Quentin Tarantino in the context of "Kill Bill"

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⭐ Core Definition: Quentin Tarantino

Quentin Jerome Tarantino (/ˌtærənˈtn/ TARR-ən-TEE-noh; born March 27, 1963) is an American filmmaker, actor, and author. His films are characterized by graphic violence, extended dialogue often featuring much profanity, and references to popular culture. His work has earned a cult following alongside critical and commercial success; he has been named by some as the most influential director of his generation and has received numerous awards and nominations, including two Academy Awards, two BAFTA Awards, and four Golden Globe Awards. His films have grossed more than $1.9 billion worldwide.

Tarantino began his career with the independent crime film Reservoir Dogs (1992). His second film, the crime comedy-drama Pulp Fiction (1994), was a major success and won numerous awards, including the Cannes Film Festival's Palme d'Or and the Academy Award for Best Original Screenplay. He next wrote and starred in the action horror film From Dusk till Dawn (1996). His third film as director, Jackie Brown (1997), paid homage to blaxploitation films.

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👉 Quentin Tarantino in the context of Kill Bill

Kill Bill: Volume 1 is a 2003 American martial arts film written and directed by Quentin Tarantino. It stars Uma Thurman as the Bride, who swears revenge on a group of assassins (Lucy Liu, Daryl Hannah, Vivica A. Fox and Michael Madsen) and their leader, Bill (David Carradine), after they try to kill her and her unborn child. Her journey takes her to Tokyo, where she battles the yakuza.

Kill Bill was inspired by 1970s exploitation films and martial arts films. It features an anime sequence by Production I.G and a black-and-white sequence. Volume 1 is the first of two Kill Bill films made in a single production; Volume 2 was released six months later. They were originally set for a single release, but the film, with a runtime of over four hours, was divided in two. This meant Tarantino did not have to cut scenes.

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Quentin Tarantino in the context of Independent film

An independent film, independent movie, indie film, or indie movie is a feature film or short film that is produced outside the major film studio system in addition to being produced and distributed by independent entertainment companies (or, in some cases, distributed by major companies). Independent films are sometimes distinguishable by their content and style, and how the filmmakers' artistic vision is realized. Sometimes, independent films are made with considerably lower budgets than major studio films.

It is not unusual for well-known actors who are cast in independent features to take substantial pay cuts for a variety of reasons: if they truly believe in the message of the film; they feel indebted to a filmmaker for a career break; their career is otherwise stalled, or they feel unable to manage a more significant commitment to a studio film; the film offers an opportunity to showcase a talent that has not gained traction in the studio system; or simply because they want to work with a particular director they admire. Examples of the latter include John Travolta and Bruce Willis taking less than their usual pay to work with Quentin Tarantino on Pulp Fiction.

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Quentin Tarantino in the context of Diane Kruger

Diane Kruger (German: [diˈaːnə ˈkʁuːɡɐ], née Heidkrüger; born 15 July 1976) is a German actress. Early in her career, she gained worldwide recognition and received the Trophée Chopard from the Cannes Film Festival.

Kruger became known for her roles in films such as Helen in the epic war film Troy (2004), Dr. Abigail Chase in the heist film National Treasure (2004) and its 2007 sequel, Bridget von Hammersmark in Quentin Tarantino's war film Inglourious Basterds (2009), and Gina in the psychological thriller film Unknown (2011). She also starred as Detective Sonya Cross in the FX crime drama series The Bridge (2013–14). In 2017, she made her German-language debut in Fatih Akin's In the Fade, for which she won the Cannes Film Festival Award for Best Actress. In 2019, Kruger starred in the spy-thriller The Operative with Martin Freeman.

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Quentin Tarantino in the context of Pulp Fiction

Pulp Fiction is a 1994 American independent crime film written and directed by Quentin Tarantino from a story he conceived with Roger Avary. It tells four intertwining tales of crime and violence in Los Angeles. The film stars John Travolta, Samuel L. Jackson, Bruce Willis, Tim Roth, Ving Rhames, and Uma Thurman. The title refers to the pulp magazines and hardboiled crime novels popular during the mid-20th century, known for their graphic violence and punchy dialogue.

Tarantino wrote Pulp Fiction in 1992 and 1993, incorporating scenes that Avary originally wrote for True Romance (1993). Its plot occurs out of chronological order. The film is also self-referential from its opening moments, beginning with a title card that gives two dictionary definitions of "pulp". Considerable screen time is devoted to monologues and casual conversations with eclectic dialogue revealing each character's perspectives on several subjects, and the film features an ironic combination of humor and strong violence. TriStar Pictures reportedly turned down the script as "too demented". Miramax Films co-chairman Harvey Weinstein was enthralled, however, and the film became the first that Miramax Films fully financed.

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Quentin Tarantino in the context of Inglourious Basterds

Inglourious Basterds is a 2009 black comedy war film written and directed by Quentin Tarantino. It stars an ensemble cast including Brad Pitt, Christoph Waltz, Michael Fassbender, Eli Roth, Diane Kruger, Daniel Brühl, Til Schweiger, Mélanie Laurent and Mike Myers. The film tells an alternate history story of two converging plots to assassinate Nazi Germany's leadership at a Paris cinema—one through a British operation largely carried out by a team of Jewish American soldiers led by First Lieutenant Aldo Raine (Pitt), and another by French Jewish cinema proprietor Shosanna Dreyfus (Laurent) who seeks to avenge her murdered family. Both are pitted against Hans Landa (Waltz), an SS colonel with a fearsome reputation.

The title (but not the story) was inspired by Italian director Enzo G. Castellari's 1978 Euro War film The Inglorious Bastards, but deliberately misspelled as "a Basquiat-esque touch". Tarantino wrote the script in 1998, but struggled with the ending and chose instead to direct the two-part film Kill Bill. After directing Death Proof in 2007, Tarantino returned to work on Inglourious Basterds. A co-production between the United States and Germany, the film began principal photography in October 2008 and was filmed in Germany and France with a $70 million production budget.

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