Venus figurines in the context of "Mother Goddess"

The Gravettian is an archaeological industry of the European Upper Paleolithic that succeeded the Aurignacian circa 33,000 years BP. It is archaeologically the last European culture many consider unified, and had mostly disappeared by c. 22,000 BP, close to the Last Glacial Maximum, although some elements lasted until c. 17,000 BP. In modern-day Portugal, Spain and France, it was succeeded by the Solutrean and by the Epigravettian in Italy, the Balkans, Ukraine and Russia.

The Gravettian culture is known for their artistic works including the famous Venus figurines, which were typically carved from either ivory or limestone. The culture was first identified at the site of La Gravette in the southwestern French department of Dordogne. While historically assumed to represent a genetically homogenous group, recent analysis of ancient DNA sequences suggests that the Gravettian was produced by multiple genetically divergent groups of hunter-gatherers. Eastern Gravettian-producing groups belong to the Věstonice cluster, while western Gravettian-producing groups belong to the Fournol cluster, both of which have genetic continuity from producers of the earlier Aurignacian. Fournol cluster-related groups are thought to be the ancestors of the producers of the following Solutrean and Magdalenian cultures present in Western Europe after the Last Glacial Maximum, while the producers of the Epigravettian are genetically distinct from Gravettian-producing groups.

Prehistoric religion is the religious practice of prehistoric cultures. Prehistory, the period before written records, accounts for the bulk of human experience; over 99% of it occurred during the Paleolithic period alone. Prehistoric cultures spanned the globe and existed for over two and a half million years; their religious practices were many and varied, and studying them is difficult due to the lack of written records detailing the details of their faiths.

The cognitive capacity for religion likely first emerged in Homo sapiens sapiens, or anatomically modern humans, although some scholars posit the existence of Neanderthal religion, and sparse evidence exists for earlier ritual practice. Excluding sparse and controversial evidence in the Middle Paleolithic (300,000–50,000 years ago), religion emerged with certainty in the Upper Paleolithic around 50,000 years ago. Upper Paleolithic religion was possibly shamanic, centered on the phenomenon of special spiritual leaders entering trance states to receive esoteric knowledge. These practices are extrapolated from the rich and complex body of art left by Paleolithic artists, particularly the elaborate cave art and enigmatic Venus figurines they produced.

Bone carving is creating art, tools, and other goods by carving animal bones, antlers, and horns. It can result in the ornamentation of a bone by engraving, painting or another technique, or the creation of a distinct formed object. Bone carving has been practiced by a variety of world cultures, sometimes as a cheaper, and recently a legal, substitute for ivory carving. As a material it is inferior to ivory in terms of hardness, and so the fine detail that is possible, and lacks the "lustrous" surface of ivory. The interior of bones are softer and even less capable of a fine finish, so most uses are as thin plaques, rather than sculpture in the round. But it must always have been much easier to obtain in regions without populations of elephants, walrus or other sources of ivory.

It was important in prehistoric art, with notable figures like the Swimming Reindeer, made of antler, and many of the Venus figurines. The Anglo-Saxon Franks Casket is a whale bone casket imitating earlier ivory ones. Medieval bone caskets were made by the Embriachi workshop of north Italy (c. 1375–1425) and others, mostly using rows of thin plaques carved in relief.