Country house in the context of "Roman villa"

In ancient Rome, the domus (pl.: domūs, genitive: domūs or domī) was the type of town house occupied by the upper classes and some wealthy freedmen during the Republican and Imperial eras. It was found in almost all the major cities throughout the Roman territories. The modern English word domestic comes from Latin domesticus, which is derived from the word domus. Along with a domus in the city, many of the richest families of ancient Rome also owned a separate country house known as a villa. Many chose to live primarily, or even exclusively, in their villas; these homes were generally much grander in scale and on larger acres of land due to more space outside the walled and fortified city.

The elite classes of Roman society constructed their residences with elaborate marble decorations, inlaid marble paneling, door jambs and columns, as well as expensive paintings and frescoes. Many poor and lower-middle-class Romans lived in crowded, dirty and mostly rundown rental apartments, known as insulae. These multi-level apartment blocks were built as high and tightly together as possible and held far less status and convenience than the private homes of the prosperous.

Warwick Castle is a medieval castle developed from a wooden fort, originally built by William the Conqueror during 1068. Warwick is the county town of Warwickshire, England, situated on a meander of the River Avon. The original wooden motte-and-bailey castle was rebuilt in stone during the 12th century. During the Hundred Years War, the facade opposite the town was refortified, resulting in one of the most recognisable examples of 14th-century military architecture. It was used as a stronghold until the early 17th century, when it was granted to Sir Fulke Greville by James I in 1604. Greville converted it to a country house, and it was owned by the Greville family (who became Earls of Warwick in 1759) until 1978, when it was bought by the Tussauds Group.

In 2007, the Tussauds Group was purchased by the Blackstone Group, which merged it with Merlin Entertainments. Warwick Castle was then sold to Nick Leslau's investment firm, Prestbury Group, under a sale and leaseback agreement. Merlin continues to operate the site under a renewable 35-year lease.

The Vyne is a Grade I listed 16th-century country house in the parish of Sherborne St John, near Basingstoke, in Hampshire, England. The house was first built circa 1500–10 in the Tudor style by William Sandys, 1st Baron Sandys, Lord Chamberlain to King Henry VIII. In the 17th century it was transformed to resemble a classical mansion. Today, although much reduced in size, the house retains its Tudor chapel, with contemporary stained glass. The classical portico on the north front was added in 1654 to the design of John Webb, a pupil of Inigo Jones, and is notable as the first portico in English domestic architecture.

In the mid-18th century the house belonged to John Chaloner Chute, a close friend of the architectural pioneer Horace Walpole, who designed the principal stair hall containing an imperial staircase the grand scale of which belies its true small size. In 1958 The Vyne was bequeathed by Charles Chute to the National Trust.

Alnwick Castle (/ˈænɪk/ ) is a castle and country house in Alnwick in the English county of Northumberland. It is the seat of the 12th Duke of Northumberland, built following the Norman Conquest and renovated and remodelled a number of times. It is a Grade I listed building now the home of Ralph Percy, 12th Duke of Northumberland and his family. In 2016, the castle received over 600,000 visitors per year when combined with adjacent attraction the Alnwick Garden.

The Grange is a 19th-century country house-mansion and English landscape park near Northington in Hampshire, England. It is currently owned by the Baring family, Barons Ashburton.

English Heritage have a guardianship deed on the scheduled monument and Grade I listed building, with the Grade II* listed gardens and monument's exterior open to the public.

Sharpe, Paley and Austin are the surnames of architects who practised in Lancaster, Lancashire, England, between 1835 and 1946, working either alone or in partnership. The full names of the principals in their practice, which went under various names during its life, are Edmund Sharpe (1809–77); Edward Graham Paley (1823–95), who practised as E. G. Paley; Hubert James Austin (1841–1915); Henry Anderson Paley (1859–1946), son of Edward, usually known as Harry Paley; and, for a very brief period, Geoffrey Langshaw Austin (1884–1971), son of Hubert. The firm's commissions were mainly for buildings in Lancashire and what is now Cumbria, but also in Yorkshire, Cheshire, the West Midlands, North Wales, and Hertfordshire.

The practice specialised in work on churches; the design of new churches, restoring older churches, and making additions or alterations. They also designed country houses, and made alterations to existing houses. Almost all their churches were designed in Gothic Revival style, except for some of Sharpe's earliest churches and a few designed later by the practice. Within the Gothic Revival style, the practice initially used Early English and, particularly, Decorated features. E. G. Paley introduced Perpendicular elements, and Perpendicular became the dominant style used by the practice following the arrival of Hubert Austin, to such a degree that the firm became regarded as the regional leader in the use of that style.

Holker Hall (pronounced Hooker by some) is a privately owned country house located about 2 km to the southwest of the village of Cartmel in the ceremonial county of Cumbria and historic county of Lancashire, England. It is "the grandest [building] of its date in Lancashire ...by the best architects then living in the county." The building dates from the 16th century, with alterations, additions, and rebuilding in the 18th and 19th centuries. The 19th century rebuilding was by George Webster in Jacobean Revival style and subsequent renovations were by E. G. Paley. Hubert Austin had a joint practice with Paley by the 1870s and they both rebuilt the west wing after it was destroyed by a major fire in 1871, only a decade after Paley's previous work on the structure. The fire also destroyed a number of notable artworks. Holker Hall is Paley and Austin's "most important country house commission." The architectural historian Nikolaus Pevsner expressed the opinion that the west wing is the "outstanding domestic work" of Paley and Austin. In 1970 the hall itself, together with its terrace wall, were designated Grade II* Listed buildings. The house stands in an estate of about 80 hectares, and is surrounded by formal gardens, parkland and woodland. Within the grounds are six structures listed at Grade II.

Since becoming a private house following the Dissolution of the Monasteries, the estate has never been sold, having passed by inheritance from the Preston family to the Lowther family, and then to the Cavendish family. The house and grounds are open to the public at advertised times on payment of an admission fee.

A great hall is the main room of a royal palace, castle or a large manor house or hall house in the Middle Ages. It continued to be built in the country houses of the 16th and early 17th centuries, although by then the family used the great chamber for eating and relaxing. At that time the word "great" simply meant big and had not acquired its modern connotations of excellence. In the medieval period, the room would simply have been referred to as the "hall" unless the building also had a secondary hall. The term "great hall" has been mainly used for surviving rooms of this type for several centuries to distinguish them from the different type of hall found in post-medieval houses. Great halls were found especially in France, England and Scotland, but similar rooms were also found in some other European countries.

A typical great hall was a rectangular room between one and a half and three times as long as it was wide, and also higher than it was wide. It was entered through a screens passage at one end, and had windows on the long sides, often including a large bay window. There was usually a minstrels' gallery above the screens passage. The screens passage was divided from the hall by a timber screen with two openings. The portion of the screen between these openings could be movable, such as the one at Rufford Old Hall. At the other end of the hall was the dais where the high table was situated. The ceiling above the dais was often ornamented to denote its higher status. The lord's family's more private rooms lay beyond the dais end of the hall, and the kitchen, buttery and pantry were on the opposite side of the screens passage. The dais end is generally referred to as the 'upper' end, and the screens end as the 'lower' end.