Ludi in the context of "Roman festivals"

The Secular or Saecular Games (Ludi Saeculares) was an ancient Roman religious celebration involving sacrifices, theatrical performances, and public games (ludi). It was held irregularly in Rome for three days and nights to mark the ends of various eras (saecula) and to celebrate the beginning of the next. In particular, the Romans reckoned a saeculum as the longest possible length of human life, either 100 or 110 years in length; as such, it was used to mark various centennials, particularly anniversaries from the computed founding of Rome.

According to Roman mythology, the Secular Games began as the Tarentine Games (Ludi Tarentini) when a Sabine man called Valesius prayed for a cure for his children's illness and was supernaturally instructed to sacrifice on the Campus Martius to Dis Pater and Proserpina, deities of the underworld. Some ancient authors traced official celebrations of the Games as far back as 509 BC, but the only clearly attested celebrations under the Roman Republic took place in 249 and in the 140s BC. They involved sacrifices to the underworld gods over three consecutive nights. The Games were revived in 17 BC by Rome's first emperor Augustus, with the nocturnal sacrifices on the Campus Martius now transferred to the Moerae (fates), the Ilythiae (goddesses of childbirth), and Terra Mater ("Mother Earth"). The Games of 17 BC also introduced day-time sacrifices to Roman deities on the Capitoline and Palatine hills. Certain sacrifices were unusually specified to be performed by married women. Each sacrifice was followed by theatrical performances. Later emperors held celebrations in AD 88 and 204, after intervals of roughly 110 years. However, they were also held by Claudius in AD 47 to celebrate the 800th anniversary of Rome's foundation, which led to a second cycle of Games in 148 and 248. The Games were abandoned under later Christian emperors.

The Temple of Cybele or Temple of Magna Mater was Rome's first and most important temple to the Magna Mater ("Great Mother"), who was known to the Greeks as Cybele. It was built to house a particular image or form of the goddess, a meteoric stone brought from Greek Asia Minor to Rome in 204 BC at the behest of an oracle and temporarily housed in the goddess of Victory's Palatine temple. The new temple was dedicated on 11 April 191 BC, and Magna Mater's first Megalesia festival was held on the temple's proscenium.

The temple was sited on the high western slope of the Palatine, overlooking the valley of the Circus Maximus and facing the temple of Ceres on the slopes of the Aventine. It was accessible via a long upward flight of steps from the flattened area or proscenium below, where the goddess's festival games and plays were staged. The goddess's altar was visible both from the proscenium and the temple's interior. The original temple burned down in 111 BC, and was restored by one Metellus, possibly Gaius Caecilius Metellus Caprarius. It burned on a further two occasions in the early Imperial era, and was restored each time by Augustus; his second rebuilding was probably the more sumptuous of the two.

The Neptunalia was an obscure archaic two-day festival in honor of Neptune as god of waters, celebrated at Rome in the heat and drought of summer, probably 23 July (Varro, De lingua Latina vi.19). It was one of the dies comitiales, when committees of citizens could vote on civil or criminal matters. In the ancient calendar this day is marked as Nept. ludi et feriae, or Nept. ludi, from which Leonhard Schmitz (in Smith, see link) concluded that the festival was celebrated with games (ludi). Respecting the ceremonies of this festival nothing is known, except that the people used to build huts of branches and foliage (umbrae, according to Festus, under " Umbrae"), in which they probably feasted, drank, and amused themselves (Horace Carmina iii.28.1, &c.; Tertullian De Spectaculis ("On Celebrations") 6).

Chariot racing (Ancient Greek: ἁρματοδρομία, harmatodromía; Latin: ludi circenses) was one of the most popular ancient Greek, Roman, and Byzantine sports. In Greece, chariot racing played an essential role in aristocratic funeral games from a very early time. With the institution of formal races and permanent racetracks, chariot racing was adopted by many Greek states and their religious festivals. Horses and chariots were very costly. Their ownership was a preserve of the wealthiest aristocrats, whose reputations and status benefitted from offering such extravagant, exciting displays. Their successes could be further broadcast and celebrated through commissioned odes and other poetry.

In standard Greek racing practise, each chariot held a single driver and was pulled by four horses, or sometimes two. Drivers and horses risked serious injury or death through collisions and crashes; this added to the excitement and interest for spectators. Most charioteers were slaves or contracted professionals. While records almost invariably credit victorious owners and their horses for winning, their drivers are often not mentioned at all. In the ancient Olympic Games, and other Panhellenic Games, chariot racing was one of the most important equestrian events, and could be watched by unmarried women. Married women were banned from watching any Olympic events but a Spartan noblewoman is known to have trained horse-teams for the Olympics and won two races, one of them as driver.

In ancient Roman religion, Ceres (/ˈsɪəriːz/ SEER-eez, Latin: [ˈkɛreːs]) was a goddess of agriculture, grain crops, fertility and motherly relationships. She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular Ludi Ceriales (Ceres's games). She was also honoured in the May lustration (lustratio) of the fields at the Ambarvalia festival: at harvesttime: and during Roman marriages and funeral rites. She is usually depicted as a mature woman.

Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter, whose mythology was reinterpreted for Ceres in Roman art and literature.

In ancient Rome, munera (Latin plural; singular munus) were public works and entertainments provided for the benefit of the Roman people by individuals of high status and wealth. Munera means "duty, obligation" (cf. English "munificence"), expressing the individual's responsibility to provide a service or contribution to his community. The word was often a synonym for gladiatorial combat, which was originally sponsored as a funeral tribute at the tomb of a deceased Roman magnate by his heir. Munera depended on the private largesse of individuals, in contrast to ludi, which were games, athletic contests or spectacles sponsored by the state.

The Megalesia, Megalensia, or Megalenses Ludi was a festival celebrated in ancient Rome from April 4 to April 10, in honour of Cybele, whom the Romans called Magna Mater ("Great Mother"). The name of the festival derives from Greek megalē (μϵγάλη), meaning "great". The festival was one of several on the Roman calendar celebrated with ludi, games and performances.