Curator in the context of "Carmen C. Bambach"

⭐ In the context of Carmen C. Bambach, a Curator is primarily associated with the preservation and study of what type of artistic creations?

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⭐ Core Definition: Curator

A curator (from Latin cura 'to take care') is a manager or overseer. When working with cultural organizations, a curator is typically a "collections curator" or an "exhibitions curator", and has multifaceted tasks dependent on the particular institution and its mission. The term "curator" may designate the head of any given division, not limited to museums. Curator roles include "community curators", "literary curators", "digital curators", and "biocurators".

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👉 Curator in the context of Carmen C. Bambach

Carmen C. Bambach (born April 27, 1959) is a Chilean art historian and curator of Italian and Spanish drawings at the New York Metropolitan Museum of Art who specializes in Italian Renaissance art. She is considered one of the world's leading specialists on Leonardo da Vinci, especially his drawings.

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Curator in the context of Cultural preservation

The conservation and restoration of cultural property focuses on protection and care of cultural property (tangible cultural heritage), including artworks, architecture, archaeology, and museum collections. Conservation activities include preventive conservation, examination, documentation, research, treatment, and education. This field is closely allied with conservation science, curators and registrars.

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Curator in the context of Public history

Public history is a broad range of activities undertaken by people with some training in the discipline of history who are generally working outside of specialized academic settings. Public history practice is deeply rooted in the areas of historic preservation, archival science, oral history, museum curatorship, and other related fields. The field has become increasingly professionalized in the United States and Canada since the late 1970s. Some of the most common settings for the practice of public history are museums, historic homes and historic sites, parks, battlefields, archives, film and television companies, new media, and all levels of government.

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Curator in the context of Ennigaldi-Nanna's museum

Ennigaldi-Nanna's museum is the earliest known public museum. It dates to circa 530 BCE. The curator was Ennigaldi, the daughter of Nabonidus, the last king of the Neo-Babylonian Empire. It was in the state of Ur, in the modern-day Dhi Qar Governorate of Iraq, roughly 150 metres (490 ft) southeast of the famous Ziggurat of Ur.

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Curator in the context of Documentation of cultural property

The documentation of cultural property is a critical aspect of collections care. As stewards of cultural property, museums collect and preserve not only objects but the research and documentation connected to those objects, in order to more effectively care for them. Documenting cultural heritage is a collaborative effort. Essentially, registrars, collection managers, conservators, and curators all contribute to the task of recording and preserving information regarding collections. There are two main types of documentation museums are responsible for: records generated in the registration process—accessions, loans, inventories, etc. and information regarding research on objects and their historical significance. Properly maintaining both types of documentation is vital to preserving cultural heritage.

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Curator in the context of Archival science

Archival science, or archival studies, is the study and theory of building and curating archives, which are collections of documents, recordings, photographs and various other materials in physical or digital formats.

To build and curate an archive, one must acquire and evaluate the materials, and be able to access them later. To this end, archival science seeks to improve methods for appraising, storing, preserving, and processing (arranging and describing) collections of materials.

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Curator in the context of Museology

Museology (also called museum studies or museum science) is the study of museums. It explores the history of museums and their role in society, as well as the activities they engage in, including curating, preservation, public programming, and education.

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Curator in the context of George Gaylord Simpson

George Gaylord Simpson (June 16, 1902 – October 6, 1984) was an American paleontologist. Simpson was perhaps the most influential paleontologist of the twentieth century, and a major participant in the modern synthesis, contributing Tempo and Mode in Evolution (1944), The Meaning of Evolution (1949) and The Major Features of Evolution (1953). He was an expert on extinct mammals and their intercontinental migrations. Simpson was extraordinarily knowledgeable about Mesozoic fossil mammals and fossil mammals of North and South America. He anticipated such concepts as punctuated equilibrium (in Tempo and Mode) and dispelled the myth that the evolution of the horse was a linear process culminating in the modern Equus caballus. He coined the word hypodigm in 1940, and published extensively on the taxonomy of fossil and extant mammals. Simpson was influentially, and incorrectly, opposed to Alfred Wegener's theory of continental drift, but accepted the theory of plate tectonics (and continental drift) when the evidence became conclusive.

He was Professor of Zoology at Columbia University, and Curator of the Department of Geology and Paleontology at the American Museum of Natural History from 1945 to 1959. He was Curator of the Museum of Comparative Zoology at Harvard University from 1959 to 1970, and a Professor of Geosciences at the University of Arizona from 1968 until his retirement in 1982.

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