Logogram in the context of Mayan hieroglyph

Maya script, also known as Maya glyphs, is historically the native writing system of the Maya civilization of Mesoamerica and is the only Mesoamerican writing system that has been substantially deciphered. The earliest inscriptions found which are identifiably Maya date to the 3rd century BCE in San Bartolo, Guatemala. Maya writing was in continuous use throughout Mesoamerica until the Spanish conquest of the Maya in the 16th and 17th centuries. Though modern Mayan languages are almost entirely written using the Latin alphabet rather than Maya script, there have been recent developments encouraging a revival of the Maya glyph system.

Maya writing used logograms complemented with a set of syllabic glyphs, somewhat similar in function to modern Japanese writing. Maya writing was called "hieroglyphics" or hieroglyphs by early European explorers of the 18th and 19th centuries who found its general appearance reminiscent of Egyptian hieroglyphs, although the two systems are unrelated.

The modern Japanese writing system uses a combination of logographic kanji, which are adopted Chinese characters, and syllabic kana. Kana itself consists of a pair of syllabaries: hiragana, used primarily for native or naturalized Japanese words and grammatical elements; and katakana, used primarily for foreign words and names, loanwords, onomatopoeia, scientific names, and sometimes for emphasis. Almost all written Japanese sentences contain a mixture of kanji and kana. Because of this mixture of scripts, in addition to a large inventory of kanji characters, the Japanese writing system is considered to be one of the most complicated currently in use.

Several thousand kanji characters are in regular use, which mostly originate from traditional Chinese characters. Others made in Japan are referred to as "Japanese kanji" (和製漢字, wasei kanji), also known as "[our] country's kanji" (国字, kokuji). Each character has an intrinsic meaning (or range of meanings), and most have more than one pronunciation, the choice of which depends on context. Japanese primary and secondary school students are required to learn 2,136 jōyō kanji as of 2010. The total number of kanji is well over 50,000, though this includes tens of thousands of characters only present in historical writings and never used in modern Japanese.

Writing systems are used to record human language, and may be classified according to certain common features.

A phonogram or phonograph (from Ancient Greek phōnḗ 'sound' + grắphō 'writing') is a basic unit of writing (or grapheme) that represents a sound used when speaking a particular language, like a phoneme or syllable. For example, in the English word high, ⟨igh⟩ is a grapheme representing the phoneme /aɪ/—while ⟨igh⟩ is written using three letters potentially treated as distinct in other contexts, they cannot be analyzed separately in this case, as the intended sound is only indicated when read as a single unit. While the word phoneme refers to the sound itself, phonogram instead refers to the written representation of the sound.

A writing system that consists of phonograms shows phonography, and can be called phonographic. Phonograms are contrasted with logograms, graphemes that represent units of meaning like words, morphemes, and determinatives (silent characters used to mark semantic categories).

The ampersand, also known as the and sign, is the logogram &, representing the conjunction "and". It originated as a ligature of the letters of the word et (Latin for "and").

Hadad (Ugaritic: 𐎅𐎄, romanized: Haddu), Haddad, Adad (Akkadian: 𒀭𒅎 IM, pronounced as Adād), or Iškur (Sumerian) was the storm- and rain-god in the Canaanite and ancient Mesopotamian religions.He was attested in Ebla as "Hadda" in c. 2500 BCE.

From the Levant, Hadad was introduced to Mesopotamia by the Amorites, where he became known as the Akkadian (Assyrian-Babylonian) god Adad. Adad and Iškur are usually written with the logogram 𒀭𒅎 IM - the same symbol used for the Hurrian god Teshub. Hadad was also called Rimon/Rimmon, Pidar, Rapiu, Baal-Zephon, or often simply Baʿal (Lord); however, the latter title was also used for other gods. The bull was the symbolic animal of Hadad. He appeared bearded, often holding a club and thunderbolt and wearing a bull-horned headdress. Hadad was equated with the Greek god Zeus, the Roman god Jupiter (Jupiter Dolichenus), as well as the Babylonian Bel.

