Jola people in the context of Indigenous people of Africa

The indigenous people of Africa are groups of people native to a specific region; people who lived there before colonists or settlers arrived, defined new borders, and began to occupy the land. This definition applies to all indigenous groups, whether inside or outside of Africa. Although the vast majority of Native Africans can be considered to be "indigenous" in the sense that they originated from that continent and nowhere else (like all Homo sapiens), identity as an "indigenous people" is in the modern application more restrictive. Not every African ethnic group claims identification under these terms. Groups and communities who do claim this recognition are those who by a variety of historical and environmental circumstances have been placed outside of the dominant state systems. Their traditional practices and land claims have often come into conflict with the objectives and policies promulgated by governments, companies, and surrounding dominant societies.

Marginalization, along with the desire to recognize and protect their collective and human rights, and to maintain the continuity of their individual cultures, has led many to seek identification as indigenous peoples, in the contemporary global sense of the term. For example, in West Africa, the Dogon people of Mali and Burkina Faso, the Jola people of Guinea-Bissau, The Gambia, and Senegal, and the Serer people of Senegal, The Gambia, Guinea-Bissau, and Mauritania, and formally North Africa, have faced religious and ethnic persecution for centuries, and disenfranchisement or prejudice in modern times (see Persecution of Serers and Persecution of Dogons). These people, who are indigenous to their present habitat, are classified as indigenous peoples.

There are various ethnic groups in Senegal. According to "CIA World Factbook: Senegal" (2019 estimates), the ethnic groups are Wolof (39%); Fula (probably including the Halpulaar speaking Toucouleur) (27.5%)); Serer group (probably including the Serer Cangin peoples (16%)); Mandinka (4.9%); Jola (4.2%); Soninke (2.4%); other 5.4% (includes Europeans and persons of Lebanese descent), and other minor ethnic groups like the Bassari, Maures or (Naarkajors)). Many subgroups of those can be further distinguished, based on religion, location and language. According to one 2005 estimate, there are at least twenty distinguishable groups of largely varying size.

Music of the African diaspora is a sound created, produced, or inspired by Black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music.

Music of the African diaspora was mostly refined and developed during the period of slavery. Slaves did not have easy access to instruments, so vocal work took on new significance. Through chants and work songs people of African descent preserved elements of their African heritage while inventing new genres of music. The culmination of this great sublimation of musical energy into vocal work can be seen in genres as disparate as Gospel Music and Hip-Hop. The music of the African diaspora makes frequent use of ostinato, a motif or phrase which is persistently repeated at the same pitch. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody. The banjo is a direct descendant of the Akonting created by the Jola people, found in Senegal, Gambia and Guinea-Bissau in West Africa. Hence, the melodic traditions of the African diaspora are probably most alive in blues and jazz.