Warring States in the context of "Nine Tripod Cauldrons"

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⭐ Core Definition: Warring States

The Warring States period in Chinese history (c. 475 – 221 BC) comprises the final centuries of the Zhou dynasty (c. 1046 – 256 BC), which were characterized by warfare, bureaucratic and military reform, and political consolidation. It followed the Spring and Autumn period and concluded with the wars of conquest that saw the state of Qin annex each of the other contender states by 221 BC and found the Qin dynasty, the first imperial dynastic state in East Asian history.

While scholars have identified several different dates as marking the beginning of the Warring States period, Sima Qian's choice of 475 BC is the most often cited. The era largely corresponds to the second half of the Eastern Zhou period, where the king of Zhou formally ruled as Chinese sovereign, but had lost political power and functioned in practice as a figurehead. This dynamic served as the backdrop for the machinations of the eponymous Warring States. The label "Warring States period" derives from the Record of the Warring States, a work of history compiled during the early Han dynasty (202 BC – 220 AD).

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👉 Warring States in the context of Nine Tripod Cauldrons

The Nine Tripod Cauldrons (Chinese: 九鼎; pinyin: Jiǔ Dǐng) were a collection of ding in ancient China that were viewed as symbols of the authority given to the ruler by the Mandate of Heaven. According to its origin narrative, they were cast by Yu the Great of the Xia dynasty.

At the time of the Shang dynasty during the 2nd millennium BCE, the tripod cauldrons came to symbolize the power and authority of the ruling dynasty with strict regulations imposed as to their use. Members of the scholarly gentry class were permitted to use one or three cauldrons; the ministers of state (大夫, dàfū) five; the vassal lords seven; and only the sovereign Son of Heaven was entitled to use nine. The use of the nine tripod cauldrons to offer ritual sacrifices to the ancestors from heaven and earth was a major ceremonial occasion so that by natural progression the ding came to symbolize national political power and later to be regarded as a National Treasure. Sources state that two years after the fall of the Zhou dynasty at the hands of what would become the Qin dynasty the nine tripod cauldrons were taken from the Zhou royal palace and moved westward to the Qin capital at Xianyang. However, by the time Qin Shi Huang had eliminated the other six Warring States to become the first emperor of China in 221 BCE, the whereabouts of the nine tripod cauldrons were unknown. Sima Qian records in his Records of the Grand Historian that they were lost in the Si River to where Qin Shi Huang later dispatched a thousand men to search for the cauldrons to no avail.

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Warring States in the context of Kings of the Han dynasty

After Liu Bang defeated Xiang Yu and proclaimed himself emperor of the Han dynasty, he followed the practice of Xiang Yu and enfeoffed many generals, noblemen, and imperial relatives as kings (Chinese: ; pinyin: wáng), the same title borne by the sovereigns of the Shang and Zhou dynasties and by the rulers of the Warring States. Each king had his own semi-autonomous kingdom. This was a departure from the policy of the Qin dynasty, which divided China into commanderies governed by non-hereditary governors.

The kings were divided into two groups: yìxìng wáng, literally "kings of different surnames", and tóngxìng wáng, literally "kings of the same surname", i.e., the imperial surname Liu. All of the initial kings were yixing wang, with many tongxing wang being created on former territories of removed yixing wang. The yixing wang represented an obvious threat to the Han empire, and Liu Bang and his successors suppressed them as quickly as was practical: they had disappeared by 157 BC. The tongxing wang were originally left to their own devices but, after the Rebellion of the Seven States in 154 BC, their independence was curtailed. Eventually they lost most of their autonomy. For this reason, the title is also translated as "prince" when referring to later kings of the dynasty, to reflect both their link to the ruling house and the vestigial nature of the former vassal kingdoms.

