A national treasure is a structure, artifact, object, cultural work or significant person that is officially or popularly recognized as having particular value to the nation, or representing the ideals of the nation. The term has also been applied to individuals or fictional characters who have made particularly outstanding contributions to the nation's identity.
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👉 National Treasure in the context of National Treasures of Japan
The National Treasure (国宝, kokuhō) refers to Tangible Cultural Properties designated by Japanese law as: “having exceptionally high value”. It applies to buildings, artworks, and crafts; selected from Important Tangible Cultural Properties by the Agency for Cultural Affairs (a special body of the Ministry of Education, Culture, Sports, Science and Technology). A Tangible Cultural Property is considered to be of historic or of artistic value, classified either as buildings and structures or as fine-arts and crafts. Each National Treasure must demonstrate outstanding workmanship, high value for world cultural history, or exceptional value for scholarship.
Approximately 20% of the National Treasures are structures such as castles, Buddhist temples, Shinto shrines, or residences. The remaining 80% include paintings, scrolls, sutras, calligraphy, sculptures in wood, bronze, lacquer or stone, as well as crafts such as pottery, lacquerware, metalworks, swords, textiles, and archaeological artifacts. The items span the period from ancient to early modern Japan before the Meiji period, including pieces of the world's oldest pottery from the Jōmon period and 19th-century documents and writings. The designation of the Akasaka Palace in 2009, the Tomioka Silk Mill in 2014, and the Kaichi School added three modern, post-Meiji Restoration National Treasures.
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National Treasure in the context of Nine Tripod Cauldrons
The Nine Tripod Cauldrons (Chinese: 九鼎; pinyin: Jiǔ Dǐng) were a collection of ding in ancient China that were viewed as symbols of the authority given to the ruler by the Mandate of Heaven. According to its origin narrative, they were cast by Yu the Great of the Xia dynasty.
At the time of the Shang dynasty during the 2nd millennium BCE, the tripod cauldrons came to symbolize the power and authority of the ruling dynasty with strict regulations imposed as to their use. Members of the scholarly gentry class were permitted to use one or three cauldrons; the ministers of state (大夫, dàfū) five; the vassal lords seven; and only the sovereign Son of Heaven was entitled to use nine. The use of the nine tripod cauldrons to offer ritual sacrifices to the ancestors from heaven and earth was a major ceremonial occasion so that by natural progression the ding came to symbolize national political power and later to be regarded as a National Treasure. Sources state that two years after the fall of the Zhou dynasty at the hands of what would become the Qin dynasty the nine tripod cauldrons were taken from the Zhou royal palace and moved westward to the Qin capital at Xianyang. However, by the time Qin Shi Huang had eliminated the other six Warring States to become the first emperor of China in 221 BCE, the whereabouts of the nine tripod cauldrons were unknown. Sima Qian records in his Records of the Grand Historian that they were lost in the Si River to where Qin Shi Huang later dispatched a thousand men to search for the cauldrons to no avail.