Bootleg recording in the context of "Kid A"

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👉 Bootleg recording in the context of Kid A

Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. It was recorded with their producer, Nigel Godrich, in Paris, Copenhagen, Gloucestershire and Oxfordshire. Departing from their earlier sound, Radiohead incorporated influences from electronic music, krautrock, jazz and 20th-century classical music, with a wider range of instruments and effects. The singer, Thom Yorke, wrote abstract lyrics, cutting up phrases and assembling them at random.

In a departure from industry practice, Radiohead released no singles and conducted few interviews and photoshoots. Instead, they released short animations and became one of the first major acts to use the internet for promotion. Bootlegs of early performances were shared on filesharing services, and Kid A was leaked before release. In 2000, Radiohead toured Europe in a custom-built tent without corporate sponsors.

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Bootleg recording in the context of Power of the Dollar

Power of the Dollar is the debut EP and unreleased debut studio album by American rapper 50 Cent. The EP version was released September 12, 2000, by Columbia Records and Trackmasters Entertainment. The album version was originally set to be released as 50 Cent's major-label debut on July 4, 2000, but he was ultimately dropped by Columbia Records after being shot nine times and the album was shelved. Subsequently, the album was heavily bootlegged. Since then, Columbia has stated it has no plans to release the album.

The EP features guest appearances from Destiny's Child, Noreaga, and the Madd Rapper. The album version was set to feature all the artists included on the EP as well as Bun B and Dave Hollister. The album's production was handled by Trackmasters, Red Spyda, Sha Self, DJ Scratch and Erick Sermon, among other producers and was leaked on YouTube in 2012.

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Bootleg recording in the context of Theatre of Eternal Music

The Theatre of Eternal Music (later sometimes called The Dream Syndicate) was an avant-garde musical group formed by La Monte Young in New York City in 1962. The first group (1962–1964) of performers consisted of La Monte Young, Marian Zazeela, Angus MacLise, and Billy Name. From 1964 to 1966, it consisted of La Monte Young (voice, saxophone), Marian Zazeela (voice, lighting), John Cale (viola), and Tony Conrad (violin), with sometimes also Terry Riley (voice). Since 1966, Theatre of Eternal Music has seen many permutations and has included Garrett List, Jon Gibson, Jon Hassell, Rhys Chatham, Alex Dea, Terry Jennings, and many others, including some members of the various 1960s groups. The group's self-described "dream music" explored drones and pure harmonic intervals, employing sustained tones and electric amplification in lengthy, all-night performances.

Archival recordings of the group's influential mid-1960s performances remain in La Monte Young's archive. None have ever seen official release following a dispute over compositional credit between Young and the pair of Conrad and Cale. Nonetheless, a 1965 bootleg recording removed from the archive by Young's first archivist, Arnold Dreyblatt, was controversially released in 2000 by Table of the Elements in CD as Day of Niagara. Other bootlegs of Theatre of Eternal Music have appeared online via file-sharing sites.

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