Egyptian hieroglyphs in the context of "Logogram"

⭐ In the context of logograms, Egyptian hieroglyphs are considered…

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⭐ Core Definition: Egyptian hieroglyphs

Ancient Egyptian hieroglyphs (/ˈhrˌɡlɪfs/ HY-roh-glifs) were the formal writing system used in Ancient Egypt for writing the Egyptian language. Hieroglyphs combined ideographic, logographic, syllabic, and alphabetic elements, with more than 1,000 distinct characters. Cursive hieroglyphs were used for religious literature on papyrus and wood. The later hieratic and demotic Egyptian scripts were derived from hieroglyphic writing, as was the Proto-Sinaitic script that later evolved into the Phoenician alphabet. Egyptian hieroglyphs are the ultimate ancestor of the Phoenician alphabet, the first widely adopted phonetic writing system. Moreover, owing in large part to the Greek and Aramaic scripts that descended from Phoenician, the majority of the world's living writing systems are descendants of Egyptian hieroglyphs—most prominently the Latin and Cyrillic scripts through Greek, and the Arabic and Brahmic scripts through Aramaic. Hieroglyphs are thought to be one of four writing systems developed without outside influence, the others being Cuneiforms, Chinese characters, and Mayan script.

The use of hieroglyphic writing arose from proto-literate symbol systems in the Early Bronze Age c. the 33rd century BC (Naqada III), with the first decipherable sentence written in the Egyptian language dating to the 28th century BC (Second Dynasty). Ancient Egyptian hieroglyphs developed into a mature writing system used for monumental inscription in the classical language of the Middle Kingdom period; during this period, the system used about 900 distinct signs. The use of this writing system continued through the New Kingdom and Late Period, and on into the Persian and Ptolemaic periods. Late survivals of hieroglyphic use are found well into the Roman period, extending into the 4th century AD.

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Egyptian hieroglyphs in the context of History of writing

The history of writing traces the development of writing systems and how their use transformed and was transformed by different societies. The use of writing – as well as the resulting phenomena of literacy and literary culture in some historical instances – has had myriad social and psychological consequences.

Each historical invention of writing emerged from systems of proto-writing that used ideographic and mnemonic symbols but were not capable of fully recording spoken language. True writing, where the content of linguistic utterances can be accurately reconstructed by later readers, is a later development. As proto-writing is not capable of fully reflecting the grammar and lexicon used in languages, it is often only capable of encoding broad or imprecise information.

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Egyptian hieroglyphs in the context of Maya script

Maya script, also known as Maya glyphs, is historically the native writing system of the Maya civilization of Mesoamerica and is the only Mesoamerican writing system that has been substantially deciphered. The earliest inscriptions found which are identifiably Maya date to the 3rd century BCE in San Bartolo, Guatemala. Maya writing was in continuous use throughout Mesoamerica until the Spanish conquest of the Maya in the 16th and 17th centuries. Though modern Mayan languages are almost entirely written using the Latin alphabet rather than Maya script, there have been recent developments encouraging a revival of the Maya glyph system.

Maya writing used logograms complemented with a set of syllabic glyphs, somewhat similar in function to modern Japanese writing. Maya writing was called "hieroglyphics" or hieroglyphs by early European explorers of the 18th and 19th centuries who found its general appearance reminiscent of Egyptian hieroglyphs, although the two systems are unrelated.

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Egyptian hieroglyphs in the context of Rosetta Stone

The Rosetta Stone is a stele of granodiorite inscribed with three versions of a decree issued in 196 BC during the Ptolemaic dynasty of Egypt, on behalf of King Ptolemy V Epiphanes. The top and middle texts are in Ancient Egyptian using hieroglyphic and Demotic scripts, respectively, while the bottom is in Ancient Greek. The decree has only minor differences across the three versions, making the Rosetta Stone key to deciphering the Egyptian scripts.

The stone was carved during the Hellenistic period and is believed to have originally been displayed within a temple, possibly at Sais. It was probably moved in late antiquity or during the Mamluk period, and was eventually used as building material in the construction of Fort Julien near the town of Rashid (Rosetta) in the Nile Delta. It was found there in July 1799 by French army officer Pierre-François Bouchard during France's invasion of Egypt. It was the first Ancient Egyptian bilingual text recovered in modern times, and it aroused widespread public interest with its potential to decipher this previously untranslated hieroglyphic script. Lithographic copies and plaster casts soon began circulating among European museums and scholars. When the British defeated the French, they took the stone to London under the terms of the Capitulation of Alexandria in 1801. Since 1802, it has been on public display at the British Museum almost continuously and it is the most visited object there.

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Egyptian hieroglyphs in the context of Comics genre

The history of comics has followed different paths in different parts of the world. It can be traced back to early precursors such as Trajan's Column, in Rome, Egyptian hieroglyphs and the Bayeux Tapestry.

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Egyptian hieroglyphs in the context of Isis

Isis was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingdom (c. 2686 – c. 2181 BCE) as one of the main characters of the Osiris myth, in which she resurrects her slain brother and husband, the divine king Osiris, and produces and protects his heir, Horus. She was believed to help the dead enter the afterlife as she had helped Osiris, and she was considered the divine mother of the pharaoh, who was likened to Horus. Her maternal aid was invoked in healing spells to benefit ordinary people. Originally, she played a limited role in royal rituals and temple rites, although she was more prominent in funerary practices and magical texts. She was usually portrayed in art as a human woman wearing a throne-like hieroglyph on her head. During the New Kingdom (c. 1550 – c. 1070 BCE), as she took on traits that originally belonged to Hathor, the preeminent goddess of earlier times, Isis was portrayed wearing Hathor's headdress: a sun disk between the horns of a cow.

