Murad III (Ottoman Turkish: مراد ثالث, romanized: Murād-i sālis; Turkish: III. Murad; 4 July 1546 – 16 January 1595) was the sultan of the Ottoman Empire from 1574 until his death in 1595. His rule saw battles with the Habsburgs and exhausting wars with the Safavids. The long-independent Morocco was for a time made a vassal of the empire but regained independence in 1582. His reign also saw the empire's expanding influence on the eastern coast of Africa. However, the empire was beset by increasing corruption and inflation from the New World which led to unrest among the Janissary and commoners. Relations with Elizabethan England were cemented during his reign, as both had a common enemy in the Spanish. He was also a great patron of the arts, commissioning the Siyer-i-Nebi and other illustrated manuscripts.
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👉 Murad III in the context of Mimar Sinan
Mimar Sinan (Ottoman Turkish: معمار سينان, romanized: Mi'mâr Sinân; Turkish: Mimar Sinan, pronounced [miːˈmaːɾ siˈnan]; c. 1488/1490 – 17 July 1588) also known as Koca Mi'mâr Sinân Âğâ, ("Sinan Agha the Grand Architect" or "Grand Sinan") was the chief Ottoman architect, engineer and mathematician for sultans Suleiman the Magnificent, Selim II and Murad III. He was responsible for the construction of more than 300 major structures, including the Selimiye Mosque in Edirne, the Kanuni Sultan Suleiman Bridge in Büyükçekmece, and the Mehmed Paša Sokolović Bridge in Višegrad, as well as other more modest projects such as madrasa's, külliyes, and bridges. His apprentices would later design the Sultan Ahmed Mosque in Istanbul and the Stari Most bridge in Mostar.
The son of a stonemason, he received a technical education and became a military engineer. He rose rapidly through the ranks to become first an officer and finally a Janissary commander, with the honorific title of Sinan. He refined his architectural and engineering skills while on campaign with the Janissaries, becoming expert at constructing fortifications of all kinds, as well as military infrastructure projects, such as roads, bridges and aqueducts. At about the age of fifty, he was appointed as chief royal architect, applying the technical skills he had acquired in the army to the "creation of fine religious buildings" and civic structures of all kinds. He remained in this post for almost fifty years.
Murad III in the context of Astrology in medieval Islam
Some medieval Muslims took a keen interest in the study of astrology, partly because they considered the celestial bodies to be essential, partly because the dwellers of desert-regions often travelled at night, and relied upon knowledge of the constellations for guidance in their journeys.
After the advent of Islam, the Muslims needed to determine the time of the prayers, the direction of the Kaaba, and the correct orientation of the mosque, all of which helped give a religious impetus to the study of astronomy and contributed towards the belief that the heavenly bodies were influential upon terrestrial affairs as well as the human condition. The science dealing with such influences was termed astrology (Arabic: علم النجوم Ilm an-Nujūm), a discipline contained within the field of astronomy (more broadly known as علم الفلك Ilm al-Falak 'the science of formation [of the heavens]'). The principles of these studies were rooted in Arabian, Persian, Babylonian, Hellenistic and Indian traditions and both were developed by the Arabs following their establishment of a magnificent observatory and library of astronomical and astrological texts at Baghdad in the 8th century.
Murad III in the context of Mawlid
The Mawlid (Arabic: مولد) is an annual festival commemorating the birthday of the Islamic prophet Muhammad on the traditional date of 12 Rabi' al-Awwal, the third month of the Islamic calendar.
The Muslim general Gökböri, a deputy of Saladin (r. 1174–1193), is believed to have been the first to publicly celebrate Mawlid, which he did in an impressive ceremony at the Prophet's Mosque in Medina. The Ottomans under Murad III (r. 1574–1595) declared it an official holiday.
Murad III in the context of Siyer-i Nebi
Siyer-i Nebi (Ottoman Turkish: سیر نبی) is an Ottoman epic on the life of the Islamic prophet Muhammad, completed around 1388, written by Mustafa (son of Yusuf of Erzurum, known as al-Darir), a Mevlevi dervish on the commission of Sultan Barquq, the Mamluk ruler in Cairo. The text is based on the 13th-century writings of Abu’l Hasan al-Bakri and Ibn Hisham (d. 833). This epic would later be illustrated by Mustafa ibn Vali in the late 16th century, as commissioned by his patron, Sultan Murad III.
Murad III in the context of Zubdat al-Tawarikh
The Zubdat al-Tawarikh ('Essence of History') is an Ottoman genealogy written in Turkish nashki script by calligrapher Sayyid Loqman Aşuri and illuminated throughout with miniatures by painters al-Sayyid Lutfi, Molla Kasım (Mulla Qasim) and Ustad Osman and their workshop, in 1583, for Sultan Murad III. The manuscript is in the Museum of Turkish and Islamic Arts, Istanbul (TIEM 1973).