Jun ware in the context of "Jin dynasty (1115–1234)"

Ceramic art is art made from ceramic materials, including clay that serves as a cultural, professional, and historical representation of individuals and groups across centuries of art. It may take varied forms, such as artistic pottery, tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory.

In Britain and the United States, modern ceramics as an art took its inspiration in the early twentieth century from the Arts and Crafts movement, leading to the revival of pottery considered as a specifically modern craft. Such crafts emphasized traditional non-industrial production techniques, faithfulness to the material, the skills of the individual maker, attention to utility, and an absence of excessive decoration that was typical to the Victorian era.

The Five Great Kilns (Chinese: 五大名窯; pinyin: Wǔ dàmíng yáo), also known as Five Famous Kilns, is a generic term for ceramic kilns or wares (in Chinese 窯 yáo can mean either) which produced Chinese ceramics during the Song dynasty (960–1279) that were later held in particularly high esteem. The group were only so called by much later writers, and of the five, only two (Ru and Guan) seem to have produced wares directly ordered by the Imperial court, though all can be of very high quality. All were imitated later, often with considerable success.

All except Ding ware used celadon glazes, and in Western terms the celadon kilns are stoneware, as opposed to the Ding early porcelain. The celadons placed great emphasis on elegant forms and their ceramic glazes, and were otherwise lightly decorated, with no painting.