Krautrock in the context of "Amnesiac (album)"

Radiohead are an English rock band formed in Abingdon, Oxfordshire, in 1985. The band members are Thom Yorke (vocals, guitar, keyboards); the brothers Jonny Greenwood (guitar, keyboards, other instruments) and Colin Greenwood (bass); Ed O'Brien (guitar, backing vocals); and Philip Selway (drums). They have worked with the producer Nigel Godrich and the cover artist Stanley Donwood since 1994. Radiohead's experimental approach is credited with advancing the sound of alternative rock.

Radiohead signed to EMI in 1991 and released their debut album, Pablo Honey, in 1993. Their debut single, "Creep", was a worldwide hit, and their popularity and critical standing rose with The Bends in 1995. Their third album, OK Computer (1997), is acclaimed as a landmark record and one of the greatest albums in popular music, with complex production and themes of modern alienation. Their fourth album, Kid A (2000), marked a dramatic change in style, incorporating influences from electronic music, jazz, classical music and krautrock. Though Kid A divided listeners, it was later named the best album of the decade by multiple outlets. It was followed by Amnesiac (2001), recorded in the same sessions. Radiohead's final album for EMI, Hail to the Thief (2003), blended rock and electronic music, with lyrics addressing the war on terror.

Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.

Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as well as psychedelic electronic music genres such as acid house, trance music, and new rave.

Klaus Schulze (4 August 1947 – 26 April 2022) was a German electronic music pioneer, composer and musician. He also used the alias Richard Wahnfried and was a member of the Krautrock bands Tangerine Dream, Ash Ra Tempel, and the Cosmic Jokers before launching a solo career consisting of more than 60 albums released across six decades.

Kraftwerk (German pronunciation: [ˈkʁaftvɛʁk] , lit. 'power plant') is a German electronic band formed in Düsseldorf in 1970 by Ralf Hütter and Florian Schneider. Widely considered innovators and pioneers of electronic music, Kraftwerk was among the first successful acts to popularise the genre. The group began as part of West Germany's experimental krautrock scene in the early 1970s before fully embracing electronic instrumentation, including synthesizers, drum machines, and vocoders. Wolfgang Flür joined the band in 1973 and Karl Bartos in 1975, expanding the band to a quartet.

On commercially successful albums such as Autobahn (1974), Trans-Europe Express (1977), The Man-Machine (1978), and Computer World (1981), Kraftwerk developed a self-described "robot pop" style that combined electronic music with pop melodies, sparse arrangements, and repetitive rhythms, while adopting a stylised image including matching suits. Following the release of Electric Café (1986), Flür left the group in 1987, followed by Bartos in 1990. The band released Tour de France Soundtracks, its most recent studio and concept album, in 2003. Founding member Florian Schneider left in 2008 to pursue solo work until his death in 2020. The band, with new members, has continued to tour under the leadership of Ralf Hütter.

Post-punk (or postpunk) is a subgenre and era of rock music that emerged in late 1977 in the wake of punk rock. The concept was originally outlined by Jon Savage in his "New Musick" editorial for Sounds magazine in November 1977. The term has been noted for lacking a universally agreed-upon definition. Post-punk musicians departed from punk's fundamental elements and raw simplicity, adopting instead a broader, more experimental approach that incorporated a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to move beyond rock clichés, artists drew influence from German krautrock and experimented with styles such as funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from modernist art, cinema, literature, and politics. They also established independent record labels, created visual art, staged multimedia performances, and produced fanzines. Among the early post-punk bands, only Siouxsie and the Banshees and Public Image Ltd. achieved commercial success in 1978, with debut singles reaching the top ten of the UK Chart.

Regional scenes developed across Europe alongside new wave music, the most notable being the Netherlands' Ultra movement, Germany's Neue Deutsche Welle, Spain's La Movida Madrileña, and the coldwave scenes in France, Poland, and Belgium, as well as the Soviet and Yugoslav new wave. The original post-punk era emerged in parallel with the no wave and industrial music scenes, and later provided a foundation for British new pop and the Second British Invasion in the United States. Post-punk also influenced the development of numerous alternative and independent music genres, including gothic rock, neo-psychedelia, dark wave, dance-punk, jangle pop, ethereal wave, dream pop, and shoegaze. By the mid-to-late 1980s, post-punk had largely dissipated.

Kid A is the fourth studio album by the English rock band Radiohead, released on 2 October 2000 by Parlophone. It was recorded with their producer, Nigel Godrich, in Paris, Copenhagen, Gloucestershire and Oxfordshire. Departing from their earlier sound, Radiohead incorporated influences from electronic music, krautrock, jazz and 20th-century classical music, with a wider range of instruments and effects. The singer, Thom Yorke, wrote abstract lyrics, cutting up phrases and assembling them at random.

In a departure from industry practice, Radiohead released no singles and conducted few interviews and photoshoots. Instead, they released short animations and became one of the first major acts to use the internet for promotion. Bootlegs of early performances were shared on filesharing services, and Kid A was leaked before release. In 2000, Radiohead toured Europe in a custom-built tent without corporate sponsors.