Niccolò Paganini in the context of "Music of Italy"

Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 until 1837.

Romantic composers sought to create music that was individualistic, emotional, dramatic, and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements, or the fine arts. It included features such as increased chromaticism and moved away from traditional forms.

Klaus Kinski (German: [klaʊs ˈkɪnski] ; born Klaus Günter Karl Nakszynski 18 October 1926 – 23 November 1991) was a German actor. Equally renowned for his intense performance style and notorious for his volatile personality, he appeared in over 130 film roles in a career that spanned 40 years, from 1948 to 1988. He is best known for starring in five films directed by Werner Herzog from 1972 to 1987 (Aguirre, the Wrath of God; Nosferatu the Vampyre; Woyzeck; Fitzcarraldo; and Cobra Verde), who would later chronicle their tumultuous relationship in the documentary My Best Fiend.

Kinski's roles spanned multiple genres, languages, and nationalities, including Spaghetti Westerns, horror films, war films, dramas, and Edgar Wallace krimi films. His infamy was elevated by a number of eccentric creative endeavors, including a one-man show based on the life of Jesus Christ, a biopic of violinist Niccolò Paganini directed by and starring himself, and over twenty spoken word albums.

The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982. The Caprices are in the form of études, with each number exploring different skills (double stopped trills, extremely fast switching of positions and strings, etc.)

Ricordi first published them in 1820, where they were grouped and numbered from 1 to 24 as Op. 1, together with 12 Sonatas for Violin and Guitar (Op. 2 and 3) and 6 Guitar Quartets (Op. 4 and 5). When Paganini released his Caprices, he dedicated them "alli artisti" (to the artists) rather than to a specific person. A sort of dedication can be recognized in Paganini's own score, where he annotated between 1832 and 1840 the following 'dedicatee' for each Caprice (possibly ready for a new printed edition): 1: Henri Vieuxtemps; 2: Giuseppe Austri; 3: Ernesto Camillo Sivori; 4: Ole Bornemann Bull; 5: Heinrich Wilhelm Ernst; 6: Karol Józef Lipiński; 7: Franz Liszt; 8: Delphin Alard; 9: Herrmann; 10: Theodor Haumann; 11: Sigismond Thalberg; 12: Dhuler; 13: Charles Philippe Lafont; 14: Jacques Pierre Rode; 15: Louis Spohr; 16: Rodolphe Kreutzer; 17: Alexandre Artôt; 18: Antoine Bohrer; 19: Andreas Jakob Romberg; 20: Carlo Bignami; 21: Antonio Bazzini; 22: Luigi Alliani; 23: [no name]; 24: Nicolò Paganini, sepolto pur troppo (to my self, regrettably buried).

Alessandro Rolla (Italian pronunciation: [alesˈsandro ˈrɔlla]; 23 April 1757 – 14 September 1841) was an Italian viola and violin virtuoso, composer, conductor and teacher. His son, Antonio Rolla, was also a violin virtuoso and composer.

His fame now rests mainly as "teacher of the great Paganini", yet his role was very important in the development of violin and viola technique. Some of the technical innovations that Paganini later utilized largely, such as left-hand pizzicato, chromatic ascending and descending scales, the use of very high positions on violin and viola, octave passages, were first introduced by Rolla.

Gasparo Ghiretti (1747 in Naples – 1797 in Parma) was an Italian composer, counterpointist and violinist who served as chamber musician to Ferdinand, Duke of Parma in the last part of the 1700s. In his position he was master teacher to a number of talented musicians, including composer and Duke's chapelmaster Ferdinando Paer; Ferdinando Orlandi (1774–1848); Angelo Maria Benincori; and most famously, a young Niccolò Paganini, who studied with Ghiretti for several months and possibly as long as two years. In addition to violin technique, Ghiretti's teaching focused on harmony, counterpoint, theory and composition.