Louvre Museum in the context of "Louvre Palace"

The history of dance is difficult to access because dance does not often leave behind clearly identifiable physical artifacts that last over millennia, such as stone tools, hunting implements or cave paintings. It is difficult to determine the exact point at which dance became part of human culture. Dance is filled with aesthetic values, making it distinct from one society to another. It is filled with symbolism that expounds on the cultural heritage of a community, each style being unique from one another. Dance can help tell a story, convey feelings and emotions, and connect with others and ourselves.

In Greek mythology, Nessus (Ancient Greek: Νέσσος, romanized: Nessos) was a famous centaur who was killed by Heracles, and whose poisoned blood in turn killed Heracles. He was the son of Centauros. He fought in the battle with the Lapiths and became a ferryman on the river Euenos.

25°5′50″N 32°46′46″E / 25.09722°N 32.77944°E / 25.09722; 32.77944

Nekhen (/ˈnɛkən/, Ancient Egyptian: nḫn), also known as Hierakonpolis (/ˌhaɪərəˈkɒnpəlɪs/; Greek: Ἱεράκων πόλις, romanized: Hierákōn pólis, meaning City of Hawks or City of Falcons, a reference to Horus; Egyptian Arabic: الكوم الأحمر, romanized: el-Kōm el-Aḥmar, lit. 'the Red Mound') was the religious and political capital of Upper Egypt at the end of prehistoric Egypt (c. 3200–3100 BC) and probably also during the Early Dynastic Period (c. 3100–2686 BC).

The Code of Hammurabi is a Babylonian legal text composed during 1755–1750 BC. It is the longest, best-organized, and best-preserved legal text from the ancient Near East. It is written in the Old Babylonian dialect of Akkadian, purportedly by Hammurabi, sixth king of the First Dynasty of Babylon. The primary copy of the text is inscribed on a basalt stele 2.25 m (7 ft 4+1⁄2 in) tall.

The stele was rediscovered in 1901 at the site of Susa in present-day Iran, where it had been taken as plunder six hundred years after its creation. The text itself was copied and studied by Mesopotamian scribes for over a millennium. The stele now resides in the Louvre Museum.

A cylinder seal is a small round cylinder, typically about one inch (2 to 3 cm) in width, engraved with written characters or figurative scenes or both, used in ancient times to roll an impression onto a two-dimensional surface, generally wet clay. According to some sources, cylinder seals were invented around 3500 BC in the Near East, at the contemporary sites of Uruk in southern Mesopotamia and slightly later at Susa in south-western Iran during the Proto-Elamite period, and they follow the development of stamp seals in the Halaf culture or slightly earlier. They are linked to the invention of the latter's cuneiform writing on clay tablets. Other sources, however, date the earliest cylinder seals to a much earlier time, to the Late Neolithic period (7600-6000 BC) in Syria, hundreds of years before the invention of writing.

Cylinder seals are a form of impression seal, a category which includes the stamp seal and finger ring seal. They survive in fairly large numbers and are important as art, especially in the Babylonian and earlier Assyrian periods. Impressions into a soft material can be taken without risk of damage to the seal, and they are often displayed in museums together with a modern impression on a small strip.

The Harappan language, also known as the Indus language, is the unknown language or languages of the Bronze Age (c. 3300 to 1300 BC) Harappan civilization (Indus Valley civilization, or IVC). The Harappan script is yet undeciphered, indeed it has not even been demonstrated to be a writing system, and therefore the language remains unknown. The language being yet unattested in readable contemporary sources, hypotheses regarding its nature are based on possible loanwords, the substratum in Vedic Sanskrit, and some terms recorded in Sumerian cuneiform (such as Meluhha), in conjunction with analyses of the Harappan script.

There are some possible loanwords from the language of the Indus Valley civilization. Meluḫḫa or Melukhkha (Sumerian: 𒈨𒈛𒄩𒆠 Me-luḫ-ḫa) is the Sumerian name of a prominent trading partner of Sumer during the Middle Bronze Age. Its identification remains an open question, but most scholars associate it with the Indus Valley Civilisation. Asko Parpola identifies Proto-Dravidians with the Harappan Culture and the Meluhhan people mentioned in Sumerian records. In his book Deciphering the Indus Script, Parpola states that the Brahui people of Pakistan are remnants of the Harappan culture. According to him, the word "Meluhha" derives from the Dravidian words mel ("elevated") and akam ("place"). Parpola also relates Meluhha with Balochistan, which he calls the "Proto-Dravidian homeland". He also relates Meluhha with the transient word Mleccha, a Vedic word used to mean "barbarian" and used by the incoming Aryan speaking population for the native Harappan population.

The Suez inscriptions of Darius the Great were texts written in Old Persian, Elamite, Babylonian and Egyptian on five monuments erected in Wadi Tumilat, commemorating the opening of the "Canal of the Pharaohs" between the Nile and the Bitter Lakes.

One of the best preserved of these monuments was a stele of pink granite, which was discovered by Charles de Lesseps, Ferdinand de Lesseps's son, in 1866, 30 kilometres from Suez near Kabret in Egypt. It was erected by Darius the Great, king of the Achaemenid Empire (or Persia), whose reign lasted from 522 to 486 BCE. The monument, also known as the Chalouf stele (alt. Shaluf Stele), records the construction of a forerunner of the modern Suez Canal by the Persians, a canal through Wadi Tumilat, connecting the easternmost, Bubastite, branch of the Nile with Lake Timsah, which was connected to the Red Sea by natural waterways. The stated purpose of the canal was the creation of a shipping connection between the Nile and the Red Sea, between Egypt and Persia.

The Gobelins Manufactory (French: Manufacture des Gobelins) is a historic tapestry factory in Paris, France. It is located at 42 avenue des Gobelins, near Les Gobelins métro station in the 13th arrondissement of Paris. It was originally established on the site as a medieval dyeing business by the family Gobelin.