Classical Quechua or lengua general del inga is either of two historical forms of Quechua, the exact relationship and degree of closeness between which is controversial, and which have sometimes been identified with each other. These are:

1. the variety of Quechua that was used as a lingua franca and administrative language in the Inca Empire (1438–1533) (henceforward Inca Lingua Franca or even Imperial Quechua). Since the Incas did not have writing (though some Quipus might have been narrative, following a logosyllabic pattern, according to some experts like Gary Urton and Sabine Hyland), the evidence about the characteristics of this variety is scant and they have been a subject of significant disagreements.
2. the variety of Quechua that was used in writing for religious and administrative purposes in the Andean territories of the Spanish Empire, mostly in the late 16th century and the first half of the 17th century and has sometimes been referred to, both historically and in academia, as lengua general 'common language' (henceforward Standard Colonial Quechua). It is Standard Colonial Quechua in this second sense that is abundantly attested in writing, notably in the famous Huarochirí Manuscript, and that this article primarily describes.

There are also some less common and typical uses of the term "classical" in reference to other Quechua varieties, whose relationship to the abovementioned ones is also controversial, namely:

The romanization of Japanese is the use of Latin script to write the Japanese language. This method of writing is sometimes referred to in Japanese as rōmaji (ローマ字; lit. 'Roman letters', [ɾoːma(d)ʑi] or [ɾoːmaꜜ(d)ʑi]).

Japanese is normally written in a combination of logographic characters borrowed from Chinese (kanji) and syllabic scripts (kana) that also ultimately derive from Chinese characters.

A dictionary is a listing of lexemes from the lexicon of one or more specific languages, often arranged alphabetically (or by consonantal root for Semitic languages or radical and stroke for logographic languages), which may include information on definitions, usage, etymologies, pronunciations, translation, etc. It is a lexicographical reference that shows inter-relationships among the data.

A broad distinction is made between general and specialized dictionaries. Specialized dictionaries include words in specialist fields, rather than a comprehensive range of words in the language. Lexical items that describe concepts in specific fields are usually called terms instead of words, although there is no consensus whether lexicology and terminology are two different fields of study. In theory, general dictionaries are supposed to be semasiological, mapping word to definition, while specialized dictionaries are supposed to be onomasiological, first identifying concepts and then establishing the terms used to designate them. In practice, the two approaches are used for both types. There are other types of dictionaries that do not fit neatly into the above distinction, for instance bilingual (translation) dictionaries, dictionaries of synonyms (thesauri), and rhyming dictionaries. The word dictionary (unqualified) is usually understood to refer to a general purpose monolingual dictionary.

Nippur (Sumerian: Nibru, often logographically recorded as 𒂗𒆤𒆠, EN.LÍL, "Enlil City;" Akkadian: Nibbur) was an ancient Sumerian city. It was the special seat of the worship of the Sumerian god Enlil, the "Lord Wind", ruler of the cosmos, subject to An alone. Nippur was located in modern Nuffar 8 kilometers north of modern Afak, Al-Qādisiyyah Governorate, Iraq. It is roughly 200 km south of modern Baghdad and about 100 km southeast of the ancient city of Babylon. Occupation at the site extended back to the Ubaid period (Ubaid 2 – Hajji Muhammed), the Uruk period, and the Jemdet Nasr period. The origin of the ancient name is unknown but different proposals have been made.

Various alphabetic writing systems were in use in Iron Age Anatolia to record Anatolian languages and Phrygian. Several of these languages had previously been written with logographic and syllabic scripts.

The alphabets of Asia Minor proper share characteristics that distinguish them from the earliest attested forms of the Greek alphabet. Many letters in these alphabets resemble Greek letters but have unrelated readings, most extensively in the case of Carian. The Phrygian and Lemnian alphabets by contrast were early adaptations of regional variants of the Greek alphabet; the earliest Phrygian inscriptions are contemporary with early Greek inscriptions, but contain Greek innovations such as the letters Φ and Ψ which did not exist in the earliest forms of the Greek alphabet.

