John de Critz in the context of "Robert Peake the Elder"

⭐ In the context of Robert Peake the Elder, John de Critz is considered to have shared what significant official role within the royal court?

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⭐ Core Definition: John de Critz

John de Critz or John Decritz (1551/2 – 14 March 1642 (buried)) was one of a number of painters of Flemish origin active at the English royal court during the reigns of James I of England and Charles I of England. He held the post of Serjeant Painter to the king from 1603, at first jointly with Leonard Fryer and from 1610 jointly with Robert Peake the Elder.

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👉 John de Critz in the context of Robert Peake the Elder

Robert Peake the Elder (c. 1551–1619) was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz.

Peake was the only English-born painter of a group of four artists whose workshops were closely connected. The others were De Critz, Marcus Gheeraerts the Younger, and the miniature painter Isaac Oliver. Between 1590 and about 1625, they specialised in brilliantly coloured, full-length "costume pieces" that are unique to England at this time. It is not always possible to attribute authorship between Peake, De Critz, Gheeraerts and their assistants with certainty.

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John de Critz in the context of Henry Wriothesley, 3rd Earl of Southampton

Henry Wriothesley, 3rd Earl of Southampton, KG (pronunciation uncertain: /ˈrɛzli/ "Rezley", /ˈrzli/ "Rizely" (archaic), /ˈrɒtsli/ (present-day) and /ˈrəθsli/ have been suggested; 6 October 1573 – 10 November 1624), was the only son of Henry Wriothesley, 2nd Earl of Southampton, and Mary Browne, daughter of the 1st Viscount Montagu. Shakespeare's two narrative poems, Venus and Adonis and The Rape of Lucrece, were dedicated to Southampton, who is frequently identified as the Fair Youth of Shakespeare's Sonnets.

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John de Critz in the context of The Somerset Masque

The Somerset Masque, sometimes known as The Squire's Masque, was written by Thomas Campion and performed on 26 December 1613 at the old Banqueting House at Whitehall Palace, to celebrate the wedding of Robert Carr, 1st Earl of Somerset and Frances Howard. Anne of Denmark, queen consort of James VI and I, took part in the performance by offering a branch from a magic golden tree.

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