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Warring States in the context of Filial piety

Filial piety is the virtue of exhibiting love and respect for one's parents, elders, and ancestors, particularly within the context of Confucian, Chinese Buddhist, and Daoist ethics. The Confucian Classic of Filial Piety, thought to be written around the late Warring States-Qin-Han period, has historically been the authoritative source on the Confucian tenet of filial piety. The book—a purported dialogue between Confucius and his student Zengzi—is about how to set up a good society using the principle of filial piety. Filial piety is central to Confucian role ethics.

In more general terms, filial piety means to be good to one's parents; to take care of one's parents; to engage in good conduct, not just towards parents but also outside the home so as to bring a good name to one's parents and ancestors; to show love, respect, and support; to display courtesy; to ensure male heirs; to uphold fraternity among brothers; to wisely advise one's parents, including dissuading them from moral unrighteousness; to display sorrow for their sickness and death; and to bury them and carry out sacrifices after their death.

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Warring States in the context of School of Naturalists

The School of Naturalists or the School of Yin-Yang (simplified Chinese: 阴阳家; traditional Chinese: 陰陽家; pinyin: Yīnyángjiā; Wade–Giles: Yin-yang-chia; lit. 'School of Yin-Yang') was a Warring States-era philosophy that synthesized the concepts of yin-yang and the Five Elements. It was one of the Nine Schools of Thought.

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Warring States in the context of Wu Xian (astronomer)

Wuxian (Chinese: 巫咸) was a Chinese shaman, or Wu (Chinese: ; pinyin: ; Wade–Giles: wu; lit. 'shaman') who practiced divination, prayer, sacrifice, rainmaking, and healing in Chinese traditions dating back over 3,000 years. Wuxian lived in the Shang dynasty (c. 1600–1046 BC) of China, and served under king Tai Wu. He is considered one of the main ancient Chinese astronomers alongside more historical figures such as Gan De and Shi Shen, the latter two of whom lived during the Warring States (403–221 BC). He has also been represented as one of the "Three Astronomical Traditions" on the Dunhuang map which was made during the Tang dynasty (618–907).

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Warring States in the context of Chinese cartography

Chinese cartography began in the 5th century BC during the Warring States period when cartographers started to make maps of the Earth's surface. Its scope extended beyond China's borders with the expansion of the Chinese Empire under the Han dynasty. By the 11th century during the Song dynasty highly-accurate maps drawn on grids were produced. During the 15th century, the Ming dynasty admiral Zheng He went on a series of voyages to the South China Sea, Indian Ocean, and beyond and maps for areas outside of China were produced, although world maps covering territories known to the Chinese outside of China existed as early as the Tang dynasty.

The study of geography in China begins in the Warring States period (5th century BC). It expands its scope beyond the Chinese homeland with the growth of the Chinese Empire under the Han dynasty and enters a golden age with the Han dynasty invention of the compass as one of the Four Great Inventions. The compass was then used from the 11th century during the Song dynasty, Yuan dynasty, Ming dynasty, and Qing dynasty in the study of geography. One of the most famous explorers in Chinese history was the 15th century admiral Zheng He, known for the Chinese exploration of the Pacific and his treasure voyages.

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Warring States in the context of Ancestral shrines

An ancestral shrine, hall or temple (Chinese: ; pinyin: Cítáng; Pe̍h-ōe-jī: Sû-tông or Chinese: ; pinyin: Zōng Cí; Pe̍h-ōe-jī: Chong-sû, Vietnamese: Nhà thờ họ; Chữ Hán: 家祠户; Korean사당; Hanja祠堂), also called lineage temple, is a temple dedicated to deified ancestors and progenitors of surname lineages or families in the Chinese tradition. Ancestral temples are closely linked to Confucian philosophy and culture and the emphasis that it places on filial piety.

A common central feature of the ancestral temples are the ancestral tablets that embody the ancestral spirits. The ancestral tablets are typically arranged by seniority of the ancestors. Altars and other ritual objects such as incense burners are also common fixtures. Ancestors and gods can also be represented by statues.

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