Hittite cuneiform is the implementation of cuneiform script used in writing the Hittite language. The surviving corpus of Hittite texts is preserved in cuneiform on clay tablets dating to the 2nd millennium BC (roughly spanning the 17th to 12th centuries BC).

Hittite orthography was directly adapted from Old Babylonian cuneiform. As Harry A. Hoffner and Craig Melchert point out: "It is therefore generally assumed that Ḫattušili I (ca. 1650–1600), during his military campaigns in North Syria, captured scribes who were using a form of the late Old Babylonian syllabary, and these captives formed the nucleus of the first scribal academy at Ḫattuša." Alwin Kloekhorst, on the other hand, while affirming that Hittite cuneiform derives from Old Babylonian, casts doubt on the role of Ḫattušili I in its adoption, claiming that "the transfer of Syro-Babylonian scribal tradition into Asia Minor may have been a more gradual process that predates the Hittites occupation of Hattuša." What is presented below is Old Akkadian cuneiform, so most of the characters shown here are not, in fact, those used in Hittite texts. For examples of actual Hittite cuneiform, see The Hittite Grammar Homepage by Olivier Lauffenburger. The Hethitisches Zeichenlexikon ("Hittite Sign List" commonly referred to as HZL) by Christel Rüster and Erich Neu lists 375 cuneiform signs used in Hittite documents (11 of them only appearing in Hurrian and Hattic glosses), compared to some 600 signs in use in Old Assyrian. About half of the signs have syllabic values, the remaining are used as ideograms or logograms to represent the entire word—much as the characters "$", "%" and "&" are used in contemporary English.

Linear Elamite was a writing system used in Elam during the Bronze Age between c. 2300 and 1850 BCE, and known mainly from a few extant monumental inscriptions. It was used contemporaneously with Elamite cuneiform and records the Elamite language. The French archaeologist François Desset [fr] and his colleagues have argued that it is the oldest known purely phonographic writing system, although others, such as the linguist Michael Mäder, have argued that it is partly logographic.

There have been multiple attempts to decipher the script, aided by the discovery of a limited number of multilingual and bigraphic inscriptions. Early efforts by Carl Frank [de] (1912) and Ferdinand Bork (1905, 1924) made limited progress. Later work by Walther Hinz [de] and Piero Meriggi [it; de] furthered the work. Starting in 2018, Desset outlined some of his proposed decipherments of the script accomplished with a team of other scholars. Their proposed near-complete decipherment was published in 2022, being received positively by some researchers while others remain sceptical until detailed translations of texts have been published.

The Cherokee syllabary (Cherokee: ᏣᎳᎩ ᏗᎪᏪᎶᏙᏗ, romanized: Tsalagi Digohwelodohdi) is a syllabary invented by Sequoyah in the late 1810s and early 1820s to write the Cherokee language. His creation of the syllabary is particularly noteworthy as he was illiterate until its creation. He first experimented with logograms, but his system later developed into the syllabary. In his system, each symbol represents a syllable rather than a single phoneme; the 85 (originally 86) characters provide a suitable method for writing Cherokee. The letters resemble characters from other scripts, such as Latin, Greek, Cyrillic, and Glagolitic, but are not used to represent the same sounds.

Dingir ⟨𒀭⟩, usually transliterated DIĜIR, (Sumerian pronunciation: [tiŋiɾ]) is a Sumerian word for 'god' or 'goddess'. Its cuneiform sign is most commonly employed as the determinative for religious names and related concepts, in which case it is not pronounced and is conventionally transliterated as a superscript ⟨d⟩, e.g. Inanna.

The Sumerian cuneiform sign by itself was originally an ideogram for the Sumerian word an ('sky' or 'heaven'); its use was then extended to a logogram for the word diĝir ('god' or 'goddess') and the supreme deity of the Sumerian pantheon Anu, and a phonogram for the syllable /an/. Akkadian cuneiform took over all these uses and added to them a logographic reading for the native ilum and from that a syllabic reading of /il/. In Hittite orthography, the syllabic value of the sign was again only an.