Fallen angel in the context of "War in Heaven"

John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant. His 1667 epic poem Paradise Lost was written in blank verse and included 12 books, written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan, and God's expulsion of them from the Garden of Eden. Paradise Lost elevated Milton's reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell.

Milton achieved fame and recognition during his lifetime. His celebrated Areopagitica (1644) condemning pre-publication censorship is among history's most influential and impassioned defences of freedom of speech and freedom of the press. His desire for freedom extended beyond his philosophy and was reflected in his style, which included his introduction of new words to the English language, coined from Latin and Ancient Greek. He was the first modern writer to employ unrhymed verse outside of the theatre or translations.

Paradise Lost is an epic poem in blank verse by the English poet John Milton (1608–1674). The poem concerns the biblical story of the fall of man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. The first version, published in 1667, consists of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time.

At the heart of Paradise Lost are the themes of free will and the moral consequences of disobedience. Milton seeks to "justify the ways of God to men," addressing questions of predestination, human agency, and the nature of good and evil. The poem begins in medias res, with Satan and his fallen angels cast into Hell after their failed rebellion against God. Milton's Satan, portrayed with both grandeur and tragic ambition, is one of the most complex and debated characters in literary history, particularly for his perceived heroism by some readers.

In Sufism, karamat (Arabic: کرامات, romanized: karāmāt, singular Arabic: کرامة, romanized: karāma) refers to supernatural wonders performed by Muslim saints. In the technical vocabulary of Islamic religious sciences, the singular form karamat has a sense similar to charism, a favor or spiritual gift freely bestowed by God. The marvels ascribed to Muslim saints have included supernatural physical actions, predictions of the future, "interpretation of the secrets of hearts", and walking on water.

The concept is closely related to that of Barakah (divine blessing) which endows the individual with such abilities. Another characteristic of miraculous powers is that the saint's prayers are answered immediately. These prayers must never be for material gain, but are requests for helping or punishing others, if seen befitting. The prayers of saints may also grant them power over the fate of angels, as in mystical hagiography, a saint may pray for forgiveness of a fallen angel and restore their place in the angelic hierarchy.

In Christianity, the Devil, also known as Satan, is a malevolent entity that deceives and tempts humans. Frequently viewed as the personification of evil, he is traditionally held to have rebelled against God in an attempt to become equal to God himself. He is said to be a fallen angel, who was expelled from Heaven at the beginning of time, before God created the material world, and is in constant opposition to God. The Devil is identified with several other figures in the Bible including Lucifer, Satan, the serpent in the Garden of Eden, the tempter of the Gospels, Leviathan, Beelzebub, and the dragon in the Book of Revelation.

Early scholars discussed the role of the Devil. Scholars influenced by neoplatonic cosmology, like Origen and Pseudo-Dionysius, portrayed the Devil as representing deficiency and emptiness, the entity most remote from the divine. According to Augustine of Hippo, the realm of the Devil is not nothingness, but an inferior realm standing in opposition to God. The standard medieval depiction of the Devil goes back to Gregory the Great. He integrated the Devil, as the first creation of God, into the Christian angelic hierarchy as the highest of the angels (either a cherub or a seraph) who fell far, into the depths of hell, and became the leader of demons.

Satan, also known as the Devil, is an entity in Abrahamic religions who entices humans into sin or falsehood. In Judaism, Satan is seen as an agent subservient to God, typically regarded as a metaphor for the yetzer hara, or 'evil inclination'. In Christianity and Islam, he is usually seen as a fallen angel or jinn who has rebelled against God, who nevertheless allows him temporary power over the fallen world and a host of demons. In the Baháʼí Faith, Satan is not regarded as an independent evil power, but signifies the lower nature of humans.

A figure known as ha-satan ("the satan") first appears in the Hebrew Bible as a heavenly prosecutor, subordinate to Yahweh (God); he prosecutes the nation of Judah in the heavenly court and tests the loyalty of Yahweh's followers. During the intertestamental period, possibly due to influence from the Zoroastrian figure of Angra Mainyu, the satan developed into a malevolent entity with abhorrent qualities in dualistic opposition to God. In the apocryphal Book of Jubilees, Yahweh grants the satan (referred to as Mastema) authority over a group of fallen angels, or their offspring, to tempt humans to sin and punish them.

A devil is the mythical personification of evil as it is conceived in various cultures and religious traditions. It is seen as the objectification of a hostile and destructive force. Jeffrey Burton Russell states that the different conceptions of the devil can be summed up as 1) a principle of evil independent from God, 2) an aspect of God, 3) a created being turning evil (a fallen angel) or 4) a symbol of human evil.

Each tradition, culture, and religion with a devil in its mythos offers a different lens on manifestations of evil. The history of these perspectives intertwines with theology, mythology, psychiatry, art, and literature, developing independently within each of the traditions. It occurs historically in many contexts and cultures, and is given many different names—Satan (Judaism), Lucifer (Christianity), Beelzebub (Judeo-Christian), Mephistopheles (German), Iblis (Islam)—and attributes: it is portrayed as blue, black, or red; it is portrayed as having horns on its head, and without horns, and so on.

The Book of Enoch (also 1 Enoch;Hebrew: סֵפֶר חֲנוֹךְ, Sēfer Ḥănōḵ; Ge'ez: መጽሐፈ ሄኖክ, Maṣḥafa Hēnok) is an ancient Jewish apocalyptic religious text, ascribed by tradition to the patriarch Enoch who was the father of Methuselah and the great-grandfather of Noah. The Book of Enoch contains unique material on the origins of demons and Nephilim, why some angels fell from heaven, an explanation of why the Genesis flood was morally necessary, and a prophetic exposition of the thousand-year reign of the Messiah. Three books are traditionally attributed to Enoch, including the distinct works 2 Enoch and 3 Enoch.

1 Enoch is not considered to be canonical scripture by most Jewish or Christian church bodies, although it is part of the biblical canon used by the Ethiopian Jewish community Beta Israel, as well as the Ethiopian Orthodox Tewahedo Church and Eritrean Orthodox Tewahedo Church.

In Sufism, karamat (Arabic: کرامات, romanized: karāmāt, singular Arabic: کرامة, romanized: karāma) refers to supernatural wonders performed by Muslim saints. In the technical vocabulary of Islamic religious sciences, the singular form karamat has a sense similar to charism, a favor or spiritual gift freely bestowed by God or gift received by the one who practiced austerities or contemplation. The marvels ascribed to Muslim saints have included teleportation, supernatural physical actions, predictions of the future, "interpretation of the secrets of hearts", and walking on water.

The concept is closely related to that of Barakah (divine blessing) which endows the individual with such abilities. Another characteristic of miraculous powers is that the saint's prayers are answered immediately. These prayers must never be for material gain, but are requests for helping or punishing others, if seen befitting. The prayers of saints may also grant them power over the fate of angels, as in mystical hagiography, a saint may pray for forgiveness of a fallen angel and restore their place in the angelic hierarchy.