Fantastique is a French term for a literary and cinematic genre and mode that is characterized by the intrusion of supernatural elements into the realistic framework of a story, accompanied by uncertainty about their existence. The concept comes from the French literary and critical tradition, and is distinguished from the word "fantastic", which is associated with the broader term of fantasy in the English literary tradition. According to the literary theorist Tzvetan Todorov (Introduction à la littérature fantastique), the fantastique is distinguished from the marvellous by the hesitation it produces between the supernatural and the natural, the possible and the impossible, and sometimes between the logical and the illogical. The marvellous, on the other hand, appeals to the supernatural in which, once the presuppositions of a magical world have been accepted, things happen in an almost normal and familiar way. The genre emerged in the 18th century and knew a golden age in 19th century Europe, particularly in France and Germany.
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👉 Fantastique in the context of Fantastic art
Fantastic art is a broad and loosely defined art genre. It is not restricted to a specific school of artists, geographical location or historical period. It can be characterised by subject matter—which portrays non-realistic, mystical, mythical or folkloric subjects or events—and style, which is representational and naturalistic, rather than abstract—or in the case of magazine illustrations and similar, in the style of graphic novel art such as manga.
Fantasy has been an integral part of art since its beginnings, but has been particularly important in mannerism, magic realist painting, romantic art, symbolism, surrealism and lowbrow. In French, the genre is called le fantastique, in English it is sometimes referred to as visionary art, grotesque art or mannerist art. It has had a deep and circular interaction with fantasy literature.
Fantastique in the context of Mircea Eliade
Mircea Eliade (Romanian: [ˈmirtʃe̯a eliˈade]; March 13 [O.S. February 28] 1907 – April 22, 1986) was a Romanian historian of religion, fiction writer, philosopher, and professor at the University of Chicago. One of the most influential scholars of religion of the 20th century and interpreter of religious experience, he established paradigms in religious studies. His theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential. One of his most instrumental contributions to religious studies was his theory of eternal return, which holds that myths and rituals do not simply commemorate hierophanies, but (at least in the minds of the religious) actually participate in them.
Eliade's literary works belong to the fantastic and autobiographical genres. The best known are the novels Maitreyi ('La Nuit Bengali' or 'Bengal Nights', 1933), Noaptea de Sânziene ('The Forbidden Forest', 1955), Isabel și apele diavolului ('Isabel and the Devil's Waters'), and Romanul Adolescentului Miop ('Novel of the Nearsighted Adolescent', 1989); the novellas Domnișoara Christina ('Miss Christina', 1936) and Tinerețe fără tinerețe ('Youth Without Youth', 1976); and the short stories Secretul doctorului Honigberger ('The Secret of Dr. Honigberger', 1940) and La Țigănci ('With the Gypsy Girls', 1963).
Fantastique in the context of Fantasy television
Fantasy television is a genre of television programming featuring elements of the fantastic, often including magic, supernatural forces, or exotic fantasy worlds. Fantasy television programs are often based on tales from mythology and folklore, or are adapted from fantasy stories in other media. The boundaries of fantasy television often overlap with science fiction and horror but also realistic fiction.
Fantastique in the context of The Tales of Hoffmann
The Tales of Hoffmann (French: Les contes d'Hoffmann) is an opéra fantastique by Jacques Offenbach. The French libretto was written by Jules Barbier, based on three short stories by E. T. A. Hoffmann, who is the protagonist of the story. It was Offenbach's final work; he died in October 1880, four months before the premiere.
Fantastique in the context of True History
A True Story (Ancient Greek: Ἀληθῆ διηγήματα, Alēthē diēgēmata; Latin: Vera Historia or Latin: Verae Historiae), also translated as True History, is a long novella or short novel written in the second century AD by the Syrian author Lucian of Samosata. The novel is a satire of outlandish tales that had been reported in ancient sources, particularly those that presented fantastic or mythical events as if they were true. It is Lucian's best-known work.
It is the earliest known work of fiction to include travel to outer space, alien lifeforms, and interplanetary warfare. It has been described as "the first known text that could be called science fiction". However, the work does not fit into typical literary genres: its multilayered plot and its characters have been interpreted as belonging to science fiction, fantasy, satire or parody, and have been the subjects of scholarly debate.