Metropolitan Museum of Art in the context of Box

A sarcophagus (pl.: sarcophagi or sarcophaguses) is a coffin, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word sarcophagus comes from the Greek σάρξ sarx meaning "flesh", and φαγεῖν phagein meaning "to eat"; hence sarcophagus means "flesh-eating", from the phrase lithos sarkophagos (λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself.

Stoneware is a broad class of pottery fired at a relatively high temperature, to be impervious to water. A modern definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. This definition excludes stone vessels that are carved from a solid chunk of stone. End applications of stoneware include tableware and decorative ware such as vases.

Stoneware is fired at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F). Historically, reaching such temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time.

Egyptian astronomy started in prehistoric times, in the Predynastic Period. In the 5th millennium BCE, the stone circles at Nabta Playa may have made use of astronomical alignments. By the time the historical Dynastic Period began in the 3rd millennium BCE, the 365 day period of the Egyptian calendar was already in use, and the observation of stars was important in determining the annual flooding of the Nile.

The Egyptian pyramids were carefully aligned towards the pole star, and the temple of Amun-Re at Karnak was aligned on the rising of the midwinter Sun. Astronomy played a considerable part in fixing the dates of religious festivals and determining the hours of night, and temple astrologers were especially adept at watching the stars and observing the conjunctions and risings of the Sun, Moon, and planets, as well as the lunar phases.

A calendar is a system of organizing days. This is done by giving names to periods of time, typically days, weeks, months and years. A date is the designation of a single and specific day within such a system. A calendar is also a physical record (often paper) of such a system. A calendar can also mean a list of planned events, such as a court calendar, or a partly or fully chronological list of documents, such as a calendar of wills.

Carmen C. Bambach (born April 27, 1959) is a Chilean art historian and curator of Italian and Spanish drawings at the New York Metropolitan Museum of Art who specializes in Italian Renaissance art. She is considered one of the world's leading specialists on Leonardo da Vinci, especially his drawings.

An angel is a spiritual heavenly, or supernatural entity, usually humanoid with bird-like wings, often depicted as a messenger or intermediary between God (the transcendent) and humanity (the profane) in various traditions like the Abrahamic religions. Other roles include protectors and guides for humans, such as guardian angels and servants of God. In Western belief-systems the term is often used to distinguish benevolent from malevolent intermediary beings.

Emphasizing the distance between God and mankind, revelation-based belief-systems require angels to bridge the gap between the earthly and the transcendent realm. Angels play a lesser role in monistic belief-systems, since the gap is non-existent. However, angelic beings might be conceived as aid to achieve a proper relationship with the divine.

Ovid, the Latin poet of the Roman Empire, was banished in 8 AD from Rome to Tomis (now Constanța, Romania) by decree of the emperor Augustus. The reasons for his banishment are uncertain. Ovid's exile is related by the poet himself, and also in brief references to the event by Pliny the Elder and Statius. At the time, Tomis was a remote town on the edge of the civilized world; it was loosely under the authority of the Kingdom of Thrace (a satellite state of Rome), and was superficially Hellenized. According to Ovid, none of its citizens spoke Latin, which as an educated Roman, he found trying. Ovid wrote that the cause of his exile was carmen et error ("a poem and an error"), probably the Ars Amatoria and a personal indiscretion or mistake.

Ovid was one of the most prolific poets of his time, and before being banished had already composed his most famous poems – Heroides, Amores, Ars Amatoria, Remedia Amoris, Medicamina Faciei Femineae, his lost tragedy Medea, the ambitious Metamorphoses and the Fasti. The latter two works were left, respectively, without a final revision and only half finished. In exile, the poet continued producing works that survive today: Ibis, Tristia, Epistulae ex Ponto, and possibly several other, minor poems. These works consist of letters to friends and enemies, and also depict the poet's treatment by the Scythians – particularly the Getae, a nomadic people related to the Dacians or Thracians.

A jar is a rigid, cylindrical, or slightly conical container, typically made of glass, ceramic, or plastic, with a wide mouth or opening that can be closed with a lid, screw cap, lug cap, cork stopper, roll-on cap, crimp-on cap, press-on cap, plastic shrink, heat-sealed lidding film, an inner seal, a tamper-evident band, or other suitable means. The English word "jar" originates from the Arabic word jarra, which means an earthen pot or vessel.

Apollodoros was an ancient Athenian red-figure vase painter who was active in around 500 BCE. His name is found on two cups and many more are attributed to him.

"In the early 1900s scholars distinguished four stylistically distinct but closely related groups of vases, assigning them the names Apollodoros, the Epidromos Painter, the Kleomelos Painter, and the Elpinikos Painter." It was not certain whether the four names represented separate individuals or were stages in the career of one man.

