Mythical in the context of "Taboos"

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⭐ Core Definition: Mythical

Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is totally different from the ordinary sense of the term myth, meaning a belief that is not true, as the veracity of a piece of folklore is entirely irrelevant to determining whether it constitutes a myth.

Myths are often endorsed by religious and secular authorities, and may be natural or supernatural in character. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals.

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Mythical in the context of Fairy

A fairy (also called fay, fae, fae folk, fey, fair folk, or faerie) is a type of mythical being or legendary creature, generally described as anthropomorphic, found in the folklore of multiple European cultures (including Celtic, Slavic, Germanic, and French folklore), a form of spirit, often with magical, metaphysical, supernatural, or preternatural qualities.

Myths and stories about fairies do not have a single origin but are rather a collection of folk beliefs from disparate sources. Various folk theories about the origins of fairies include casting them as either demoted angels or demons in a Christian tradition, as deities in pagan belief systems, as spirits of the dead, as prehistoric precursors to humans, or as spirits of nature.

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Mythical in the context of Xian (Taoism)

A xian (simplified Chinese: ; traditional Chinese: ; pinyin: xiān; Wade–Giles: hsien) is any manner of immortal or mythical being within the Taoist pantheon or Chinese folklore. Xian has often been translated into English as "immortal" or "wizard".

Traditionally, xian refers to entities who have attained immortality and supernatural or magical abilities later in life, with a connection to the heavenly realms inaccessible to mortals. This is often achieved through spiritual self-cultivation, alchemy, or worship by others. This is different from the gods (deities) in Chinese mythology and Taoism.

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Mythical in the context of Grażyna (poem)

Grażyna is an 1823 narrative poem by Adam Mickiewicz, written in the summer of 1822 during a year-long sabbatical in Vilnius, while away from his teaching duties in Kowno.

The poem describes the exploits of a mythical Lithuanian chieftainess Grażyna (Lithuanian: Gražina) against the forces of the medieval Order of the Teutonic Knights. The woman character is believed to have been based on Mickiewicz's own sweetheart from Kaunas, Karolina Kowalska. The name was originally conceived by Mickiewicz himself, having used the root of the Lithuanian adjective graži, meaning "beautiful".

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Mythical in the context of War in Heaven

The War in Heaven is a mythical conflict between supernatural forces in traditional Christian cosmology, attested in the Book of Revelation alongside proposed parallels in the Hebrew Bible and the Dead Sea Scrolls. It is described as the result of Satan, who is often identified as the angel Lucifer, rebelling against God and leading to a war between his followers and those still loyal to God, led by the Archangel Michael. Within the New Testament, the War in Heaven provides basis for the concept of the fallen angels and for Satan's banishment to Hell. The War is frequently featured in works of Christian art, such as John Milton's epic poem Paradise Lost, which describes it as occurring over the course of three days as a result of God the Father announcing Jesus Christ as his Son.

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Mythical in the context of Pararaton

The Pararaton (Book of Kings), also known as the Katuturanira Ken Angrok (Story of Ken Angrok), is a 16th-century Javanese historical chronicle written in Kawi (Old Javanese). The comparatively short text of 32 folio-size pages (1126 lines) contains the history of the kings of Singhasari and Majapahit in eastern Java.

The Pararaton opens with a formal incarnation of the founder of the Singhasari kingdom (1222–1292), Ken Arok (or Ken Angrok). Almost half of the manuscript is the story of Ken Arok's career before he acceded to the throne in 1222. This part is mythical. There then follows several shorter narrative fragments in chronological order. Many of the events recorded here are dated. Towards the end, the pieces of history become shorter and shorter and are mixed with genealogical information concerning the members of the royal family of the Majapahit empire.

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Mythical in the context of Fantastic art

Fantastic art is a broad and loosely defined art genre. It is not restricted to a specific school of artists, geographical location or historical period. It can be characterised by subject matter—which portrays non-realistic, mystical, mythical or folkloric subjects or events—and style, which is representational and naturalistic, rather than abstract—or in the case of magazine illustrations and similar, in the style of graphic novel art such as manga.

Fantasy has been an integral part of art since its beginnings, but has been particularly important in mannerism, magic realist painting, romantic art, symbolism, surrealism and lowbrow. In French, the genre is called le fantastique, in English it is sometimes referred to as visionary art, grotesque art or mannerist art. It has had a deep and circular interaction with fantasy literature.

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