Lo-fi music in the context of "Far Side Virtual"

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👉 Lo-fi music in the context of Far Side Virtual

Far Side Virtual is a studio album by American electronic musician James Ferraro, released on October 25, 2011 by Hippos in Tanks. Conceived as a series of ringtones, the album marked Ferraro's transition from his previous lo-fi recording approach to a sharply produced, electronic aesthetic that deliberately evokes sources such as elevator music, corporate mood music, easy listening, and early computer sound design. The album has been interpreted as engaging with themes such as hyperreality, disposable consumer culture, 1990s retrofuturism, advertising, and musical kitsch.

Far Side Virtual was met with polarizing but generally positive reviews, with most critics commending its conceptual underpinnings and noting its ambiguous relationship to its subject. It was named album of the year by British magazine The Wire, a decision which was met with contention from some journalists and readers. The album has since been cited as one of the forerunners to the internet microgenre vaporwave as well as its offshoot utopian virtual.

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Lo-fi music in the context of Chillwave

Chillwave is a music microgenre that emerged in the late 2000s. It is characterized by evoking the popular music of the late 1970s and early 1980s while engaging with notions of memory and nostalgia. Common features include a faded or dreamy retro pop sound, escapist lyrics (frequent topics include the beach or summer), psychedelic or lo-fi aesthetics, mellow vocals, slow-to-moderate tempos, effects processing (especially reverb), and vintage synthesizers.

Chillwave was one of the first music genres to develop primarily through the Internet. The term was coined in 2009 by the satirical blog Hipster Runoff to lampoon microgenres and indie acts whose sounds resembled incidental music from 1980s VHS tapes. Prior to this, the music would have been labelled as shoegaze, dream pop, ambient, or indietronica. Leading acts included Neon Indian, Washed Out, and Toro y Moi, who gained attention during 2009's "Summer of Chillwave". Washed Out's 2009 track "Feel It All Around" remains the best-known chillwave song.

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Lo-fi music in the context of Hypnagogic pop

Hypnagogic pop (or simply h-pop) is a loosely defined style of pop and psychedelic music that evokes cultural memory and nostalgia for the popular entertainment of the past (principally the 1980s). It emerged in the mid to late 2000s out of the American post-noise underground as Gen X lo-fi and noise musicians began adopting retro aesthetics from their childhood, such as radio and soft rock, new wave music, video game music, synth-pop and R&B. Recordings were typically marked by the use of outmoded analog equipment and DIY experimentation, while distributed on cassettes and CD-R's with circulation primarily based on the Internet through blog sites.

The genre's name was coined by journalist David Keenan in an August 2009 issue of The Wire to label the developing trend, which he characterized as "pop music refracted through the memory of a memory." It was used interchangeably with "chillwave" or "glo-fi" and gained critical attention through artists such as Ariel Pink and James Ferraro. The music has been variously described as a 21st-century update of psychedelia, a reappropriation of media-saturated capitalist culture, and an "American cousin" to British hauntology.

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Lo-fi music in the context of James Ferraro

James Ferraro (born November 7, 1986) is an American experimental musician, producer, composer, and contemporary artist. He has been credited as a pioneer of the 21st century genres hypnagogic pop and vaporwave, with his work exploring themes related to hyperreality and consumer culture. His music has drawn on diverse styles such as 1980s electronic music, new age, drone, lo-fi, sound collage, and R&B.

Ferraro began his career in the early 2000s as a member of the Californian noise duo the Skaters, after which he began recording solo work under his name and a wide variety of aliases. He released music on labels such as Hippos in Tanks and New Age Tapes. Ferraro received wider recognition when his polarizing 2011 album Far Side Virtual was chosen as Album of the Year by The Wire. He has since pivoted to releasing projects independently.

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