A calathus /ˈkæləθəs/ or kalathos /ˈkæləˌθɒs/ (Ancient Greek: κάλαθος, plural calathi or kalathoi κάλαθοι) was a basket resembling a top hat, used to hold wool or fruit, often used in ancient Greek art as a symbol of abundance and fertility. These baskets were made by weaving together reeds or twigs. They were typically used by women to store skeins of wool, but they had other uses in the household. In Roman times, there are reports for baskets of these sorts to be used in agricultural activities like bringing in the fruits from the fields.

The word was also used to describe ceramic vases designed in the shape of the calathus basket, which is the usual application in archaeology, since vases have survived while baskets have not.

The Burghers of Calais (French: Les Bourgeois de Calais) is a sculpture by Auguste Rodin in 12 original castings and numerous copies. It commemorates an event during the Hundred Years' War, when Calais, a French port on the English Channel, surrendered to the English after an 11-month siege. The city commissioned Rodin to create the sculpture in 1884 and the work was completed in 1889.

From c. 1650 BC, elaborately decorated bronze vessels were deposited as grave goods in the tombs of royalty and nobility during the Chinese Bronze Age. Documented excavations have found over 200 pieces in a single royal tomb. They were produced for an individual or social group to use in making ritual offerings of food and drink to his or their ancestors and other deities or spirits. Such ceremonies generally took place in family temples or ceremonial halls over tombs. These ceremonies can be seen as ritual banquets in which both living and dead members of a family were supposed to participate. Details of these ritual ceremonies are preserved through early literary records. On the death of the owner of a ritual bronze, it would often be placed in his tomb, so that he could continue to pay his respects in the afterlife; other examples were cast specifically as grave goods. Indeed, many surviving examples have been excavated from graves.

The bronzes were likely not used for normal eating and drinking; they represent larger, more elaborate versions of the types of vessels used for this, and made in precious materials. Many of the shapes also survive in pottery, and pottery versions continued to be made in an antiquarian spirit until modern times. Apart from table vessels, weapons and some other objects were made in special ritual forms. Another class of ritual objects are those, also including weapons, made in jade, which was probably the most highly valued of all, and which had been long used for ritual tools and weapons, since c. 4500 BC.

A brooch (/ˈbroʊtʃ/, also US: /ˈbruːtʃ/) is a decorative jewellery item designed to be attached to garments, often to fasten them together. It is usually made of metal, often silver or gold or some other material. Brooches are frequently decorated with enamel or with gemstones and may be solely for ornament or serve a practical function as a clothes fastener. The earliest known brooches are from the Bronze Age. As fashions in brooches changed rather quickly, they are important chronological indicators. In archaeology, ancient European brooches are usually referred to by the Latin term fibula. One example is the Tara Brooch.

Robert Peake the Elder (c. 1551–1619) was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz.

Peake was the only English-born painter of a group of four artists whose workshops were closely connected. The others were De Critz, Marcus Gheeraerts the Younger, and the miniature painter Isaac Oliver. Between 1590 and about 1625, they specialised in brilliantly coloured, full-length "costume pieces" that are unique to England at this time. It is not always possible to attribute authorship between Peake, De Critz, Gheeraerts and their assistants with certainty.

Ceramic glaze, or simply glaze, is a glassy coating on ceramics. It is used for decoration, to ensure the item is impermeable to liquids and to minimize the adherence of pollutants.

Glazing renders earthenware impermeable to water, sealing the inherent porosity of earthenware. It also gives a tougher surface. Glaze is also used on stoneware and porcelain. In addition to their functionality, glazes can form a variety of surface finishes, including degrees of glossy or matte finish and color. Glazes may also enhance the underlying design or texture either unmodified or inscribed, carved or painted.

Jian ware or Chien ware (Chinese: 建窯; pinyin: Jiàn yáo; Wade–Giles: Chien-yao) is a type of Chinese pottery originally made in Jianyang, Fujian province. It, and local imitations of it, are known in Japan as Tenmoku (天目). It consists of simple shapes in stoneware, with a strong emphasis on subtle effects in the glazes. In the Song dynasty they achieved a high prestige, especially among Buddhist monks and in relation to tea-drinking. They were also highly valued in Japan, where many of the best examples were collected. Though the ceramic body is light-coloured, the wares, generally small cups for tea, bowls and vases, normally are glazed in dark colours, with special effects such as the "hare's fur" "oil-spot" and "partridge feather" patterns caused randomly as excess iron in the glaze is forced out during firing.