Chinese ceramics in the context of "Five Great Kilns"

A figurine (a diminutive form of the word figure) or statuette is a small, three-dimensional sculpture that represents a human, deity or animal, or, in practice, a pair or small group of them. Figurines have been made in many media, with clay, metal, wood, glass, and today plastic or resin the most significant. Ceramic figurines not made of porcelain are called terracottas in historical contexts.

Figures with movable parts, allowing limbs to be posed, are more likely to be called dolls, mannequins, or action figures; or robots or automata, if they can move on their own. Figurines and miniatures are sometimes used in board games, such as chess, and tabletop role playing games.

Chinese culture (simplified Chinese: 中华文化; traditional Chinese: 中華文化; pinyin: Zhōnghuá wénhuà) is one of the world's earliest cultures, said to originate five thousand years ago. The culture prevails across a large geographical region in East Asia called the Sinosphere as a whole and is extremely diverse, with customs and traditions varying greatly between regions. The terms 'China' and the geographical landmass of 'China' have shifted across the centuries, before the name 'China' became commonplace. Chinese civilization is historically considered a dominant culture of East Asia. Chinese culture exerted profound influence on the philosophy, customs, politics, and traditions of Asia. Chinese characters, ceramics, architecture, music, dance, literature, martial arts, cuisine, arts, philosophy, etiquette, religion, politics, and history have had global influence, while its traditions and festivals are celebrated, instilled, and practiced by people around the world.

The Han dynasty (202 BC – 220 AD) was the second imperial dynasty of China, following the Qin dynasty (221–207 BC). It was divided into the periods of Western (Former) Han (202 BC – 9 AD) and Eastern (Later) Han (25–220 AD), briefly interrupted by the Xin dynasty (9–23 AD) of Wang Mang. The capital of Western Han was Chang'an, and the capital of Eastern Han was Luoyang. The emperor headed the government, promulgating all written laws, serving as commander-in-chief of the armed forces, and presiding as the chief executive official. He appointed all government officials who earned a salary of 600 bushels of grain or more (though these salaries were largely paid in coin cash) with the help of advisors who reviewed each nominee. The empress dowager could either be the emperor's actual or symbolic mother, and was in practice more respected than the emperor, as she could override his decisions; she could even make decisions on behalf of the emperor in dilemma matters of the country or for the order and continuation of the dynasty. If necessary, with the support of the courtiers, she would decide on his successor or his dismissal, although such a challenge was only raised by the empress dowager to the emperor during the emperor's youth or incapacity. The emperor's executive powers could also be practiced by any official upon whom he bestowed the Staff of Authority. These powers included the right to execute criminals without the imperial court's permission.

Near the beginning of the dynasty, semi-autonomous regional kings rivaled the emperor's authority. This autonomy was greatly diminished when the imperial court enacted reforms following the threats to central control like the Rebellion of the Seven States. The end of the Han dynasty came about during a time of civil, military and religious upheaval, which resulted in the period of Three Kingdoms.

Chinese export porcelain includes a wide range of Chinese porcelain that was made (almost) exclusively for export to Europe and later to North America between the 16th and the 20th century. Whether wares made for non-Western markets are covered by the term depends on context. Chinese ceramics made mainly for export go back to the Tang dynasty if not earlier, though initially they may not be regarded as porcelain.

It is typically not used as a descriptive term for the much earlier wares that were produced to reflect Islamic taste and exported to the Middle East and Central Asia, though these were also very important, apparently driving the development of Chinese blue and white porcelain in the Yuan and Ming dynasties (see Chinese influences on Islamic pottery). Longquan celadon, which is mostly not porcelain on Western definitions, is one of the wares to produce large dishes that reflected Islamic dining habits, rather than the deeper bowls used by the Chinese. In general, wares made for export, especially in the early periods, were "mainly strong and rather roughly-finished articles", compared to those for the elite domestic market, to allow for the stresses of transport, and less sophisticated customers.

Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art.

Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large workshops or factories by essentially unknown artists, especially in Chinese ceramics.

The Red Eyebrows (Chinese: 赤眉; pinyin: Chìméi) was one of the two major peasant rebellion movements against Wang Mang's short-lived Xin dynasty, the other being Lülin. It was so named because the rebels painted their eyebrows red.

The rebellion, initially active in the modern Shandong and northern Jiangsu regions, eventually led to Wang Mang's downfall by draining his resources, allowing Liu Xuan (the Gengshi Emperor), leader of the Lülin, to overthrow Wang and temporarily reestablish an incarnation of the Han dynasty. The Red Eyebrows later overthrew the Gengshi Emperor and placed their own Han descendant puppet, teenage emperor Liu Penzi, on the throne, who ruled briefly until the Red Eyebrows leaders' incompetence in ruling the territories under their control caused the people to rebel against them, forcing them to retreat and attempt to return home. When their path was blocked by the army of Liu Xiu's (Emperor Guangwu) newly established Eastern Han regime, they surrendered to him.

China has been the source of many innovations, scientific discoveries and inventions. Below is an alphabetical list of inventions and discoveries made by Neolithic cultures of China and those of its prehistorical early Bronze Age before the palatial civilization of the Shang dynasty (c. 1650 – c. 1050 BC). These include the Bronze Age Erlitou culture and the semi-legendary Xia dynasty that, unlike the Shang, is not yet confirmed to have existed with evidence of contemporary texts.

The contemporaneous Peiligang and Pengtoushan cultures represent the oldest Neolithic cultures of China and were formed around 7000 BC. Some of the first inventions of Neolithic China include semilunar and rectangular stone knives, stone hoes and spades, the cultivation of millet and the soybean, the refinement of sericulture, rice cultivation, the creation of pottery with cord-mat-basket designs, the creation of pottery vessels and pottery steamers and the development of ceremonial vessels and scapulimancy for purposes of divination. The British sinologist Francesca Bray argues that the domestication of the ox and buffalo during the Longshan culture (c. 3000 – c. 2000 BC) period, the absence of Longshan-era irrigation or high-yield crops, full evidence of Longshan cultivation of dry-land cereal crops which gave high yields "only when the soil was carefully cultivated," suggest that the plow was known at least by the Longshan culture period and explains the high agricultural production yields which allowed the rise of Chinese civilization during the Shang dynasty. Later inventions such as the multiple-tube seed drill and the heavy moldboard iron plow enabled China to sustain a much larger population through greater improvements in agricultural output.