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⭐ In the context of Jun ware, the Five Great Kilns are associated with a specific historical period, yet production of this pottery style demonstrably continued beyond that era. During which subsequent dynasty did Jun ware production demonstrably continue?

Jun ware, while originating during the Song dynasty, continued to be produced into the early Ming dynasty, as evidenced by archaeological findings and evolving scholarly consensus.

⭐ Core Definition: Five Great Kilns

The Five Great Kilns (Chinese: 五大名窯; pinyin: Wǔ dàmíng yáo), also known as Five Famous Kilns, is a generic term for ceramic kilns or wares (in Chinese 窯 yáo can mean either) which produced Chinese ceramics during the Song dynasty (960–1279) that were later held in particularly high esteem. The group were only so called by much later writers, and of the five, only two (Ru and Guan) seem to have produced wares directly ordered by the Imperial court, though all can be of very high quality. All were imitated later, often with considerable success.

All except Ding ware used celadon glazes, and in Western terms the celadon kilns are stoneware, as opposed to the Ding early porcelain. The celadons placed great emphasis on elegant forms and their ceramic glazes, and were otherwise lightly decorated, with no painting.

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👉 Five Great Kilns in the context of Jun ware

Jun ware (Chinese: 鈞窯; pinyin: Jūn yáo; Wade–Giles: Chün-yao) is a type of Chinese pottery, one of the Five Great Kilns of Song dynasty ceramics. Despite its fame, much about Jun ware remains unclear, and the subject of arguments among experts. Several different types of pottery are covered by the term, produced over several centuries and in several places, during the Northern Song dynasty (960–1127), Jin dynasty (1115–1234) and Yuan dynasty (1271–1368), and (as has become clearer in recent years) lasting into the early Ming dynasty (1368–1644).

Some of the wares were for a popular market, especially the drinking vessels, but others seem to have been made for the imperial court and are known as "official Jun wares"; they are not mentioned in contemporary documents and their dating remains somewhat controversial. These are mostly bowls for growing bulbs or flower-pots with matching stands, such as can be seen in many paintings of scenes in imperial palaces. The consensus that seems to be emerging, driven largely by the interpretation of excavations at kiln sites, divides Jun wares into two groups: a large group of relatively popular wares made in simple shapes from the Northern Song to (at lower quality) the Yuan, and a much rarer group of official Jun wares made at a single site (Juntai) for the imperial palaces in the Yuan and early Ming periods. Both types rely largely for their effect on their use of the blue and purple glaze colours; the latter group are sturdy shapes for relatively low-status uses such as flowerpots and perhaps spitoons.

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