Moby-Dick in the context of "American Renaissance (literature)"

American literature is literature written or produced in the United States of America and in the British colonies that preceded it. The American literary tradition is part of the broader tradition of English-language literature, but also includes literature produced in languages other than English.

The American Revolutionary Period (1775–1783) is notable for the political writings of Benjamin Franklin, Alexander Hamilton, Thomas Paine, and Thomas Jefferson. An early novel is William Hill Brown's The Power of Sympathy, published in 1791. The writer and critic John Neal in the early-to-mid-19th century helped to advance America toward a unique literature and culture, by criticizing his predecessors, such as Washington Irving, for imitating their British counterparts and by influencing writers such as Edgar Allan Poe, who took American poetry and short fiction in new directions. Ralph Waldo Emerson pioneered the influential Transcendentalism movement; Henry David Thoreau, the author of Walden, was influenced by this movement. The conflict surrounding abolitionism inspired writers, like Harriet Beecher Stowe, and authors of slave narratives, such as Frederick Douglass. Nathaniel Hawthorne's The Scarlet Letter (1850) explored the dark aspects of human nature, as did Herman Melville's Moby-Dick (1851). Major American poets of the 19th century include Walt Whitman, Melville, and Emily Dickinson. Mark Twain was the first major American writer to be born in the West. Henry James achieved international recognition with novels like The Portrait of a Lady (1881).

Herman Melville (born Melvill; August 1, 1819 – September 28, 1891) was an American writer of the American Renaissance period. Among his best-known works are Moby-Dick (1851); Typee (1846), a romanticized account of his experiences in Polynesia; and Billy Budd, Sailor, a posthumously published novella. At the time of his death Melville was not well known to the public, but 1919, the centennial of his birth, was the starting point of a Melville revival. Moby-Dick would eventually be considered one of the Great American Novels.

Melville was born in New York City, the third child of a prosperous merchant whose death in 1832 left the family in dire financial straits. He took to sea in 1839 as a common sailor on the merchant ship St. Lawrence and then, in 1841, on the whaler Acushnet, but he jumped ship in the Marquesas Islands. Typee, his first book, and its sequel, Omoo (1847), were travel-adventures based on his encounters with the peoples of the islands. Their success gave him the financial security to marry Elizabeth Shaw, the daughter of the Boston jurist Lemuel Shaw. Mardi (1849), a romance-adventure and his first book not based on his own experience, was not well received. Redburn (1849) and White-Jacket (1850), both tales based on his experience as a well-born young man at sea, were given respectable reviews, but did not sell well enough to support his expanding family.

The encyclopedic novel is a genre of complex literary fiction which incorporates elements across a wide range of scientific, academic, and literary subjects. The concept was coined by Edward Mendelson in criticism of Gravity's Rainbow by Thomas Pynchon, defined as an encyclopedia-like attempt to "render the full range of knowledge and beliefs of a national culture, while identifying the ideological perspectives from which that culture shapes and interprets its knowledge". In more general terms, the encyclopedic novel is a long, complex work of fiction that incorporates extensive information (which is sometimes fictional itself), often from specialized disciplines of science and the humanities. Mendelson's essays examine the encyclopedic tendency in the history of literature, considering the Divine Comedy, Don Quixote, Faust, and Moby-Dick, with an emphasis on the modern Ulysses and Gravity's Rainbow. Commonly cited examples of encyclopedic novels in the postmodern period include, in addition to Pynchon, Richard Powers' The Gold Bug Variations (1991), David Foster Wallace's Infinite Jest (1996), and Don DeLillo's Underworld (1997). Other literary critics have explored the concept since, attempting to understand the function and effect of "encyclopedic" narratives, and coining the related terms systems novel and maximalist novel.

In corpus linguistics, a hapax legomenon (/ˈhæpəks lɪˈɡɒmɪnɒn/ also /ˈhæpæks/ or /ˈheɪpæks/; pl. hapax legomena; sometimes abbreviated to hapax, plural hapaxes) is a word or an expression that occurs only once within a context: either in the written record of an entire language, in the works of an author, or in a single text. The term is sometimes incorrectly used to describe a word that occurs in just one of an author's works but more than once in that particular work. Hapax legomenon is a transliteration of Greek ἅπαξ λεγόμενον, meaning "said once".

The related terms dis legomenon, tris legomenon, and tetrakis legomenon respectively (/ˈdɪs/, /ˈtrɪs/, /ˈtɛtrəkɪs/) refer to double, triple, or quadruple occurrences, but are far less commonly used.

A classic is a book accepted as being exemplary or particularly noteworthy, usually of some chronological age since its original publications. What makes a book "classic" is a concern that has occurred to various authors ranging from Italo Calvino to Mark Twain and the related questions of "Why Read the Classics?" and "What Is a Classic?" have been essayed by authors from different genres and eras (including Calvino, T. S. Eliot, Charles Augustin Sainte-Beuve). The ability of a classic book to be reinterpreted, re-translated, abridged and parodied, to seemingly be renewed in the interests of generations of readers succeeding its creation, is a theme that is seen in the writings of literary critics including Michael Dirda, Ezra Pound, and Sainte-Beuve. These books can be published as a collection such as Great Books of the Western World, Modern Library, or Penguin Classics, debated, as in the Great American Novel, or presented as a list, such as Harold Bloom's list of books that constitute the Western canon. Although the term is often associated with the Western canon, it can be applied to works of literature from all traditions, such as the Chinese classics or the Indian Vedas. A book considered by some as of similar notoriety and impact but more recent are frequently called "modern classic" or "upcoming classic".

