Nibelungenlied in the context of "Sigurd"

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⭐ Core Definition: Nibelungenlied

The Nibelungenlied (German pronunciation: [ˈniːbəlʊŋən-], [ˈnɪbəlʊŋən-] or [ˌniːbəˈlʊŋənˌliːt] ; Middle High German: Der Nibelunge liet or Der Nibelunge nôt), translated as The Song of the Nibelungs, is an epic poem written around 1200 in Middle High German. Its anonymous poet was likely from the region of Passau. The Nibelungenlied is based on an oral tradition of Germanic heroic legend that has some of its origin in historic events and individuals of the 5th and 6th centuries and that spread throughout almost all of Germanic-speaking Europe. Scandinavian parallels to the German poem are found especially in the heroic lays of the Poetic Edda and in the Völsunga saga.

The poem is split into two parts. In the first part, the prince Siegfried comes to Worms to acquire the hand of the Burgundian princess Kriemhild from her brother King Gunther. Gunther agrees to let Siegfried marry Kriemhild if Siegfried helps Gunther acquire the warrior-queen Brünhild as his wife. Siegfried does this and marries Kriemhild; however, Brünhild and Kriemhild become rivals, leading eventually to Siegfried's murder by the Burgundian vassal Hagen with Gunther's involvement.

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👉 Nibelungenlied in the context of Sigurd

Sigurd (Old Norse: Sigurðr [ˈsiɣˌurðr]) or Siegfried (Middle High German: Sîvrit) is a legendary hero of Germanic heroic legend, who killed a dragon — known in Nordic tradition as Fafnir (Old Norse: Fáfnir) — and who was later murdered. In the Nordic countries, he is referred to with the epithet "Fáfnir's bane" (Danish: Fafnersbane, Icelandic: Fáfnisbani, Norwegian: Fåvnesbane, Swedish: Fafnesbane), and is also widely known as "the Dragon Slayer". In both the Norse and continental Germanic traditions, Sigurd is portrayed as dying as the result of a quarrel between his wife (Gudrun/Kriemhild) and another woman, Brunhild, whom he had unknowingly tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other respects, however, the two traditions appear to diverge. The most important works to feature Sigurd are the Nibelungenlied, the Völsunga saga, and the Poetic Edda. He also appears in numerous other works from both Germany and Scandinavia, including a series of medieval and early modern Scandinavian ballads.

Sigurd's story is first attested on a series of carvings, including runestones from Sweden and stone crosses from the British Isles, dating from the 11th century. It is possible that he was inspired by one or more figures from the Frankish Merovingian dynasty, with Sigebert I being the most popular contender. Older scholarship sometimes connected him with Arminius, victor of the Battle of the Teutoburg Forest. He may also have a purely mythological origin.

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Nibelungenlied in the context of Burgundians

The Burgundians (Latin: Burgundiones or less commonly Burgundii) were a Germanic people of the Roman imperial era, who established the powerful Kingdom of the Burgundians within the Roman empire, in what is now western Switzerland and south-eastern France. This kingdom is the source of much later names related to the region of Burgundy, including medieval entities such as the Duchy of Burgundy.

In earlier periods, peoples with the same name were reported by Roman sources to have lived in different parts of what is now Germany and Poland, and there are believed to be connections between at least some of these groups. For one thing, the kingdom's core group were followers of the Gibichung dynasty, who had previously led them as foederati in Roman territory on the Rhine border, probably near Worms in present day Germany. They left the Rhine after the Romans and their Hun allies killed many of the Burgundians along with their king Gundahar in 436, accusing them of rebellion. The death of Gundahar at the hands of the Huns became a central theme in medieval Germanic heroic legend, including the Nibelungenlied (where he is “Günther”) and the Völsunga saga (where he is “Gunnar”). After the remnants resettled in Sapaudia near Lake Geneva in about 443, their territory expanded to include Lyon as a new capital. The entire kingdom was incorporated into the Frankish empire in 534.

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Nibelungenlied in the context of Germanic heroic legend

Germanic heroic legend (German: germanische Heldensage) is the heroic literary tradition of the Germanic-speaking peoples, most of which originates or is set in the Migration Period (4th-6th centuries AD). Stories from this time period, to which others were added later, were transmitted orally, traveled widely among the Germanic speaking peoples, and were known in many variants. These legends typically reworked historical events or personages in the manner of oral poetry, forming a heroic age. Heroes in these legends often display a heroic ethos emphasizing honor, glory, and loyalty above other concerns. Like Germanic mythology, heroic legend is a genre of Germanic folklore.

