Cuneiform in the context of "Cylinder seal"

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⭐ Core Definition: Cuneiform

Cuneiform is a logo-syllabic writing system that was used to write several languages of the ancient Near East. The script was in active use from the early Bronze Age until the beginning of the Common Era. Cuneiform scripts are marked by and named for the characteristic wedge-shaped impressions (Latin: cuneus) which form their signs. Cuneiform is the earliest known writing system and was originally developed to write the Sumerian language of southern Mesopotamia (modern Iraq).

Over the course of its history, cuneiform was adapted to write a number of languages in addition to Sumerian. Akkadian texts are attested from the 24th century BC onward and make up the bulk of the cuneiform record. Akkadian cuneiform was itself adapted to write the Hittite language in the early 2nd millennium BC. The other languages with significant cuneiform corpora are Eblaite, Elamite, Hurrian, Luwian, and Urartian. The Old Persian and Ugaritic alphabets feature cuneiform-style signs; however, they are unrelated to the cuneiform logo-syllabary proper. The latest known cuneiform tablet, an astronomical almanac from Uruk, dates to AD 79/80.

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Cuneiform in the context of Ancient history

Ancient history is a time period from the beginning of writing and recorded human history through late antiquity. The span of recorded history is roughly 5,000 years, beginning with the development of Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BC – AD 500, ending with the expansion of Islam in late antiquity.

The three-age system periodises ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history usually considered to begin with the Bronze Age. The start and end of the three ages vary between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others.

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Cuneiform in the context of Bronze Age

The Bronze Age is an archaeological and anthropological term defining a phase in the development of material culture among ancient societies in Asia, the Near East and Europe. An ancient civilisation is deemed to be part of the Bronze Age if it either produced bronze by smelting its own copper and alloying it with tin, arsenic, or other metals, or traded other items for bronze from producing areas elsewhere. The Bronze Age is the middle principal period of the three-age system, following the Stone Age and preceding the Iron Age. Conceived as a global era, the Bronze Age follows the Neolithic ("New Stone") period, with a transition period between the two known as the Chalcolithic ("copper-Stone") Age. These technical developments took place at different times in different places, and therefore each region's history is framed by a different chronological system.

Bronze Age cultures were the first to develop writing. According to archaeological evidence, cultures in Mesopotamia, which used cuneiform script, and Egypt, which used hieroglyphs, developed the earliest practical writing systems. In the archaeology of the Americas, a five-period system is conventionally used instead, which does not include a Bronze Age, though some cultures there did smelt copper and bronze. No evidence of metalworking has been found on the Australian continent prior to the establishment of European settlements in 1788.

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Cuneiform in the context of Egyptian hieroglyphs

Ancient Egyptian hieroglyphs (/ˈhrˌɡlɪfs/ HY-roh-glifs) were the formal writing system used in Ancient Egypt for writing the Egyptian language. Hieroglyphs combined ideographic, logographic, syllabic, and alphabetic elements, with more than 1,000 distinct characters. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Egyptian hieroglyphs are the ultimate ancestor of the Phoenician alphabet, the first widely adopted phonetic writing system. Moreover, owing in large part to the Greek and Aramaic scripts that descended from Phoenician, the majority of the world's living writing systems are descendants of Egyptian hieroglyphs—most prominently the Latin and Cyrillic scripts through Greek, and the Arabic and Brahmic scripts through Aramaic. Hieroglyphs are thought to be one of four writing systems developed without outside influence, the others being Cuneiforms, Chinese characters, and Mayan script.

The use of hieroglyphic writing arose from proto-literate symbol systems in the Early Bronze Age c. the 33rd century BC (Naqada III), with the first decipherable sentence written in the Egyptian language dating to the 28th century BC (Second Dynasty). Ancient Egyptian hieroglyphs developed into a mature writing system used for monumental inscription in the classical language of the Middle Kingdom period; during this period, the system used about 900 distinct signs. The use of this writing system continued through the New Kingdom and Late Period, and on into the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, extending into the 4th century AD.