Many universities incorporate these readings into their curricula, such as "The Reading List" at St. John's College, Rutgers University, or Dharma Realm Buddhist University. The study of these classic texts both allows and encourages students to become familiar with some of the most revered authors throughout history. This is meant to equip students and newly found scholars with a plethora of resources to utilize throughout their studies and beyond.

Ten Novels and Their Authors (originally published as Great Novelists and Their Novels) is a 1948 work of literary criticism by William Somerset Maugham. Maugham collects together what he considers to have been the ten greatest novels and writes about the books and the authors. The ten novels are:

1. The History of Tom Jones, a Foundling by Henry Fielding (1749)
2. Pride and Prejudice by Jane Austen (1813)
3. The Red and the Black by Stendhal (1830)
4. Le Père Goriot by Honoré de Balzac (1835)
5. David Copperfield by Charles Dickens (1849)
6. Madame Bovary by Gustave Flaubert (1856)
7. Moby-Dick by Herman Melville (1851)
8. Wuthering Heights by Emily Brontë (1847)
9. The Brothers Karamazov by Dostoevsky (1880)
10. War and Peace by Tolstoy (1869)

This book was originally a series of magazine articles commissioned by Redbook.

Billy Budd, Sailor (An Inside Narrative), formerly known as Billy Budd, Foretopman, is a novella by American writer Herman Melville, left unfinished at his death in 1891. Acclaimed by critics as a masterpiece when a hastily transcribed version was finally published in 1924, it quickly took its place as a classic second only to Moby-Dick among Melville's works. Billy Budd is a "handsome sailor" who strikes and inadvertently kills his false accuser, Master-at-arms John Claggart. The ship's Captain, Edward Vere, recognizes Billy's lack of intent, but claims that the law of mutiny requires him to sentence Billy to be hanged.

Melville began work on the novella in November 1886, revising and expanding it from time to time, but he left the manuscript in disarray. His widow Elizabeth began to edit the manuscript for publication, but was not able to discern her husband's intentions at key points, even as to the book's title. Raymond M. Weaver, Melville's first biographer, was given the manuscript and published the 1924 version, which was marred by misinterpretation of Elizabeth's queries, misreadings of Melville's difficult handwriting, and even inclusion of a preface Melville had cut. Melville scholars Harrison Hayford and Merton M. Sealts Jr. published what is considered the best transcription and critical reading text in 1962. In 2017, Northwestern University Press and the Newberry Library published a "new reading text" based on a "corrected version" of Hayford and Sealts' genetic text prepared by G. Thomas Tanselle.

The "Great American Novel" (sometimes abbreviated as GAN) is the term for a canonical novel that generally embodies and examines the essence and character of the United States. The term was coined by John William De Forest in an 1868 essay and later shortened to GAN. De Forest noted that the Great American Novel had most likely not been written yet.

Practically, the term refers to a small number of books that have historically been the nexus of discussion, including Moby-Dick (1851), Adventures of Huckleberry Finn (1884), The Great Gatsby (1925), and several others. Exactly what novel or novels warrant the title is without consensus and an assortment have been contended as the idea has evolved and continued into the modern age, with fluctuations in popular and critical regard. William Carlos Williams, Clyde Brion Davis and Philip Roth have all written novels about the Great American Novel—titled as such—with Roth's in the 1970s, a time of great interest in the concept.

Systems novel is a literary genre named by Tom LeClair in his 1987 book In the Loop: Don DeLillo and the Systems Novel, and explored further in LeClair's 1989 book, The Art of Excess: Mastery in Contemporary American Fiction. LeClair used systems theory to critique novels by authors including Thomas Pynchon, William Gaddis and Ursula K. Le Guin. Citing Fritjof Capra's description of systems theory as a "new vision of reality", LeClair invoked ideas from thinkers such as James Lovelock, Gregory Bateson and Douglas Hofstadter to analyse how the novels in question depicted processes and relationships within social, cultural, economic and political systems. LeClair's systems novels were all "long, large and dense" and all in some way striving for "mastery", showing similarity to Moby-Dick and Absalom, Absalom! in "range of reference, artistic sophistication, and desire for profound effect."

Subsequent critics widened the geographical range but mostly adhered to the notion that systems novels were typically large and dense, making the concept overlap with other critical terms such as encyclopedic novel and maximalism. This weakened its usefulness as a genre definition, but with the rise of the internet, the systems novel has come to be seen as reflecting the conditions of network culture. The term is now used in at least two different ways, stemming from LeClair's thesis though with different emphases. One highlights bulk, broadness of scope, range of content and greatness of ambition. The other highlights engagement with scientific and technological concepts such as information theory, complexity and emergence. Some systems novels fit both categories, though not all.