Mahābhārata in the context of "War of succession"

Sanskrit (/ˈsænskrɪt/; stem form संस्कृत; nominal singular संस्कृतम्, saṃskṛtam,) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies.

Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rigveda, a collection of 1,028 hymns composed between 1500 and 1200 BCE by Indo-Aryan tribes migrating east from the mountains of what is today northern Afghanistan across northern Pakistan and into northwestern India. Vedic Sanskrit interacted with the preexisting ancient languages of the subcontinent, absorbing names of newly encountered plants and animals; in addition, the ancient Dravidian languages influenced Sanskrit's phonology and syntax. Sanskrit can also more narrowly refer to Classical Sanskrit, a refined and standardized grammatical form that emerged in the mid-1st millennium BCE and was codified in the most comprehensive of ancient grammars, the Aṣṭādhyāyī ('Eight chapters') of Pāṇini. The greatest dramatist in Sanskrit, Kālidāsa, wrote in classical Sanskrit, and the foundations of modern arithmetic were first described in classical Sanskrit. The two major Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, however, were composed in a range of oral storytelling registers called Epic Sanskrit which was used in northern India between 400 BCE and 300 CE, and roughly contemporary with classical Sanskrit. In the following centuries, Sanskrit became tradition-bound, stopped being learned as a first language, and ultimately stopped developing as a living language.

Karna (Sanskrit: कर्ण, IAST: Karṇa), also known as Vasusena, Anga-Raja, Sutaputra and Radheya, is one of the major characters in the Hindu epic Mahābhārata. He is the son of Surya (the Sun deity) and princess Kunti (later the Pandava queen). Kunti was granted the boon to bear a child with desired divine qualities from the gods and without much knowledge, Kunti invoked the sun god to confirm it if it was true indeed. Karna was secretly born to an unmarried Kunti in her teenage years, and fearing outrage and backlash from society over her premarital pregnancy, Kunti had to abandon the newly born Karna adrift in a basket on the Ganges. The basket is discovered floating on the Ganges River. He is adopted and raised by foster Suta parents named Radha and Adhiratha Nandana of the charioteer and poet profession working for king Dhritarashtra. Karna grows up to be an accomplished warrior of extraordinary abilities, a gifted speaker and becomes a loyal friend of Duryodhana. He is appointed the king of Anga (Bihar-Bengal) by Duryodhana. Karna joins the losing Duryodhana side of the Mahabharata war. He is a key antagonist who aims to kill Arjuna but dies in a battle with him during the Kurushetra war.

He is a tragic hero in the Mahabharata, in a manner similar to Aristotle's literary category of "flawed good man". He meets his biological mother late in the epic then discovers that he is the older half-brother of those he is fighting against. Karna is a symbol of someone who is rejected by those who should love him but do not given the circumstances, yet becomes a man of exceptional abilities willing to give his love and life as a loyal friend. His character is developed in the epic to raise and discuss major emotional and dharma (duty, ethics, moral) dilemmas. His story has inspired many secondary works, poetry and dramatic plays in the Hindu arts tradition, both in India and in southeast Asia.

Svayaṃvara (Sanskrit: स्वयंवर lit. 'self-choice') is a matrimonial tradition in ancient Indian society where a bride, usually from Kṣatriya (warrior) caste, selects her husband from a group of assembled suitors either by her own choice or a public contest between her suitors. This practice is mainly featured in the two major Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, though its prevalence and portrayal vary significantly between them.

Origins of Svayaṃvara can be traced back to the Vedic period and few scholars suggest that it emerged from the Gāndharva marriage tradition, diverging from more ritualistic and arranged forms of marriage, and developed as a narrative device within the epics to highlight the heroism and valor of protagonists, aligning with the Kṣatriya ethos of competition and martial prowess. Despite being closely associated with the epics, Svayaṃvara is not listed as a form of marriage in the Dharmaśāstra, a collection of Sanskrit texts on law and conduct. Due to this, Svayaṃvara is sometimes regarded as the ninth form of Hindu marriage.

Kacha (Sanskrit: कच, romanized: Kaca) is a sage featured in Hindu mythology. He is the son of Brihaspati and Tara. The narrative of Kacha is mentioned in the Mahābhārata, the Matsya Purana and the Agni Purana. He is known for learning Mṛtasañjīvanī vidyā mantra (a hymn for reviving the dead) from his guru Shukra. However, he is unable to revive devas due to the curse of Shukra's daughter, Devayani.

Abhimanyu (Sanskrit: अभिमन्यु, IAST: Abhimanyu) is a character in the ancient Hindu epic Mahābhārata. He was a young and valiant warrior of the Kuru lineage, born to Arjuna—the third Pandava brother—and Subhadra—a Vrishni princess. He was also one of the few individuals, along with his father, who knew the technique to enter the Chakravyuha, a powerful military formation. Abhimanyu was raised by his maternal family in Dvārakā because the Pandavas had been exiled for thirteen years by their cousins, the Kauravas. After his father's return, his marriage was arranged with Uttarā, the princess of the Matsya Kingdom.

Abhimanyu played a significant role on the Pandava side during the Kurukshetra War. The Kaurava soldiers banded together on the thirteenth day of the battle to build the Chakravyuha in an effort to defeat the Pandavas. With Arjuna diverted to another part of the battlefield, Abhimanyu was the only one who was able to burst through the formation and take on the Kaurava soldiers. At that point, six maharathis (powerful warriors) launched simultaneous attacks on him while violating several kshatriya codes, and he was killed at the age of sixteen.

Gajah Mada (c. 1290 – c. 1364), also known as Jirnnodhara, was a powerful military leader and mahapatih of the Javanese empire of Majapahit during the 14th century. He is credited in Old Javanese manuscripts, poems, and inscriptions with bringing the empire to its peak of glory.

He delivered an oath called Sumpah Palapa, in which he vowed not to rest until he had conquered all of the Southeast Asian archipelago of Nusantara for Majapahit. During his reign, the Hindu epics, including the Rāmāyana and the Mahābhārata, became ingrained in the Javanese culture and worldview through the performing arts of wayang kulit (“leather puppets”). He is considered an important national hero in modern Indonesia, as well as a symbol of patriotism and national unity. Historical accounts of his life, political career, and administration are taken from several sources, mainly the Pararaton ("The Book of Kings"), the Nagarakretagama (a Javanese-language eulogy), and an inscription dating from the mid-14th century.