Elizabeth I of England in the context of "House of Stuart"

The English overseas possessions, sometimes referred to as the English Empire, comprised a variety of overseas territories that were colonized, conquered, or otherwise acquired by the Kingdom of England before 1707. (In 1707 the Acts of Union made England part of the Kingdom of Great Britain. See British Empire.)

The first English overseas settlements were established in Ireland. Although there were English voyages of exploration during the reign of Henry VII of England, and further settlement in Ireland and attempts at North American settlement during the reign of his granddaughter Elizabeth I, not until the succession in 1603 of James VI of Scotland to the throne of England (ruling as James I) were permanent overseas settlements established in North America, first at Jamestown, Virginia (1607) and then the West Indies, all in areas claimed by Spain. In Asia, trading posts called "factories" in the East Indies, such as Bantam, and in the Indian subcontinent, beginning with Surat. In 1639, a series of English fortresses on the Indian coast was initiated with Fort St George. In 1661, the marriage of King Charles II to Catherine of Braganza brought him as part of her dowry new possessions which until then had been Portuguese, including Tangier in North Africa and Bombay in India.

The Lord Chamberlain's Men was an English company of actors, or a "playing company" (as it then would likely have been described), for which William Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.

It was founded during the reign of Elizabeth I of England around 1594 under the patronage of Henry Carey, 1st Baron Hunsdon, then the Lord Chamberlain, who was in charge of court entertainments. After Carey's death on 23 July 1596, the company came under the patronage of his son, George Carey, 2nd Baron Hunsdon, for whom it was briefly known as Lord Hunsdon's Men. When George Carey in turn became Lord Chamberlain on 17 March 1597, it reverted to its previous name. The company became the King's Men in 1603 when King James ascended the throne and became the company's patron. The company held exclusive rights to perform Shakespeare's plays.

The King's Men was an acting company in England active in the 17th century. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron. It was the company to which William Shakespeare (1564–1616) belonged for most of his career.

The royal patent of 19 May 1603 which authorised the King's Men company named the following players, in this order: Lawrence Fletcher, William Shakespeare, Richard Burbage, Augustine Phillips, John Heminges, Henry Condell, William Sly, Robert Armin, Richard Cowley, "and the rest of their associates...." The nine cited by name became Grooms of the Chamber. On 15 March 1604, each of the nine men named in the patent was supplied with four and a half yards of red cloth for the coronation procession.

Lady Jane Grey (1536/1537 – 12 February 1554), also known as Lady Jane Dudley after her marriage, and nicknamed as the "Nine Days Queen", was an English noblewoman who was proclaimed Queen of England and Ireland on 10 July 1553 and reigned until she was deposed by the Privy Council of England, which proclaimed her cousin, Mary I, as the new Queen on 19 July. Jane was later beheaded for high treason.

Jane was the great-granddaughter of Henry VII (through his youngest daughter, Mary Tudor), the grandniece of Henry VIII, and the first cousin once removed of Edward VI, Mary I, and Elizabeth I. Under the will of Henry VIII, Jane was in line to the throne after her cousins. She had a humanist education and a reputation as one of the most learned young women of her day. In May 1553, she was married to Lord Guildford Dudley, a younger son of Edward VI's chief minister, John Dudley, Duke of Northumberland. In June, the dying Edward VI wrote his will, nominating Jane and her male heirs as successors to the Crown, in part because his half-sister Mary was Catholic, whereas Jane was a committed Protestant and would support the reformed Church of England, whose foundation Edward laid. The will removed both of his half-sisters, Mary and Elizabeth, from the line of succession because of their illegitimacy, subverting their lawful claims under the Third Succession Act. Through the Duke of Northumberland, Edward's letters patent in favour of Jane were signed by the entire privy council, bishops, and other notables.

Sir Humphrey Gilbert (c. 1539 – 9 September 1583) was an English adventurer, explorer, member of parliament and soldier who served during the reign of Queen Elizabeth I and was a pioneer of the English colonial empire in North America and the Plantations of Ireland. He was a maternal half-brother of Sir Walter Raleigh and a cousin of Sir Richard Grenville.

Elizabeth, Lady Raleigh (née Throckmorton; 16 April 1565 – c. 1647), was an English courtier, a Gentlewoman of the Privy Chamber to Queen Elizabeth I of England. Her secret marriage to Sir Walter Raleigh precipitated a long period of royal disfavour for both her and her husband.

Robert Peake the Elder (c. 1551–1619) was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz.

Peake was the only English-born painter of a group of four artists whose workshops were closely connected. The others were De Critz, Marcus Gheeraerts the Younger, and the miniature painter Isaac Oliver. Between 1590 and about 1625, they specialised in brilliantly coloured, full-length "costume pieces" that are unique to England at this time. It is not always possible to attribute authorship between Peake, De Critz, Gheeraerts and their assistants with certainty.