Mother Goddess in the context of "Dheghom"

A Venus figurine is any Upper Palaeolithic statue portraying a woman, usually carved in the round. Most have been unearthed in Europe, but others have been found as far away as Siberia and distributed across much of Eurasia. The island of Sardinia located on the east side of Italy, had a different version, most famously called Venus of Macomer and other Mother Goddess figurines were found. These statuettes, which date from the Neolithic period, share stylistic and iconographic similarities with the Upper Paleolithic Venus figurines found elsewhere, though they are often identified as representations of a "Mother Goddess" linked to fertility and the afterlife.

Most date from the Gravettian period (26,000–21,000 years ago). However, findings are not limited to this period; for example, the Venus of Hohle Fels dates back at least 35,000 years to the Aurignacian era, and the Venus of Monruz dates back about 11,000 years to the Magdalenian, and the Catalhoyuk figurine, 8000 years old. Such figurines were carved from soft stone (such as steatite, calcite or limestone), bone or ivory, or formed of clay and fired. The latter are among the oldest ceramics known to historians. In total, over 200 such figurines are known; virtually all of modest size, between about 3 and 40 cm (1.2 and 15.7 in) in height. These figurines are recognised as some of the earliest works of prehistoric art.

A health deity is a god or goddess in mythology or religion associated with health, healing and wellbeing. They may also be related to childbirth or Mother Goddesses. They are a common feature of polytheistic religions.

In Greek mythology, the satyr Marsyas (/ˈmɑːrsiəs/; Ancient Greek: Μαρσύας) is a central figure in two stories involving music: in one, he picked up the double oboe (aulos) that had been abandoned by Athena and played it; in the other, he challenged Apollo to a contest of music and lost his hide and life. Literary sources from antiquity often emphasize the hubris of Marsyas and the justice of his punishment.

One strand of modern comparative mythography regards the domination of Marsyas by Apollo as an example of myth that recapitulates a supposed supplanting by the Olympian pantheon of an earlier "Pelasgian" religion of chthonic heroic ancestors and nature spirits.Marsyas was a devoté of the ancient Mother Goddess Rhea/Cybele, and the mythographers situate his episodes in Celaenae (or Kelainai), in Phrygia, at the main source of the Meander (the river Menderes in Turkey).

Earth religion or nature worship is a system of religion based on the veneration of natural phenomena. It covers any religion that worships the earth, nature, or fertility deity, such as the various forms of goddess worship or matriarchal religion. Some find a connection between earth-worship and the Gaia hypothesis. Earth religions are also formulated to allow one to utilize the knowledge of preserving the earth.

Prithvi (Sanskrit: पृथ्वी, Pṛthvī, also पृथिवी, Pṛthivī, "the Vast One", also rendered Pṛthvī Mātā), is the Sanskrit name for the Earth, as well as the name of the goddess-personification of it in Hinduism. The goddess Prithvi is an archetypal Mother Goddess, and one of the most important goddesses in the historical Vedic religion.

She is depicted as a stable, fertile, and benevolent presence in the Vedas. She is frequently addressed as a mother, and a nurturing, generous goddess who provides sustenance to all beings living on her vast, firm expanse. While the Rigveda predominantly associates her with Dyaus ('Father Sky'), the Atharvaveda and later texts portray her as an independent deity.

Some breast-shaped hills are named "pap", an archaic word for the breast or nipple of a woman, particularly those with a small hilltop protuberance. Such anthropomorphic geographic features are found in different parts of the world, and in some traditional cultures, they were once revered as the attributes of the Mother Goddess, such as the Paps of Anu, named after Anu, an important female deity of pre-Christian Ireland.

The White Goddess: a Historical Grammar of Poetic Myth is a book-length essay on the nature of poetic myth-making by the English writer Robert Graves. First published in 1948, it is based on earlier articles published in Wales magazine; corrected, revised and enlarged editions appeared in 1948, 1952 and 1961.

The White Goddess represents an approach to the study of mythology from a decidedly creative and idiosyncratic perspective. Graves proposes the existence of a European deity, the "White Goddess of Birth, Love and Death", much similar to the Mother Goddess, inspired and represented by the phases of the Moon, who lies behind the faces of the diverse goddesses of various European and pagan mythologies.

Dheu (Albanian indefinite form: Dhé), the Earth, is the object of a special cult, important oaths, and curse formulas in Albanian paganism.

The Earth Mother Goddess or Great Mother (Magna Mater) is simply referred to as Dhé or Dheu in Albanian, and traces of her worship have been preserved in Albanian tradition. The Albanian noun Toka "The Earth" is also used to refer to the living Earth.