Æsir in the context of "Ragnarök"

In Greco-Roman mythology, Aeneas (/ɪˈniːəs/ in-EE-əs; Classical Latin: [ae̯ˈneːaːs]; from Ancient Greek: Αἰνείας, romanized: Aineías) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus, founder of Troy), making Aeneas a second cousin to Priam's children (such as Hector and Paris). He is a minor character in Greek mythology and is mentioned in Homer's Iliad. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's Aeneid, where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Víðarr of the Æsir.

In Norse mythology, Víðarr (Old Norse: [ˈwiːðɑrː], possibly "wide ruler", sometimes anglicized as Vidar /ˈviːdɑːr/, Vithar, Vidarr, and Vitharr) is a god among the Æsir associated with vengeance. Víðarr is described as the son of Odin and the jötunn Gríðr and is foretold to avenge his father's death by killing the wolf Fenrir at Ragnarök, a conflict he is described as surviving. Víðarr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, the Prose Edda, written in the 13th century by Snorri Sturluson, and is interpreted as depicted with Fenrir on the Gosforth Cross. A number of theories surround the figure, including theories around potential ritual silence and a Proto-Indo-European basis.

Iceland was Christianized in the year 1000 AD, when Christianity was legally adopted as the official religion by decision of the Althing. In Icelandic, this event is known as the kristnitaka (literally, "the taking of Christianity").

The vast majority of the initial settlers of Iceland during the settlement of Iceland in the 9th and 10th centuries AD were pagan, worshipping the Æsir (the Norse gods). Beginning in 980, Iceland was visited by several Christian missionaries who had little success; but when Olaf Tryggvason (who had converted around 998) ascended to the Norwegian throne, there were many more converts, and the two rival religions soon divided the country and threatened civil war.

Old Norse religion, also known as Norse paganism, is a branch of Germanic religion which developed during the Proto-Norse period, when the North Germanic peoples separated into distinct branches. It was replaced by Christianity and forgotten during the Christianisation of Scandinavia. Scholars reconstruct aspects of North Germanic Religion by historical linguistics, archaeology, toponymy, and records left by North Germanic peoples, such as runic inscriptions in the Younger Futhark, a distinctly North Germanic extension of the runic alphabet. Numerous Old Norse works dated to the 13th-century record Norse mythology, a component of North Germanic religion.

Old Norse religion was polytheistic, entailing a belief in various gods and goddesses. These deities in Norse mythology were divided into two groups, the Æsir and the Vanir, who in some sources were said to have engaged in war until realizing that they were equally powerful. Among the most widespread deities were the gods Odin and Thor. This world was inhabited also by other mythological races, including jötnar, dwarfs, elves, and land-wights. Norse cosmology revolved around a world tree known as Yggdrasil, with various realms, such as Midgard, where humans live. These involved multiple afterlives, several of which were controlled by a particular deity.

Ansuz is the conventional name given to the a-rune of the Elder Futhark, ᚨ.The name is based on Proto-Germanic *ansuz, denoting a deity belonging to the principal pantheon in Germanic paganism.

The shape of the rune is likely from Neo-Etruscan a (), like Latin A ultimately from Phoenician aleph.

Odin (/ˈoʊdɪn/; from Old Norse: Óðinn) is a widely revered god in Norse mythology and Germanic paganism. Most surviving information on Odin comes from Norse mythology, but he figures prominently in the recorded history of Northern Europe. This includes the Roman Empire's partial occupation of Germania (c. 2 BCE), the Migration Period (4th–6th centuries CE) and the Viking Age (8th–11th centuries CE). Consequently, Odin has hundreds of names and titles. Several of these stem from the reconstructed Proto-Germanic theonym Wōðanaz, meaning "lord of frenzy" or "leader of the possessed", which may relate to the god's strong association with poetry.

Most mythological stories about Odin survive from the 13th-century Prose Edda and an earlier collection of Old Norse poems, the Poetic Edda, along with other Old Norse items like Ynglinga saga. The Prose Edda and other sources depict Odin as the head of the pantheon, sometimes called the Æsir, and bearing a spear and a ring. Wider sources depict Odin as the son of Bestla and Borr; brother to Vili and Vé; and husband to the goddess Frigg, with whom he fathered Baldr. Odin has many other sons, including Thor, whom he sired with the earth-goddess Jörð. He is sometimes accompanied by animal familiars, such as the ravens Huginn and Muninn and the wolves Geri and Freki. The Prose Edda describes Odin and his brothers' creation of the world through slaying the primordial being Ymir, and his giving of life to the first humans. Odin is often referred to as long-bearded, sometimes as an old man, and also as possessing only one eye, having sacrificed the other for wisdom.

Baldr (Old Norse also Balder, Baldur) is a god in Germanic mythology. In Norse mythology, he is a son of the god Odin and the goddess Frigg, and has numerous brothers, such as Thor and Váli. In wider Germanic mythology, the god was known in Old English as Bældæġ, and in Old High German as Balder, all ultimately stemming from the Proto-Germanic theonym *Balðraz ('hero' or 'prince').

During the 12th century, Danish accounts by Saxo Grammaticus and other Danish Latin chroniclers recorded a euhemerized account of his story. Compiled in Iceland during the 13th century, but based on older Old Norse poetry, the Poetic Edda and the Prose Edda contain numerous references to the death of Baldr as both a great tragedy to the Æsir and a harbinger of Ragnarök.