Majuscule in the context of "ARAD (servant Sumerogram)"

A unicase or unicameral alphabet is a writing script that has no separate cases for its letters. Semitic abjads such as Hebrew and Arabic, Brahmic scripts such as Devanagari, Tamil and Thai, Chinese characters, Hangul and the Iberian and Georgian scripts are unicase writing systems, while scripts like Latin, Greek, Cyrillic and Armenian are bicameral, as they have two cases for each letter, e.g. B and b, Б and б, Β and β, or Բ and բ. Individual characters can also be called unicameral if they are used as letters with a generally bicameral alphabet but have only one form for both cases; for example, the ʻokina as used in Polynesian languages and the glottal stop as used in Nuu-chah-nulth are unicameral.

Most modern writing systems originated as unicase orthographies. The Latin script originally had only majuscule forms directly derived from the Greek alphabet, which were originally viable for being chiseled into stone. At the same time, everyday writing was carried out in a cursive variant of the block capitals, which during the Middle Ages evolved into new letterforms for use in running text that were more legible and faster to write with an ink pen, such as Carolingian minuscule. Originally, use of the two forms was mutually exclusive, but it became a common compromise to use both in tandem, which ultimately had additional benefits in areas such as legibility. The later minuscule became the "lowercase" forms, while the original majuscule became the "uppercase" forms.

In letterpress printing and typesetting, a composing stick is a tray-like tool used to assemble pieces of metal type into words and lines, which are then transferred to a galley before being locked into a forme and printed. Many composing sticks have one adjustable end, allowing the length of the lines and consequent width of the page or column to be set, with spaces and quadrats of different sizes being used to make up the exact width. Early composing sticks often had a fixed measure, as did many used in setting type for newspapers, which were fixed to the width of a standard column, when newspapers were still composed by hand.

The compositor takes the pieces of type from the boxes (compartments) of the type case and places them in the composing stick, working from left to right and placing the letters upside-down with the nick to the top.

The cuneiform na sign is a common, multi-use sign, a syllabic for na, and an alphabetic sign used for n, or a; it is common in both the Epic of Gilgamesh over hundreds of years, and the 1350 BC Amarna letters. In the Epic of Gilgamesh it also has sumerogramic (capital letter (majuscule)) usage for NA. An example usage for NA in the Epic is for the spelling of NA.GAD, (also LÚ.NA.GAD, and the plural LÚ.NA.GAD.MEŠ), for Akkadian language "nāqidu", "herdsman". The usage for NA in herdsman is only for 3 spellings.

The commonness of cuneiform na, in the top 25 used signs by Buccellati (Buccellati 1979), (2nd highest usage, exceeded by a: a (cuneiform)) is because of usage for the spelling of a-na (Akkadian language "ana") -, the common preposition spelling for English language: to, for, by, of, at, etc.. It is also a component for the Akkadian language preposition: i-na (ina), meaning: in, into, by, etc..

Uncial is a majuscule script (written entirely in capital letters) commonly used from the 4th to 8th centuries AD by Latin and Greek scribes. Uncial letters were used to write Greek and Latin, as well as Gothic, and are the current style for Coptic and Nobiin.

Insular script is a medieval script system originating in Ireland that spread to England and continental Europe under the influence of Irish Christianity. Irish missionaries took the script to continental Europe, where they founded monasteries, such as Bobbio. The scripts were also used in monasteries, like Fulda, which were influenced by English missionaries. They are associated with Insular art, of which most surviving examples are illuminated manuscripts. It greatly influenced modern Gaelic type and handwriting.

The term "Insular script" is used to refer to a diverse family of scripts used for different functions. At the top of the hierarchy was the Insular half-uncial (or "Insular majuscule"), used for important documents and sacred text. The full uncial, in a version called "English uncial", was used in some English centres. Then "in descending order of formality and increased speed of writing" came "set minuscule", "cursive minuscule" and "current minuscule". These were used for non-scriptural texts, letters, accounting records, notes, and all the other types of written documents.

A Sumerogram is the use of a Sumerian cuneiform character or group of characters as an ideogram or logogram rather than a syllabogram in the graphic representation of a language other than Sumerian, such as Akkadian, Eblaite, or Hittite. This type of logogram characterized, to a greater or lesser extent, every adaptation of the original Mesopotamian cuneiform system to a language other than Sumerian. The frequency and intensity of their use varied depending on period, style, and genre. In the same way, a written Akkadian word that is used ideographically to represent a language other than Akkadian (such as Hittite) is known as an Akkadogram.

In the transliteration of ancient texts Sumerograms are normally represented by majuscule letters. Most signs have a number of possible Sumerian sound values. The scribes and readers of texts using these Sumerograms would not necessarily have been aware of the Sumerian language, with the Sumerograms functioning as ideograms or logogram to be substituted in pronunciation by the intended word in the text's language, such as Akkadian.

The cuneiform sign URU is a relatively distinctive sign in the cuneiform sign lists; with its two verticals at the sign's right, and the central long horizontal stroke, it is not easily confused with other signs. It is commonly found in the intrigues of the 14th century BC Amarna letters since the letters often concern city-state locations, or surrounding regions or cities/towns. URU is also used in the Epic of Gilgamesh. The cuneiform sign is almost exclusively used as a Sumerogram (capital letter (majuscule)), and in the Akkadian language, it is the Akkadian for "ālu", city, or town. The usage of URU in the Epic of Gilgamesh is only for Sumerogram "URU", (11 times). All uses in the Epic for URU are for various spellings of ālu, and usually an added sign complement; there is one usage in the Epic of URU for the city Shuruppak: URU.Šu-ri-ip-pak, (Tablet XI 11).