Music of the African diaspora in the context of Jola people

⭐ Core Definition: Music of the African diaspora

Music of the African diaspora is a sound created, produced, or inspired by Black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music.

Music of the African diaspora was mostly refined and developed during the period of slavery. Slaves did not have easy access to instruments, so vocal work took on new significance. Through chants and work songs people of African descent preserved elements of their African heritage while inventing new genres of music. The culmination of this great sublimation of musical energy into vocal work can be seen in genres as disparate as Gospel Music and Hip-Hop. The music of the African diaspora makes frequent use of ostinato, a motif or phrase which is persistently repeated at the same pitch. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody. The banjo is a direct descendant of the Akonting created by the Jola people, found in Senegal, Gambia and Guinea-Bissau in West Africa. Hence, the melodic traditions of the African diaspora are probably most alive in blues and jazz.

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⭐ Core Definition: Music of the African diaspora
Music of the African diaspora in the context of Urban contemporary
Music of the African diaspora in the context of African-American culture

Music of the African diaspora in the context of Urban contemporary

Urban contemporary music, also known as urban music, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop rap, quiet storm, urban adult contemporary and hip hop; Latin music such as Latin pop, Chicano R&B and Chicano rap; and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul.

Because urban music is a largely U.S. phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City; Washington, D.C.; Detroit; Atlanta; Miami; Chicago; Cleveland; Philadelphia; Pittsburgh; Montgomery; Memphis; St. Louis; Newark; Charleston; New Orleans; Milwaukee; Cincinnati; Dallas; Houston; Oakland; Sacramento; Los Angeles; Trenton; Columbia; Jacksonville; Flint; Baltimore; Boston; Birmingham; Indianapolis; Augusta; Richmond; Charlotte; Savannah; Hartford; and Jackson.

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Music of the African diaspora in the context of African-American culture

African-American culture, also known as Black American culture or Black culture in American English, refers to the cultural expressions of African Americans, either as part of or distinct from mainstream American culture. It is defined by a history of collective struggle for civil and political rights, and rooted in shared practices, identities, and communities.

African-American culture has been influential on American and global culture. African-Americans have made major contributions to American literature, music, visual art, media, politics, science, business, and cuisine. Notably, African-American musical forms such as Jazz, Rock and Roll, and Hip-hop have been among the United States' most successful cultural exports.

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