In Norse mythology, Líf (identical with the Old Norse noun meaning "life, the life of the body") and Lífþrasir (Old Norse masculine name from líf and þrasir and defined by Lexicon Poëticum as "Livæ amator, vitæ amans, vitæ cupidus" "Líf's lover, lover of life, zest for life"), sometimes anglicized as Lif and Lifthrasir, female and male respectively, are two humans who are foretold to survive the events of Ragnarök by hiding in a wood called Hoddmímis holt and, after the flames have abated, to repopulate the newly risen and fertile world. Líf and Lífþrasir are mentioned in the Poetic Edda, which was compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Many scholars have speculated as to the underlying meaning and origins of both names.
👉 Líf and Lífþrasir in the context of Hoddmímis holt
In Norse mythology, Hoddmímis holt (Old Norse "Hoard-Mímir's" holt) is a location where Líf and Lífþrasir are foretold to survive the long winters of Fimbulvetr. Hoddmímis holt is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. Like the very similarly named Mímameiðr, scholars generally consider Hoddmímis holt to be another name for Yggdrasil and connect it to folklore recorded from continental Germanic folklore.
- ⭐ Core Definition: Líf and Lífþrasir
- 👉 Líf and Lífþrasir in the context of Hoddmímis holt
- Líf and Lífþrasir in the context of Norse mythology
- Líf and Lífþrasir in the context of Ragnarök
Líf and Lífþrasir in the context of Norse mythology
Norse, Nordic, or Scandinavian mythology, is the body of myths belonging to the North Germanic peoples, stemming from Old Norse religion and continuing after the Christianization of Scandinavia as the Nordic folklore of the modern period. The northernmost extension of Germanic mythology and stemming from Proto-Germanic folklore, Norse mythology consists of tales of various deities, beings, and heroes derived from numerous sources from both before and after the pagan period, including medieval manuscripts, archaeological representations, and folk tradition. The source texts mention numerous gods such as the thunder-god Thor, the raven-flanked god Odin, the goddess Freyja, and numerous other deities.
Most of the surviving mythology centers on the plights of the gods and their interaction with several other beings, such as humanity and the jötnar, beings who may be friends, lovers, foes, or family members of the gods. The cosmos in Norse mythology consists of Nine Worlds that flank a central sacred tree, Yggdrasil. Units of time and elements of the cosmology are personified as deities or beings. Various forms of a creation myth are recounted, where the world is created from the flesh of the primordial being Ymir, and the first two humans are Ask and Embla. These worlds are foretold to be reborn after the events of Ragnarök when an immense battle occurs between the gods and their enemies, and the world is enveloped in flames, only to be reborn anew. There the surviving gods will meet, and the land will be fertile and green, and two humans will repopulate the world.
View the full Wikipedia page for Norse mythologyLíf and Lífþrasir in the context of Ragnarök
In Norse mythology, Ragnarök (also Ragnarok; /ˈræɡnərɒk/ RAG-nə-rok or /ˈrɑːɡ-/ RAHG-; Old Norse: Ragnarǫk [ˈrɑɣnɑˌrɒk]) is a foretold series of impending events, including a great battle in which numerous great Norse mythological figures will perish (including the gods Odin, Thor, Týr, Freyr, Heimdall, and Loki); it will entail a catastrophic series of natural disasters, including the burning of the world, and culminate in the submersion of the world underwater. After these events, the world will rise again, cleansed and fertile, the surviving and returning gods will meet, and the world will be repopulated by two human survivors, Líf and Lífþrasir. Ragnarök is an important event in Norse mythology and has been the subject of scholarly discourse and theory in the history of Germanic studies.
The event is attested primarily in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In the Prose Edda and in a single poem in the Poetic Edda, the event is referred to as Ragnarøkkr (Old Norse for 'Twilight of the Gods'), a usage popularised by 19th-century composer Richard Wagner with the title of the last of his Der Ring des Nibelungen operas, Götterdämmerung (1876), which is "Twilight of the Gods" in German.
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