Luciano Pavarotti in the context of "Music of Italy"

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👉 Luciano Pavarotti in the context of Music of Italy

In Italy, music has traditionally been one of the cultural markers of Italian national cultures and ethnic identity and holds an important position in society and in politics. Italian music innovation – in musical scale, harmony, notation, and theatre – enabled the development of opera and much of modern European classical music – such as the symphony and concerto – ranges across a broad spectrum of opera and instrumental classical music and popular music drawn from both native and imported sources. Instruments associated with classical music, including the piano and violin, were invented in Italy.

Italy's most famous composers include the Renaissance Palestrina, Monteverdi, and Gesualdo; the Baroque Scarlatti, and Vivaldi; the classical Paganini, and Rossini; and the Romantic Verdi and Puccini. Classical music has a strong hold in Italy, as evidenced by the fame of its opera houses such as La Scala, and performers such as the pianist Maurizio Pollini and tenor Luciano Pavarotti. Italy is known as the birthplace of opera. Italian opera is believed to have been founded in the 17th century.

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Luciano Pavarotti in the context of The Royal Opera

The Royal Opera is a British opera company based in central London, resident at the Royal Opera House in Covent Garden. Along with English National Opera, it is one of the two principal opera companies in London. Founded in 1946 as the Covent Garden Opera Company, the company had that title until 1968. It brought a long annual season and consistent management to a house that had previously hosted short seasons under a series of impresarios. Since its inception, it has shared the Royal Opera House with the dance company now known as The Royal Ballet. The two companies belong to an umbrella organisation, the Royal Ballet and Opera, which was known as the Royal Opera House prior to 2024.

When the company was formed, its policy was to perform all works in English, but since the late 1950s most operas have been performed in their original language. From the outset, performers have comprised a mixture of British and Commonwealth singers and international guest stars, but fostering the careers of singers from within the company was a consistent policy of the early years. Among the many guest performers have been Maria Callas, Plácido Domingo, Kirsten Flagstad, Hans Hotter, Birgit Nilsson, Luciano Pavarotti and Elisabeth Schwarzkopf. Among those who have risen to international prominence from the ranks of the company are Geraint Evans, Joan Sutherland, Kiri Te Kanawa and Jon Vickers.

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Luciano Pavarotti in the context of Plácido Domingo

José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a lirico-spinto tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, including Simon Boccanegra. As of 2020, he has performed 151 different roles.

Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum and multi-platinum. His first pop album, Perhaps Love (1981), spread his fame beyond the opera world. The title song, performed as a duet with country and folk singer John Denver, has sold almost four million copies and helped lead to numerous television appearances for the tenor. He also starred in many cinematically released and televised opera movies, particularly under the direction of Franco Zeffirelli. In 1990, he began singing with fellow tenors Luciano Pavarotti and José Carreras as part of The Three Tenors. The first Three Tenors recording became the best-selling classical album of all time.

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Luciano Pavarotti in the context of Songs from the Last Century

Songs from the Last Century is the fourth solo studio album by English singer-songwriter George Michael, released on 6 December 1999 by Aegean Records and Virgin Records. Produced by Michael and Phil Ramone, it was his only album of cover versions. It consists mainly of old jazz standards plus new interpretations of more recent popular songs, such as "Roxanne" by the Police and "Miss Sarajevo" by U2 and Brian Eno with Luciano Pavarotti. Both songs were released as promotional singles.

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