Heroic legends are attested in Anglo-Saxon England, medieval Scandinavia, and medieval Germany. Many take the form of Germanic heroic poetry (German: germanische Heldendichtung): shorter pieces are known as heroic lays, whereas longer pieces are called Germanic heroic epic (germanische Heldenepik). The early Middle Ages preserves only a small number of legends in writing, mostly from England, including the only surviving early medieval heroic epic in the vernacular, Beowulf. Probably the oldest surviving heroic poem is the Old High German Hildebrandslied (c. 800). There also survive numerous pictorial depictions from Viking Age Scandinavia and areas under Norse control in the British Isles. These often attest scenes known from later written versions of legends connected to the hero Sigurd. In the High and Late Middle Ages, heroic texts are written in great numbers in Scandinavia, particularly Iceland, and in southern Germany and Austria. Scandinavian legends are preserved both in the form of Eddic poetry and in prose sagas, particularly in the legendary sagas such as the Völsunga saga. German sources are made up of numerous heroic epics, of which the most famous is the Nibelungenlied (c. 1200).

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Nibelungenlied in the context of Worms, Germany

Worms (/vɔːrmz, wɜːrmz/; German pronunciation: [vɔʁms] ) is a city in Rhineland-Palatinate, Germany, situated on the Upper Rhine about 60 km (40 mi) south-southwest of Frankfurt am Main. It had about 84,646 inhabitants as of 2022.

A pre-Roman foundation, Worms is one of the oldest cities in northern Europe. It was the capital of the Kingdom of the Burgundians in the early fifth century, hence is the scene of the medieval legends referring to this period, notably the first part of the Nibelungenlied.

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Nibelungenlied in the context of Gibichung

The term Nibelung (German) or Niflungr (Old Norse) is a personal or clan name with several competing and contradictory uses in Germanic heroic legend. It has an unclear etymology, but is often connected to the root Nebel, meaning mist. The term in its various meanings gives its name to the Middle High German heroic epic the Nibelungenlied.

The most widespread use of Nibelung is used to denote the Burgundian royal house, also known as the Gibichungs (German) or Gjúkingar (Old Norse). A group of royal brothers led by king Gunther or Gunnar, the Gibichungs are responsible for the death of the hero Siegfried or Sigurd and are later destroyed at the court of Attila the Hun (called Etzel in German and Atli in Old Norse). This is the only use of the term attested in the Old Norse legends.

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Nibelungenlied in the context of Gundahar

Gundaharius or Gundahar (died 437), better known by his legendary names Gunther (Middle High German: Gunther) or Gunnar (Old Norse: Gunnarr), was a historical King of the Burgundians in the early 5th century. Gundahar is attested as ruling his people shortly after they crossed the Rhine into Roman Gaul. He was involved in the campaigns of the failed Roman usurper Jovinus before the latter's defeat, after which he was settled on the left bank of the Rhine as a Roman ally. In 436, Gundahar launched an attack from his kingdom on the Roman province of Belgica Prima. He was defeated by the Roman general Flavius Aetius, who destroyed Gundahar's kingdom with the help of Hunnish mercenaries the following year, resulting in Gundahar's death.

The historical Gundahar's death became the basis for a tradition in Germanic heroic legend in which the legendary Gunther met his death at the court of Attila the Hun (Etzel/Atli). The character also became attached to other legends: most notably he is associated with Siegfried/Sigurd and Brunhild, and is implicated in Sigurd's murder. He also appears as an adversary in the legend of Walter of Aquitaine. It is generally assumed that Gunther's involvement in these other legends, in which he plays a secondary or antagonistic role, is a later development. Gunther's importance in the story of the destruction of the Burgundians also waned with time.

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Nibelungenlied in the context of Der Ring des Nibelungen

Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the Nibelungenlied. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a Vorabend ("preliminary evening"). It is often referred to as the Ring cycle, Wagner's Ring, or simply The Ring.

Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the Ring cycle are, in sequence:

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Nibelungenlied in the context of Hagen (legend)

Hagen (German form) or Högni (Old Norse Hǫgni, often anglicized as Hogni, Old English Hagena, Latin Hagano) is a Burgundian warrior in Germanic heroic legend about the Burgundian kingdom at Worms. Hagen is often identified as a brother or half-brother of King Gunther (Old Norse Gunnarr). In the Nibelungenlied he is nicknamed "from Tronje".

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