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Cuneiform in the context of Lamassu

Lama, Lamma, or Lamassu (Cuneiform: 𒀭𒆗, an.kal; Sumerian: lammař; later in Akkadian: lamassu; sometimes called a lamassuse) is a Mesopotamian protective deity.

Initially depicted as a goddess in Sumerian times, when it was called Lamma, it was later depicted from Assyrian times as a hybrid of a human, bird, and either a bull or lion—specifically having a human head, the body of a bull or a lion, and bird wings, under the name Lamassu. In some writings, it is portrayed to represent a goddess. A less frequently used name is shedu (Cuneiform: 𒀭𒆘, an.kal×bad; Sumerian: alad; Akkadian, šēdu), which refers to the male counterpart of a lamassu. Lamassu represent the zodiacs, parent-stars or constellations.

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Cuneiform in the context of Textual criticism

Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range in dates from the earliest writing in cuneiform, impressed on clay, for example, to multiple unpublished versions of a 21st-century author's work. Historically, scribes who were paid to copy documents may have been literate, but many were simply copyists, mimicking the shapes of letters without necessarily understanding what they meant. This means that unintentional alterations were common when copying manuscripts by hand. Intentional alterations may have been made as well, for example, the censoring of printed work for political, religious or cultural reasons. Additionally, interpolation, the insertion of new material into an existing text, can occur when scribes or editors added explanatory notes, corrections, or supplementary content that later became incorporated into the main text.

The objective of the textual critic's work is to provide a better understanding of the creation and historical transmission of the text and its variants. This understanding may lead to the production of a critical edition containing a scholarly curated text. If a scholar has several versions of a manuscript but no known original, then established methods of textual criticism can be used to seek to reconstruct the original text as closely as possible. The same methods can be used to reconstruct intermediate versions, or recensions, of a document's transcription history, depending on the number and quality of the text available.

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Cuneiform in the context of History of the book

The history of books begins with the invention of writing, as well as other inventions such as paper and printing; this history continues all the way to the modern-day business of book printing. The earliest knowledge society has on the history of books actually predates what we came to call "books" in today's society, and instead begins with what are called either tablets, scrolls, or sheets of papyrus. The current format of modern novels, with separate sheets fastened together to form a pamphlet rather than a scroll, is called a codex. After this invention, hand-bound, expensive, and elaborate manuscripts began to appear in codex form. This gave way to press-printed volumes and eventually led to the mass-market printed volumes that are prevalent today. Contemporary books may even start to have less of a physical presence with the invention of the e-book. The book has also become more accessible to the disabled with the invention of Braille as well as audiobooks.

The earliest forms of writing began with etching into stone slabs, evolving over time to include palm leaves and papyrus in ancient times. Parchment and paper later emerged as important substitutes for bookmaking, as they increased durability and accessibility. Ancient books were made from a variety of materials depending on the region's available resources and social practices. For instance, in the Neolithic Middle East, the cuneiform tablet was part of a larger clay-based toolkit used for bureaucracy and control. In contrast, while animal skin was never used to write books in eastern and southern Asia, it became a mainstay for prestige manuscripts in the Middle East, Europe, and the Americas. Similarly, papyrus and even paper were used in different regions at various times, reflecting local resource availability and cultural needs. Across regions like China, the Middle East, Europe, and South Asia, diverse methods of book production evolved. The Middle Ages saw the rise of illuminated manuscripts, intricately blending text and imagery, particularly during the Mughal era in South Asia under the patronage of rulers like Akbar and Shah Jahan. Prior to the invention of the printing press, made famous by the Gutenberg Bible, each text was a unique, handcrafted, valuable article, personalized through the design features incorporated by the scribe, owner, bookbinder, and illustrator.

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Cuneiform in the context of Synonym

A synonym is a word, morpheme, or phrase that means precisely or nearly the same as another word, morpheme, or phrase in a given language. For example, in the English language, the words begin, start, commence, and initiate are all synonyms of one another: they are synonymous. The standard test for synonymy is substitution: one form can be replaced by another in a sentence without changing its meaning.

Words may often be synonymous in only one particular sense: for example, long and extended in the context long time or extended time are synonymous, but long cannot be used in the phrase extended family.

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