Chinese emperors in the context of "Chinese art"

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⭐ Core Definition: Chinese emperors

Throughout Chinese history, "Emperor" (Chinese: 皇帝; pinyin: Huángdì) was the superlative title held by the monarchs of imperial China's various dynasties. In traditional Chinese political theory, the emperor was the "Son of Heaven", an autocrat with the divine mandate to rule all under Heaven. Emperors were worshiped posthumously under a secular imperial cult. The lineage of emperors descended from a paternal family line constituted a dynasty, and succession in most cases theoretically followed agnatic primogeniture. The emperor of China was an absolute monarch, though in the late Qing reforms plans were made to move the emperor to a constitutional monarch.

During the Han dynasty, Confucianism gained sanction as the official political theory. The absolute authority of the emperor came with a variety of governing duties and moral obligations; failure to uphold these was thought to remove the dynasty's Mandate of Heaven and to justify its overthrow. In practice, emperors sometimes avoided the strict rules of succession and dynasties' purported "failures" were detailed in official histories written by their successful replacements or even later dynasties. The power of the emperor was also limited by the imperial bureaucracy, which was staffed by scholar-officials, and eunuchs during some dynasties. An emperor was also constrained by filial obligations to his ancestors' policies and dynastic traditions, such as those first detailed in the Ming-era Huang-Ming Zuxun (Ancestral Instructions).

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👉 Chinese emperors in the context of Chinese art

Chinese art is visual art that originated in or is practiced in China, Greater China or by Chinese artists. Art created by Chinese residing outside of China can also be considered a part of Chinese art when it is based on or draws on Chinese culture, heritage, and history. Early "Stone Age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. After that period, Chinese art, like Chinese history, was typically classified by the succession of ruling dynasties of Chinese emperors, most of which lasted several hundred years. The Palace Museum in Beijing and the National Palace Museum in Taipei contains extensive collections of Chinese art.

Chinese art is marked by an unusual degree of continuity within, and consciousness of, tradition, lacking an equivalent to the Western collapse and gradual recovery of Western classical styles of art. Decorative arts are extremely important in Chinese art, and much of the finest work was produced in large workshops or factories by essentially unknown artists, especially in Chinese ceramics.

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Chinese emperors in the context of Grand empress dowager

Grand empress dowager (also grand dowager empress or grand empress mother) (Chinese and Japanese: ; pinyin: tàihuángtàihòu; rōmaji: taikōtaigō; Korean: 태황태후 (太皇太后); romaja: Tae Hwang Tae Hu; Vietnamese: Thái Hoàng thái hậu (太皇太后) was a title given to the grandmother, or a woman from the same generation, of a Chinese, Japanese, Korean, or Vietnamese emperor in the Chinese cultural sphere.

Some grand empresses dowager held regency during the emperor's childhood. Some of the most prominent empress dowagers extended their regencies beyond the time when the emperor was old enough to govern alone. This was seen as a source of political turmoil, according to the traditional views of Chinese historians.

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