A literary cycle is a group of stories focused on common figures, often (though not necessarily) based on mythical figures or loosely on historical ones. Cycles which deal with an entire country are sometimes referred to as matters. A fictional cycle is often referred to as a mythos.
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👉 Literary cycle in the context of Das Rheingold
Das Rheingold (; The Rhinegold), WWV 86A, is the first of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung). It premiered as a single opera at the National Theatre of Munich on 22 September 1869, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 13 August 1876.
Wagner wrote the Ring librettos in reverse order, so that Das Rheingold was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of Das Rheingold was staged, against Wagner's wishes, on the orders of King Ludwig II of Bavaria, his patron. Following its 1876 Bayreuth premiere, the Ring cycle was introduced into the worldwide repertory, with performances in all the main opera houses, in which it has remained a regular and popular fixture.
In this Dossier
- ⭐ Core Definition: Literary cycle
- 👉 Literary cycle in the context of Das Rheingold
- Literary cycle in the context of Matter of Britain
- Literary cycle in the context of Matter of France
- Literary cycle in the context of Der Ring des Nibelungen
- Literary cycle in the context of Sinbad the Sailor
- Literary cycle in the context of Acts 8
- Literary cycle in the context of Siegfried (opera)
Literary cycle in the context of Matter of Britain
The Matter of Britain (French: matière de Bretagne; Welsh: Mater Prydain; Cornish: Mater Brythain; Breton: Afer Breizh-Veur) is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur. The 12th-century writer Geoffrey of Monmouth's Historia Regum Britanniae (History of the Kings of Britain) is a central component of the Matter of Britain.
It was one of the three great Western story cycles recalled repeatedly in medieval literature, together with the Matter of France, which concerned the legends of Charlemagne and his companions, as well as the Matter of Rome, which included material derived from or inspired by classical mythology and classical history. Its pseudo-chronicle and chivalric romance works, written both in prose and verse, flourished from the 12th to the 16th century.
Literary cycle in the context of Matter of France
The Matter of France (French: matière de France), also known as the Carolingian cycle, is a body of medieval literature and legendary material associated with the history of France, in particular involving Charlemagne and the Paladins. The cycle springs from the Old French chansons de geste, and was later adapted into a variety of art forms, including Renaissance epics and operas. It was one of the great European literary cycles that figured repeatedly in medieval literature.
Literary cycle in the context of Der Ring des Nibelungen
Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner. The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the Nibelungenlied. The composer termed the cycle a "Bühnenfestspiel" (stage festival play), structured in three days preceded by a Vorabend ("preliminary evening"). It is often referred to as the Ring cycle, Wagner's Ring, or simply The Ring.
Wagner wrote the libretto and music over the course of about twenty-six years, from 1848 to 1874. The four parts that constitute the Ring cycle are, in sequence:
Literary cycle in the context of Sinbad the Sailor
Sinbad the Sailor (/ˈsɪnbæd/; Arabic: سندباد البحري, romanized: Sindibādu l-Bahriyy lit. 'Sindibād of the Sea') is a fictional mariner and the hero of a story-cycle. He is described as hailing from Baghdad during the early Abbasid Caliphate (8th and 9th centuries CE.). In the course of seven voyages throughout the seas east of Africa and south of Asia, he has fantastic adventures in magical realms, encountering monsters and witnessing supernatural phenomena.
Literary cycle in the context of Acts 8
Acts 8 is the eighth chapter of the Acts of the Apostles in the New Testament of the Christian Bible. It records the burial of Stephen, the beginnings of Christian persecution, the spread of the Gospel of Jesus Christ to the people of Samaria and the conversion of an Ethiopian official. The book containing this chapter is anonymous, but early Christian tradition uniformly affirmed that Luke composed this book as well as the Gospel of Luke. Parts of this chapter (verses 5-13 and 26-40) may have been drawn from an earlier "Philip cycle of stories" used by Luke in assembling his material.
Literary cycle in the context of Siegfried (opera)
Siegfried (German: [ˈziːk.fʀiːt] ), WWV 86C, is the third of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung). It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring cycle.
The autograph manuscript of the work is preserved in the Richard Wagner Foundation.