Proserpina in the context of "Secular Games"

⭐ In the context of the Secular Games, Proserpina is considered to be primarily associated with which aspect of the festival's origins?

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⭐ Core Definition: Proserpina

Proserpina (/prˈsɜːrpɪnə/ proh-SUR-pih-nə; Latin: [proːˈsɛrpɪna]) or Proserpine (/ˈprɒsərpn/ PROSS-ər-pyne) is an ancient Roman goddess whose iconography, functions and myths are virtually identical to those of the Greek Persephone. Proserpina replaced or was combined with the ancient Roman fertility goddess Libera, whose principal cult was housed in a temple atop Rome's Aventine Hill, which she shared with the grain-goddess Ceres and the wine god Liber (Liber Pater).

Each of these three deities occupied their own cella at the temple, their cults served or supervised by a male public priesthood. Ceres was by far the senior of the three, one of the Dii Consentes, Rome's approximate equivalent to the Greek Twelve Olympians, Ceres being identified with the Greek Demeter and Liber with Dionysus. Libera is sometimes described as a female version of Liber Pater, concerned with female fertility. Otherwise she is given no clear identity or mythology by Roman sources, and no Greek equivalent. Nothing is known of her native iconography: her name translates as a feminine form of Liber, "the free one". Proserpina's name is a Latinization of "Persephone", perhaps influenced by the Latin proserpere ("to emerge, to creep forth"), with reference to the growing of grain.

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👉 Proserpina in the context of Secular Games

The Secular or Saecular Games (Ludi Saeculares) was an ancient Roman religious celebration involving sacrifices, theatrical performances, and public games (ludi). It was held irregularly in Rome for three days and nights to mark the ends of various eras (saecula) and to celebrate the beginning of the next. In particular, the Romans reckoned a saeculum as the longest possible length of human life, either 100 or 110 years in length; as such, it was used to mark various centennials, particularly anniversaries from the computed founding of Rome.

According to Roman mythology, the Secular Games began as the Tarentine Games (Ludi Tarentini) when a Sabine man called Valesius prayed for a cure for his children's illness and was supernaturally instructed to sacrifice on the Campus Martius to Dis Pater and Proserpina, deities of the underworld. Some ancient authors traced official celebrations of the Games as far back as 509 BC, but the only clearly attested celebrations under the Roman Republic took place in 249 and in the 140s BC. They involved sacrifices to the underworld gods over three consecutive nights. The Games were revived in 17 BC by Rome's first emperor Augustus, with the nocturnal sacrifices on the Campus Martius now transferred to the Moerae (fates), the Ilythiae (goddesses of childbirth), and Terra Mater ("Mother Earth"). The Games of 17 BC also introduced day-time sacrifices to Roman deities on the Capitoline and Palatine hills. Certain sacrifices were unusually specified to be performed by married women. Each sacrifice was followed by theatrical performances. Later emperors held celebrations in AD 88 and 204, after intervals of roughly 110 years. However, they were also held by Claudius in AD 47 to celebrate the 800th anniversary of Rome's foundation, which led to a second cycle of Games in 148 and 248. The Games were abandoned under later Christian emperors.

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Proserpina in the context of Pluto (mythology)

In ancient Roman religion and mythology, Pluto (Ancient Greek: Πλούτων, romanizedPloútōn, Latin: Plūto or Plūton), also known as Dis Pater or Orcus, was the god of the dead and the king of the underworld. The name was originally an epithet or theonym for Hades in ancient Greek religion and mythology, although Pluto was more associated with wealth and never used as a synonym for the underworld itself, representing a more positive concept of the god who presides over the afterlife. He was the eldest son of Saturn (Cronus) and Ops (Rhea), as well as the brother of Jupiter (Zeus) and Neptune (Poseidon). Pluto later married Proserpina (Persephone) and shared many of Hades' attributes, such as the bident, the cap of invisibility, and the three-headed guard dog Cerberus.

While Pluto is commonly considered the Roman equivalent of Hades, the name Plouton was already used by the Greeks to designate Hades and was later adopted by the Romans for their god of the underworld, Dis Pater, which often means "Rich Father" and is perhaps a direct translation of Plouton. Pluto was also identified with the obscure god Orcus, name that the Romans adopted from the Etruscans and which, like Hades, was both for the god of the underworld and for the underworld as a place. On the other hand, Ploutōn was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground and because, as a chthonic god, Pluto ruled the deep earth that contained the seeds needed for a bountiful harvest.

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Proserpina in the context of Ceres (mythology)

In ancient Roman religion, Ceres (/ˈsɪərz/ SEER-eez, Latin: [ˈkɛreːs]) was a goddess of agriculture, grain crops, fertility and motherly relationships. She was originally the central deity in Rome's so-called plebeian or Aventine Triad, then was paired with her daughter Proserpina in what Romans described as "the Greek rites of Ceres". Her seven-day April festival of Cerealia included the popular Ludi Ceriales (Ceres's games). She was also honoured in the May lustration (lustratio) of the fields at the Ambarvalia festival: at harvesttime: and during Roman marriages and funeral rites. She is usually depicted as a mature woman.

Ceres is the only one of Rome's many agricultural deities to be listed among the Dii Consentes, Rome's equivalent to the Twelve Olympians of Greek mythology. The Romans saw her as the counterpart of the Greek goddess Demeter, whose mythology was reinterpreted for Ceres in Roman art and literature.

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Proserpina in the context of Greco-Roman mysteries

Mystery religions, mystery cults, sacred mysteries or simply mysteries (Greek: μυστήρια), were religious schools of the Greco-Roman world for which participation was reserved to initiates (mystai). The main characteristic of these religious schools was the secrecy associated with the particulars of the initiation and the ritual practice, which may not be revealed to outsiders. The most famous mysteries of Greco-Roman antiquity were the Eleusinian Mysteries, which predated the Greek Dark Ages. The mystery schools flourished in Late Antiquity; Emperor Julian, of the mid-4th century, is believed by some scholars to have been associated with various mystery cults—most notably the mithraists. Due to the secret nature of the schools, and because the mystery religions of Late Antiquity were persecuted by the Christian Roman Empire from the 4th century, the details of these religious practices are derived from descriptions, imagery and cross-cultural studies.

Justin Martyr in the 2nd century explicitly noted and identified them as "demonic imitations" of the true faith; "the devils, in imitation of what was said by Moses, asserted that Proserpine was the daughter of Jupiter, and instigated the people to set up an image of her under the name of Kore" (First Apology). Through the 1st to 4th century, Christianity stood in direct competition for adherents with the mystery schools.

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Proserpina in the context of Luna (goddess)

In Sabine and ancient Roman religion and myth, Luna (Latin: Lūna [ˈluːna]) is the divine embodiment of the Moon. She is often presented as the female complement of the Sun, Sol, conceived of as a god. Luna is also sometimes represented as an aspect of the Roman triple goddess (diva triformis), along with Diana and either Proserpina or Hecate. Luna is not always a distinct goddess, but sometimes rather an epithet that specializes a goddess, since both Diana and Juno are identified as moon goddesses.

In Roman art, Luna attributes are the crescent moon plus the two-yoke chariot (biga). In the Carmen Saeculare, performed in 17 BC, Horace invokes her as the "two-horned queen of the stars" (siderum regina bicornis), bidding her to listen to the girls singing as Apollo listens to the boys.

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