Mythological in the context of "Toltec"

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⭐ Core Definition: Mythological

Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is totally different from the ordinary sense of the term myth, meaning a belief that is not true, as the veracity of a piece of folklore is entirely irrelevant to determining whether it constitutes a myth.

Myths are often endorsed by religious and secular authorities, and may be natural or supernatural in character. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals.

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👉 Mythological in the context of Toltec

The Toltec culture (/ˈtɒltɛk/) was a pre-Columbian Mesoamerican culture that ruled a state centered in Tula, Hidalgo, Mexico, during the Epiclassic and the early Post-Classic period of Mesoamerican chronology, reaching prominence from 950 to 1150 CE. The later Aztec culture considered the Toltec to be their intellectual and cultural predecessors and described Toltec culture emanating from Tōllān [ˈtoːlːãːn̥] (Nahuatl for Tula) as the epitome of civilization. In the Nahuatl language the word Tōltēkatl [toːɬˈteːkat͡ɬ] (singular) or Tōltēkah [toːɬˈteːkaḁ] (plural) came to take on the meaning "artisan". The Aztec oral and pictographic tradition also described the history of the Toltec Empire, giving lists of rulers and their exploits.

Modern scholars debate whether the Aztec narratives of Toltec history should be given credence as descriptions of actual historical events. While all scholars acknowledge that there is a large mythological part of the narrative, some maintain that, by using a critical comparative method, some level of historicity can be salvaged from the sources. Others maintain that continued analysis of the narratives as sources of factual history is futile and hinders access to learning about the culture of Tula.

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Mythological in the context of Viktor Vasnetsov

Viktor Mikhaylovich Vasnetsov (Russian: Ви́ктор Миха́йлович Васнецо́в; 15 May [O.S. 3 May] 1848 – 23 July 1926) was a Russian painter and draughtsman who specialised in mythological and historical subjects. He is considered a co-founder of Russian folklorist and romantic nationalistic painting, and a key figure in the Russian Revivalist movement.

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Mythological in the context of History of astronomy

The history of astronomy focuses on the efforts of civilizations to understand the universe beyond earth's atmosphere.Astronomy is one of the oldest natural sciences, achieving a high level of success in the second half of the first millennium. Astronomy has origins in the religious, mythological, cosmological, calendrical, and astrological beliefs and practices of prehistory. Early astronomical records date back to the Babylonians around 1000 BC. There is also astronomical evidence of interest from early Chinese, Central American and North European cultures.

Astronomy was used by early cultures for timekeeping, navigation, spiritual and religious practices, and agricultural planning. Ancient astronomers observed and charted the skies in an effort to learn about the workings of the universe. During the Renaissance Period, revolutionary ideas emerged about astronomy. One such idea was contributed in 1543 by Polish astronomer Nicolaus Copernicus, who developed a heliocentric model that depicted the planets orbiting the sun. This was the start of the Copernican Revolution, with the invention of the telescope in 1608 playing a key part. Later developments included the reflecting telescope, astronomical photography, astronomical spectroscopy, radio telescopes, cosmic ray astronomy, infrared telescopes, space telescopes,ultraviolet astronomy, X-ray astronomy, gamma-ray astronomy, space probes, neutrino astronomy, and gravitational-wave astronomy.

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Mythological in the context of William-Adolphe Bouguereau

William-Adolphe Bouguereau (French pronunciation: [ˈwiljam ˈadɔlf ˈbuɡ(ə)ʁo]; 30 November 1825 – 19 August 1905) was a French academic painter. In his realistic genre paintings, he used mythological themes, making modern interpretations of classical subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the Impressionist avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in figure painting led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are still unknown.

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Mythological in the context of Culture hero

A culture hero is a mythological hero specific to some group (cultural, ethnic, religious, etc.) who changes the world through invention or discovery. Places like the French Panthéon and the German Walhalla (memorial) show the term is also used for regular people who had civil courage. Although many culture heroes help with the creation of the world, most culture heroes are important because of their effect on the world after creation. A typical culture hero might be credited as the discoverer of fire, agriculture, songs, tradition, law, or religion, and is usually the most important legendary figure of a people, sometimes as the founder of its ruling dynasty. The term is also

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Mythological in the context of Apple

An apple is the round, edible fruit of an apple tree (Malus spp.). Fruit trees of the orchard or domestic apple (Malus domestica), the most widely grown in the genus, are cultivated worldwide. The tree originated in Central Asia, where its wild ancestor, Malus sieversii, is still found. Apples have been grown for thousands of years in Eurasia before they were introduced to North America by European colonists. Apples have cultural significance in many mythologies (including Norse and Greek) and religions (such as Christianity in Europe).

Apples grown from seeds tend to be very different from those of their parents, and the resultant fruit frequently lacks desired characteristics. For commercial purposes, including botanical evaluation, apple cultivars are propagated by clonal grafting onto rootstocks. Apple trees grown without rootstocks tend to be larger and much slower to fruit after planting. Rootstocks are used to control the speed of growth and the size of the resulting tree, allowing for easier harvesting.

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Mythological in the context of Arahitogami

Arahitogami (現人神) is a Japanese word, meaning a kami (or deity) who is a human being. It first appeared in the Nihon Shoki (c. 720) as the words of Yamato Takeru saying: "I am the son of an arahitogami."

In 1946, at the request of the GHQ, the Shōwa Emperor (Hirohito) proclaimed in the Humanity Declaration that he had never been an akitsumikami (現御神), divinity in human form, and claimed his relation to the people did not rely on such a mythological idea but on a historically developed family-like reliance. However, the declaration excluded the word arahitogami.

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Mythological in the context of Ultranationalist

Ultranationalism, or extreme nationalism, is an extremist form of nationalism in which a country asserts or maintains hegemony, supremacy, or other forms of control over other nations (usually through violent coercion) to pursue its specific interests. Ultranationalist entities have been associated with the engagement of political violence even during peacetime.

In ideological terms the British political theorist Roger Griffin said that ultranationalism arises from seeing modern nation states as living organisms, and that in stark mythological ways, political campaigners have divided societies into those that are perceived as being degenerately inferior and those perceived as having great cultural destinies. Ultranationalism has been an aspect of fascism, with historic governments such as the regimes of Fascist Italy and Nazi Germany building on ultranationalist foundations by using specific plans for supposed widespread national renewal. Another major example was the Khmer Rouge regime in Democratic Kampuchea (Cambodia) that promoted ultranationalism.

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