The Royal Watercolour Society is a British institution of painters working in watercolours. The Society is a centre of excellence for water-based media on paper, which allows for a diverse and interesting range of approaches to the medium of watercolour. Its members, or associates, use the post-nominal initials RWS and ARWS (associate member). They are elected by the membership, with typically half a dozen new associates joining the Society each year.
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👉 Royal Watercolour Society in the context of Arthur Rackham
Arthur Rackham RWS (19 September 1867 – 6 September 1939) was an English book illustrator. He is recognised as one of the leading figures during the Golden Age of British book illustration. His work is noted for its robust pen and ink drawings, which were combined with the use of watercolour, a technique he developed due to his background as a journalistic illustrator.
Rackham's 51 colour pieces for the early American tale Rip Van Winkle became a turning point in the production of books since – through colour-separated printing – it featured the accurate reproduction of colour artwork. His best-known works also include the illustrations for Peter Pan in Kensington Gardens, and Fairy Tales of the Brothers Grimm.
In this Dossier
- ⭐ Core Definition: Royal Watercolour Society
- 👉 Royal Watercolour Society in the context of Arthur Rackham
- Royal Watercolour Society in the context of Lawrence Alma-Tadema
- Royal Watercolour Society in the context of Sydney Curnow Vosper
- Royal Watercolour Society in the context of Samuel Palmer
- Royal Watercolour Society in the context of Alfred Downing Fripp (artist)
Royal Watercolour Society in the context of Lawrence Alma-Tadema
Sir Lawrence Alma-Tadema OM, RA, RWS (/ˈælmə ˈtædeɪmə/ AL-mə TAD-ay-mə; born Lourens Alma Tadema, Dutch: [ˈlʌurəns ˈɑlmaː ˈtaːdəmaː]; 8 January 1836 – 25 June 1912) was a Dutch painter who later settled in the United Kingdom, becoming the last officially recognised denizen in 1873. Born in Dronryp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in London, England in 1870 and spent the rest of his life there.
A painter of mostly classical subjects, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean sea and sky. One of the most popular Victorian painters, Alma-Tadema was admired during his lifetime for his draftsmanship and accurate depictions of Classical antiquity, but his work fell out of fashion after his death, and only since the 1960s has it been appreciated for its importance within Victorian painting.
Royal Watercolour Society in the context of Sydney Curnow Vosper
Sydney Curnow Vosper RWS, RWA (29 October 1866 – 10 July 1942) was an English painter and etcher of landscapes and figure subjects. His later work has a close association with Wales and Brittany. His most famous work is Salem (1908), which shows an old woman in the Welsh national costume, with Welsh hat and shawl, attending a service at Salem Baptist Chapel, Pentre Gwynfryn.
Royal Watercolour Society in the context of Samuel Palmer
Samuel Palmer RWS Hon.RE (Hon. Fellow of the Society of Painter-Etchers) (27 January 1805 – 24 May 1881) was a British landscape painter, etcher and printmaker. He was also a prolific writer. Palmer was a key figure in Romanticism in Britain and produced visionary pastoral paintings.
Royal Watercolour Society in the context of Alfred Downing Fripp (artist)
Alfred Downing Fripp (22 April 1822 – 13 March 1895) was an English painter who specialised in watercolours of rural genre figures. He was grandson of the marine artist Nicholas Pocock, a brother of the painter George Arthur Fripp, and father of the surgeon Sir Alfred Downing Fripp.
Fripp was born in Bristol and studied at the Royal Academy of Arts. He held his first exhibition in 1842, his initial works featuring Irish and Welsh peasants in landscape settings. In 1844 he became an associate of the Old Watercolour Society, progressing to full membership in 1846, and ultimately becoming its secretary from 1870 onward.