).

Work began at RAK Studios, London, in February 1994. Tensions were high, with pressure from Parlophone to match sales of Radiohead's debut single, "Creep", and progress was slow. After an international tour in May and June, Radiohead resumed work at Abbey Road in London and the Manor in Oxfordshire. The Bends was the first Radiohead album recorded with Godrich and the artist Stanley Donwood, who have worked on every Radiohead album since.

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Nigel Godrich in the context of OK Computer

OK Computer is the third studio album by the English rock band Radiohead, released on 21 May 1997. With their producer, Nigel Godrich, Radiohead recorded most of OK Computer in their rehearsal space in Oxfordshire and the historic mansion of St Catherine's Court in Bath in 1996 and early 1997. They distanced themselves from the guitar-centred, lyrically introspective style of their previous album, The Bends. OK Computer's abstract lyrics, densely layered sound and eclectic influences laid the groundwork for Radiohead's later, more experimental work.

The lyrics depict a dystopian world fraught with rampant consumerism, social alienation, technological anxiety and political corruption, while also exploring themes of transport, conformity, paranoia, death, modern British life and globalisation. In this capacity, OK Computer is said to have prescient insight into the mood of 21st-century life. Radiohead used unconventional production techniques, including natural reverberation, and no audio separation. Strings were recorded at Abbey Road Studios in London. Most of the album was recorded live.

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Nigel Godrich in the context of Kid A

Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. It was recorded with their producer, Nigel Godrich, in Paris, Copenhagen, Gloucestershire and Oxfordshire. Departing from their earlier sound, Radiohead incorporated influences from electronic music, krautrock, jazz and 20th-century classical music, with a wider range of instruments and effects. The singer, Thom Yorke, wrote abstract lyrics, cutting up phrases and assembling them at random.

In a departure from industry practice, Radiohead released no singles and conducted few interviews and photoshoots. Instead, they released short animations and became one of the first major acts to use the internet for promotion. Bootlegs of early performances were shared on filesharing services, and Kid A was leaked before release. In 2000, Radiohead toured Europe in a custom-built tent without corporate sponsors.

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Nigel Godrich in the context of Amnesiac (album)

Amnesiac is the fifth studio album by the English rock band Radiohead, released on 30 May 2001 by EMI. It was recorded with the producer Nigel Godrich in the same sessions as Radiohead's previous album Kid A (2000). Radiohead split the work in two as they felt it was too dense for a double album. As with Kid A, Amnesiac incorporates influences from electronic music, 20th-century classical music, jazz and krautrock. The final track, "Life in a Glasshouse", is a collaboration with the jazz trumpeter Humphrey Lyttelton and his band.

After having released no singles for Kid A, Radiohead promoted Amnesiac with the singles "Pyramid Song" and "Knives Out", accompanied by music videos. Videos were also made for "Pulk/Pull Revolving Doors" and "Like Spinning Plates", as well as "I Might Be Wrong", which was released as a promotional single. In June 2001, Radiohead began the Amnesiac tour, incorporating their first North American tour in three years and a homecoming performance in Oxford.

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Nigel Godrich in the context of Hail to the Thief

Hail to the Thief is the sixth studio album by the English rock band Radiohead. It was released on 9 June 2003 through Parlophone internationally, and through Capitol Records in the United States on 10 June. It was the last album released under Radiohead's record contract with EMI, the parent company of Parlophone and Capitol.

After transitioning to a more electronic style on their albums Kid A (2000) and Amnesiac (2001), which were recorded through protracted studio experimentation, Radiohead sought to work more spontaneously, combining electronic and rock music. They recorded most of Hail to the Thief in two weeks in Los Angeles with their longtime producer, Nigel Godrich, focusing on live takes rather than overdubs. The singer, Thom Yorke, wrote lyrics in response to the election of the US president George W. Bush and the unfolding war on terror. He took phrases from political discourse and combined them with elements from fairy tales and children's literature. The title is a play on the American presidential anthem, "Hail to the Chief".

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