In the first millennium BCE, Osiris and Isis became the most widely worshipped Egyptian deities, and Isis absorbed traits from many other goddesses. Rulers in Egypt and its southern neighbor Nubia built temples dedicated primarily to Isis, and her temple at Philae was a religious center for Egyptians and Nubians alike. Her reputed magical power was greater than that of all other gods, and she was said to govern the natural world and wield power over fate itself.

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Egyptian hieroglyphs in the context of Logographic

In a written language, a logogram (from Ancient Greek logos 'word', and gramma 'that which is drawn or written'), also logograph or lexigraph, is a written character that represents a semantic component of a language, such as a word or morpheme. Chinese characters as used in Chinese as well as other languages are logograms, as are Egyptian hieroglyphs and characters in cuneiform script. A writing system that primarily uses logograms is called a logography. Non-logographic writing systems, such as alphabets and syllabaries, are phonemic: their individual symbols represent sounds directly and lack any inherent meaning. However, all known logographies have some phonetic component, generally based on the rebus principle, and the addition of a phonetic component to pure ideographs is considered to be a key innovation in enabling the writing system to adequately encode human language.

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Egyptian hieroglyphs in the context of Narmer Palette

The Narmer Palette, also known as the Great Hierakonpolis Palette or the Palette of Narmer, is a significant Egyptian archaeological find, dating from about the 31st century BC, belonging, at least nominally, to the category of cosmetic palettes. It contains some of the earliest hieroglyphic inscriptions ever found. The tablet is thought by some to depict the unification of Upper and Lower Egypt under the king Narmer. Along with the Scorpion Macehead and the Narmer Maceheads, also found together in the main deposit at Nekhen, the Narmer Palette provides one of the earliest known depictions of an Egyptian king. On one side, the king is depicted with the bulbed White Crown of Upper (southern) Egypt, and the other side depicts the king wearing the level Red Crown of Lower (northern) Egypt, which also makes it the earliest known example of a king wearing both types of headdress. The Palette shows many of the classic conventions of Ancient Egyptian art, which must already have been formalized by the time of the Palette's creation. Egyptologists Bob Brier and A. Hoyt Hobbs have referred to the Narmer Palette as "The oldest Egyptian historical record".

The Palette, which has survived five millennia in almost perfect condition, was discovered by British archeologists James Quibell and Frederick W. Green, in what they called the Main Deposit in the Temple of Horus at Nekhen, during the dig season of 1897–98. Also found at this dig were the Narmer Macehead and the Scorpion Macehead. The exact place and circumstances of these finds were not recorded very clearly by Quibell and Green. In fact, Green's report placed the Palette in a different layer one or two metres (yards) away from the deposit, which is considered to be more accurate on the basis of the original excavation notes. It has been suggested that these objects were royal donations made to the temple. Nekhen, or Hierakonpolis, was one of four power centers in Upper Egypt that preceded the consolidation of Upper Egypt at the end of the Naqada III period. Hierakonpolis's religious importance continued long after its political role had declined. Palettes were typically used for grinding cosmetics, but this palette is too large and heavy (and elaborate) to have been created for personal use and was probably a ritual or votive object, specifically made for donation to, or use in, a temple. One theory is that it was used to grind cosmetics to adorn the statues of the deities.

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Egyptian hieroglyphs in the context of Egyptian language

The Egyptian language, or Ancient Egyptian (r n kmt; 'speech of Egypt'), is an extinct branch of the Afro-Asiatic language family that was spoken in ancient Egypt. It is known today from a large corpus of surviving texts, which were made accessible to the modern world following the decipherment of the ancient Egyptian scripts in the early 19th century.

Egyptian is one of the earliest known written languages, first recorded in the hieroglyphic script in the late 4th millennium BC. It is also the longest-attested human language, with a written record spanning over 4,000 years. Its classical form, known as "Middle Egyptian," served as the vernacular of the Middle Kingdom of Egypt and remained the literary language of Egypt until the Roman period.

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Egyptian hieroglyphs in the context of Phoenician alphabet

The Phoenician alphabet is an abjad (consonantal alphabet) used across the Mediterranean civilization of Phoenicia for most of the 1st millennium BC. It was one of the first alphabets, attested in Canaanite and Aramaic inscriptions found across the Mediterranean basin. In the history of writing systems, the Phoenician script also marked the first to have a fixed writing direction—while previous systems were multi-directional, Phoenician was written horizontally, from right to left. It developed directly from the Proto-Sinaitic script used during the Late Bronze Age, which was derived in turn from Egyptian hieroglyphs.

The Phoenician alphabet was used to write Canaanite languages spoken during the Early Iron Age, sub-categorized by historians as Phoenician, Hebrew, Moabite, Ammonite and Edomite, as well as Old Aramaic. It was widely disseminated outside of the Canaanite sphere by Phoenician merchants across the Mediterranean, where it was adopted and adapted by other cultures. The Phoenician alphabet proper was used in Ancient Carthage until the 2nd century BC, where it was used to write the Punic language. Its direct descendant scripts include the Aramaic and Samaritan alphabets, several Alphabets of Asia Minor, and the Archaic Greek alphabets.

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