Legend (map) in the context of Visual hierarchy


Legend (map) in the context of Visual hierarchy

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⭐ Core Definition: Legend (map)

Map layout, also called map composition or (cartographic) page layout, is the part of cartographic design that involves assembling various map elements on a page. This may include the map image itself, along with titles, legends, scale indicators, inset maps, and other elements. It follows principles similar to page layout in graphic design, such as balance, gestalt, and visual hierarchy. The term map composition is also used for the assembling of features and symbols within the map image itself, which can cause some confusion; these two processes share a few common design principles but are distinct procedures in practice. Similar principles of layout design apply to maps produced in a variety of media, from large format wall maps to illustrations in books to interactive web maps, although each medium has unique constraints and opportunities.

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Legend (map) in the context of Map series

A map series is a group of topographic or thematic charts or maps usually having the same scale and cartographic specifications, and with each sheet appropriately identified by its publisher as belonging to the same series.

Map series occur when an area is to be covered by a map that, due to its scale, must be spread over several sheets. Nevertheless, the individual sheets of a map series can also be used quite independently, as they generally have full map surround details and legends. If a publisher produces several map series at different scales, for instance 1:25,000, 1:50,000 and 1:100,000, then these series are called scale series.

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Legend (map) in the context of Mercator 1569 world map

The Mercator world map of 1569 is titled Nova et Aucta Orbis Terrae Descriptio ad Usum Navigantium Emendate Accommodata (Renaissance Latin for "New and more complete representation of the terrestrial globe properly adapted for use in navigation"). The title shows that Gerardus Mercator aimed to present contemporary knowledge of the geography of the world and at the same time 'correct' the chart to be more useful to sailors. This 'correction', whereby constant bearing sailing courses on the sphere (rhumb lines) are mapped to straight lines on the plane map, characterizes the Mercator projection. While the map's geography has been superseded by modern knowledge, its projection proved to be one of the most significant advances in the history of cartography, inspiring the 19th century map historian Adolf Nordenskiöld to write "The master of Rupelmonde stands unsurpassed in the history of cartography since the time of Ptolemy." The projection heralded a new era in the evolution of navigation maps and charts and it is still their basis.

The map is inscribed with a great deal of text. The framed map legends (or cartouches) cover a wide variety of topics: a dedication to his patron and a copyright statement; discussions of rhumb lines; great circles and distances; comments on some of the major rivers; accounts of fictitious geography of the north pole and the southern continent. The full Latin texts and English translations of all the legends are given below. Other minor texts are sprinkled about the map. They cover such topics as the magnetic poles, the prime meridian, navigational features, minor geographical details, the voyages of discovery and myths of giants and cannibals. These minor texts are also given below.

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