Mohini in the context of "Iravan"

Play Trivia Questions online!

or

Skip to study material about Mohini in the context of "Iravan"





👉 Mohini in the context of Iravan

Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia).

The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice.

↓ Explore More Topics
In this Dossier

Mohini in the context of Mohiniyattam

Mohiniyattam is an Indian classical dance form originating from the state of Kerala. The dance gets its name from Mohini—the female enchantress avatar of the Hindu deity Vishnu, who helps the devas prevail over the asuras using her feminine charm.

Mohiniyattam's roots, like all classical Indian dances, are in the Natya Shastra—the ancient Hindu Sanskrit text on performance arts. However, it follows the Lasya style described in Natya Shastra, that is a dance which is delicate, eros-filled and feminine. It is traditionally a solo dance performed by women after extensive training, though men also perform the dance in the contemporary period. The repertoire of Mohiniyattam includes music in the Carnatic style, singing, and acting a play through the dance, where the recitation may be either by a separate vocalist or the dancer themselves. The song is typically in Malayalam-Sanskrit hybrid called Manipravalam.

↑ Return to Menu

Mohini in the context of Amrita

Amrita (Sanskrit: अमृत, IAST: amṛta), Amrit or Amata in Pali, (also called Sudha, Amiy, Ami) is a Sanskrit word that means "immortality". It is a central concept within Indian religions and is often referred to in ancient Indian texts as an elixir. Its first occurrence is in the Rigveda, where it is considered one of several synonyms for soma, the drink of the devas. Amrita plays a significant role in the Samudra Manthana, and is the cause of the conflict between devas and asuras competing for amrita to obtain immortality.

Amrita has varying significance in different Indian religions. The word Amrit is also a common first name for Sikhs and Hindus, while its feminine form is Amritā. Amrita is cognate to and shares many similarities with ambrosia; both originated from a common Proto-Indo-European source.

↑ Return to Menu