Das Rheingold in the context of "Literary cycle"

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⭐ Core Definition: Das Rheingold

Das Rheingold (pronunciation; The Rhinegold), WWV 86A, is the first of the four epic music dramas that constitute Richard Wagner's cycle Der Ring des Nibelungen (English: The Ring of the Nibelung). It premiered as a single opera at the National Theatre of Munich on 22 September 1869, and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 13 August 1876.

Wagner wrote the Ring librettos in reverse order, so that Das Rheingold was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of Das Rheingold was staged, against Wagner's wishes, on the orders of King Ludwig II of Bavaria, his patron. Following its 1876 Bayreuth premiere, the Ring cycle was introduced into the worldwide repertory, with performances in all the main opera houses, in which it has remained a regular and popular fixture.

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Das Rheingold in the context of Arthur Rackham

Arthur Rackham RWS (19 September 1867 – 6 September 1939) was an English book illustrator. He is recognised as one of the leading figures during the Golden Age of British book illustration. His work is noted for its robust pen and ink drawings, which were combined with the use of watercolour, a technique he developed due to his background as a journalistic illustrator.

Rackham's 51 colour pieces for the early American tale Rip Van Winkle became a turning point in the production of books since – through colour-separated printing – it featured the accurate reproduction of colour artwork. His best-known works also include the illustrations for Peter Pan in Kensington Gardens, and Fairy Tales of the Brothers Grimm.

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Das Rheingold in the context of Fasolt

Fasolt, Fasold or Vasolt is a giant or knight who appears in the following works:

The name Fasolt likely derives from a root similar to Old High German faso, thread, and most likely refers to the long braided hair he is described as having in the Eckenlied. He may have originally been a storm demon, as evidenced by a 17th-century prayer to witches at the mountain Jochgrimm outside of Bozen to cause "ffasolt" to send storms far away.

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