Herman Melville in the context of "Moby-Dick"

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance. Such romances should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, like Harper Lee's To Kill a Mockingbird. The romance, on the other hand, encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. In reality, such works are nevertheless also commonly called novels, including Mary Shelley's Frankenstein and J. R. R. Tolkien's The Lord of the Rings.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century with Robinson Crusoe.

American literature is literature written or produced in the United States of America and in the British colonies that preceded it. The American literary tradition is part of the broader tradition of English-language literature, but also includes literature produced in languages other than English.

The American Revolutionary Period (1775–1783) is notable for the political writings of Benjamin Franklin, Alexander Hamilton, Thomas Paine, and Thomas Jefferson. An early novel is William Hill Brown's The Power of Sympathy, published in 1791. The writer and critic John Neal in the early-to-mid-19th century helped to advance America toward a unique literature and culture, by criticizing his predecessors, such as Washington Irving, for imitating their British counterparts and by influencing writers such as Edgar Allan Poe, who took American poetry and short fiction in new directions. Ralph Waldo Emerson pioneered the influential Transcendentalism movement; Henry David Thoreau, the author of Walden, was influenced by this movement. The conflict surrounding abolitionism inspired writers, like Harriet Beecher Stowe, and authors of slave narratives, such as Frederick Douglass. Nathaniel Hawthorne's The Scarlet Letter (1850) explored the dark aspects of human nature, as did Herman Melville's Moby-Dick (1851). Major American poets of the 19th century include Walt Whitman, Melville, and Emily Dickinson. Mark Twain was the first major American writer to be born in the West. Henry James achieved international recognition with novels like The Portrait of a Lady (1881).

A classic is a book accepted as being exemplary or particularly noteworthy, usually of some chronological age since its original publications. What makes a book "classic" is a concern that has occurred to various authors ranging from Italo Calvino to Mark Twain and the related questions of "Why Read the Classics?" and "What Is a Classic?" have been essayed by authors from different genres and eras (including Calvino, T. S. Eliot, Charles Augustin Sainte-Beuve). The ability of a classic book to be reinterpreted, re-translated, abridged and parodied, to seemingly be renewed in the interests of generations of readers succeeding its creation, is a theme that is seen in the writings of literary critics including Michael Dirda, Ezra Pound, and Sainte-Beuve. These books can be published as a collection such as Great Books of the Western World, Modern Library, or Penguin Classics, debated, as in the Great American Novel, or presented as a list, such as Harold Bloom's list of books that constitute the Western canon. Although the term is often associated with the Western canon, it can be applied to works of literature from all traditions, such as the Chinese classics or the Indian Vedas. A book considered by some as of similar notoriety and impact but more recent are frequently called "modern classic" or "upcoming classic".

Many universities incorporate these readings into their curricula, such as "The Reading List" at St. John's College, Rutgers University, or Dharma Realm Buddhist University. The study of these classic texts both allows and encourages students to become familiar with some of the most revered authors throughout history. This is meant to equip students and newly found scholars with a plethora of resources to utilize throughout their studies and beyond.

Billy Budd, Op. 50, is an opera by Benjamin Britten to a libretto by the novelist E. M. Forster and Eric Crozier, based on the novella Billy Budd by Herman Melville. Originally in four acts, the opera received its premiere at the Royal Opera House (ROH), London, on 1 December 1951. Britten later revised the work into a two-act opera, with a prologue and an epilogue. The revised version received its first performance at the ROH, Covent Garden, London, on 9 January 1964.

Ten Novels and Their Authors (originally published as Great Novelists and Their Novels) is a 1948 work of literary criticism by William Somerset Maugham. Maugham collects together what he considers to have been the ten greatest novels and writes about the books and the authors. The ten novels are:

1. The History of Tom Jones, a Foundling by Henry Fielding (1749)
2. Pride and Prejudice by Jane Austen (1813)
3. The Red and the Black by Stendhal (1830)
4. Le Père Goriot by Honoré de Balzac (1835)
5. David Copperfield by Charles Dickens (1849)
6. Madame Bovary by Gustave Flaubert (1856)
7. Moby-Dick by Herman Melville (1851)
8. Wuthering Heights by Emily Brontë (1847)
9. The Brothers Karamazov by Dostoevsky (1880)
10. War and Peace by Tolstoy (1869)

This book was originally a series of magazine articles commissioned by Redbook.

Typee: A Peep at Polynesian Life is American writer Herman Melville's first book, published in 1846, when Melville was 26 years old. Considered a classic in travel and adventure literature, the narrative is based on Melville's experiences on the island Nuku Hiva in the South Pacific Marquesas Islands in 1842, supplemented with imaginative reconstruction and research from other books. The title comes from the valley of Taipivai, once known as Taipi.

Typee was Melville's most popular work during his lifetime; it made him notorious as the "man who lived among the cannibals".

Billy Budd, Sailor (An Inside Narrative), formerly known as Billy Budd, Foretopman, is a novella by American writer Herman Melville, left unfinished at his death in 1891. Acclaimed by critics as a masterpiece when a hastily transcribed version was finally published in 1924, it quickly took its place as a classic second only to Moby-Dick among Melville's works. Billy Budd is a "handsome sailor" who strikes and inadvertently kills his false accuser, Master-at-arms John Claggart. The ship's Captain, Edward Vere, recognizes Billy's lack of intent, but claims that the law of mutiny requires him to sentence Billy to be hanged.

Melville began work on the novella in November 1886, revising and expanding it from time to time, but he left the manuscript in disarray. His widow Elizabeth began to edit the manuscript for publication, but was not able to discern her husband's intentions at key points, even as to the book's title. Raymond M. Weaver, Melville's first biographer, was given the manuscript and published the 1924 version, which was marred by misinterpretation of Elizabeth's queries, misreadings of Melville's difficult handwriting, and even inclusion of a preface Melville had cut. Melville scholars Harrison Hayford and Merton M. Sealts Jr. published what is considered the best transcription and critical reading text in 1962. In 2017, Northwestern University Press and the Newberry Library published a "new reading text" based on a "corrected version" of Hayford and Sealts' genetic text prepared by G. Thomas Tanselle.

Omoo: A Narrative of Adventures in the South Seas is the second book by American writer Herman Melville, first published in London in 1847, and a sequel to his first South Seas narrative Typee, also based on the author's experiences in the South Pacific. After leaving the island of Nuku Hiva, the main character ships aboard a whaling vessel that makes its way to Tahiti, after which there is a mutiny and a third of the crew are imprisoned on Tahiti. In 1949, the narrative was adapted into the exploitation film Omoo-Omoo, the Shark God.