Kill Bill in the context of "Action-thriller film"

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⭐ Core Definition: Kill Bill

Kill Bill: Volume 1 is a 2003 American martial arts film written and directed by Quentin Tarantino. It stars Uma Thurman as the Bride, who swears revenge on a group of assassins (Lucy Liu, Daryl Hannah, Vivica A. Fox and Michael Madsen) and their leader, Bill (David Carradine), after they try to kill her and her unborn child. Her journey takes her to Tokyo, where she battles the yakuza.

Kill Bill was inspired by 1970s exploitation films and martial arts films. It features an anime sequence by Production I.G and a black-and-white sequence. Volume 1 is the first of two Kill Bill films made in a single production; Volume 2 was released six months later. They were originally set for a single release, but the film, with a runtime of over four hours, was divided in two. This meant Tarantino did not have to cut scenes.

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Kill Bill in the context of Action film

The action film is a film genre that predominantly features chase sequences, fights, shootouts, explosions, and stunt work. The specifics of what constitutes an action film has been in scholarly debate since the 1980s. While some scholars such as David Bordwell suggested they were films that favor spectacle to storytelling, others such as Geoff King stated they allow the scenes of spectacle to be attuned to storytelling. Action films are often hybrid with other genres, mixing into various forms such as comedies, science fiction films, and horror films.

While the term "action film" or "action adventure film" has been used as early as the 1910s, the contemporary definition usually refers to a film that came with the arrival of New Hollywood and the rise of anti-heroes appearing in American films of the late 1960s and 1970s drawing from war films, crime films and Westerns. These genres were followed by what is referred to as the "classical period" in the 1980s. This was followed by the post-classical era where American action films were influenced by Hong Kong action cinema and the growing using of computer generated imagery in film. Following the September 11 attacks, a return to the early forms of the genre appeared in the wake of Kill Bill and The Expendables films.

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