Johann Gottfried Herder in the context of "Weimar Classicism"

Johann Joachim Winckelmann (US: /ˈvɪŋkəlmɑːn/ VINK-əl-mahn; German: [ˈjoːhan ˈjoːaxɪm ˈvɪŋkl̩man]; 9 December 1717 – 8 June 1768) was a German art historian and archaeologist. He was a pioneering Hellenist who first articulated the differences between Greek, Greco-Roman and Roman art. "The prophet and founding hero of modern archaeology", Winckelmann was one of the founders of scientific archaeology and first applied the categories of style on a large, systematic basis to the history of art. Many consider him the father of the discipline of art history. He was one of the first to separate Greek Art into periods, and time classifications.

He had a decisive influence on the rise of the Neoclassical movement during the late 18th century. His writings influenced not only a new science of archaeology and art history but Western painting, sculpture, literature and even philosophy. Winckelmann's History of Ancient Art (1764) was one of the first books written in German to become a classic of European literature. His subsequent influence on Gotthold Ephraim Lessing, Johann Gottfried Herder, Johann Wolfgang von Goethe, Friedrich Hölderlin, Heinrich Heine, Friedrich Nietzsche, Stefan George and Oswald Spengler has been provocatively called "the Tyranny of Greece over Germany".

Anna Amalia of Brunswick-Wolfenbüttel (24 October 1739 – 10 April 1807), was a German princess and composer.

She became the duchess of Saxe-Weimar-Eisenach by marriage, and was also regent of the states of Saxe-Weimar and Saxe-Eisenach from 1758 to 1775. She transformed her court and its surrounding into the most influential cultural center of Germany. Her invitation of Abel Seyler's theatre company in 1771 marked the start of Weimar Classicism, that would include such figures such as Wieland, Goethe, Herder and Schiller working under her protection.

In 18th- and 19th-century German philosophy, a Zeitgeist (German pronunciation: [ˈtsaɪtɡaɪst] ; lit. 'spirit of the age'; capitalized in German) is a way of referring to the intellectual, cultural, ethical and political climate of a given epoch in world history. It is often described as an invisible agent, force, or daemon that seems to dominate the characteristics of a particular period. The term is usually associated with Georg W. F. Hegel, contrasting with Hegel's use of Volksgeist ("national spirit") and Weltgeist ("world-spirit"), although the word itself predates Hegel and was popularized by Johann Gottfried Herder and Johann Wolfgang von Goethe.

The expression belongs to a wider family of notions such as "spirit of the age", "spirit of the times" or genius saeculi ("spirit of the century"), which had circulated in Latin and the major European languages since the early modern period to express the idea that people's thoughts and actions are shaped by the social environment of their time rather than only by timeless truths or individual genius. In 1769 Herder translated the Latin phrase genius seculi used by the philologist Christian Adolph Klotz as Zeitgeist in his aesthetic essay Kritische Wälder, and the term was taken up in later discussions of philosophy of history and history of ideas. Other philosophers who were associated with related ideas include Herbert Spencer and Voltaire.

German literature (German: Deutschsprachige Literatur) comprises those literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by dialects (e.g. Alemannic).

Medieval German literature is literature written in Germany, stretching from the Carolingian dynasty; various dates have been given for the end of the German literary Middle Ages, the Reformation (1517) being the last possible cut-off point. The Old High German period is reckoned to run until about the mid-11th century; the most famous works are the Hildebrandslied and a heroic epic known as the Heliand. Middle High German starts in the 12th century; the key works include The Ring (c. 1410) and the poems of Oswald von Wolkenstein and Johannes von Tepl. The Baroque period (1600 to 1720) was one of the most fertile times in German literature. Modern literature in German begins with the authors of the Enlightenment (such as Herder). The Sensibility movement of the 1750s–1770s ended with Goethe's best-selling The Sorrows of Young Werther (1774). The Sturm und Drang and Weimar Classicism movements were led by Johann Wolfgang von Goethe and Friedrich Schiller. German Romanticism was the dominant movement of the late 18th and early 19th centuries.

Johann Georg Hamann (/ˈhɑːmɑːn/; German: [ˈhaːman]; 27 August 1730 – 21 June 1788) was a German Lutheran philosopher from Königsberg known as "the Wizard of the North" who was one of the leading figures of post-Kantian philosophy. His work was used by his student J. G. Herder as the main support of the Sturm und Drang movement, and is associated with the Counter-Enlightenment and Romanticism.

He introduced Kant, also from Königsberg, to the works of both Hume – waking him from his "dogmatic slumber" – and Rousseau. Hamann was influenced by Hume, but he used his views to argue for rather than against Christianity.

Classical Weimar (German: Klassisches Weimar) is a UNESCO World Heritage Site consisting of 11 sites located in and around the city of Weimar, Germany. The site was inscribed on 2 December 1998. The properties all bear testimony to the influence of Weimar as a cultural centre of the Enlightenment during the eighteenth and early nineteenth centuries. A number of notable writers and philosophers lived in Weimar between 1772 and 1805, including Johann Wolfgang von Goethe, Johann Gottfried Herder, Friedrich Schiller, and Christoph Martin Wieland. These figures ushered in and participated in the Weimar Classicism movement, and the architecture of the sites across the city reflects the rapid cultural development of the Classical Weimar era.

Johann Christoph Friedrich Bach (21 June 1732 – 26 January 1795) was a German composer and harpsichordist, the fifth son of Johann Sebastian Bach, sometimes referred to as the "Bückeburg Bach".

Born in Leipzig in the Electorate of Saxony, he was taught music by his father, and also tutored by his distant cousin Johann Elias Bach [de]. He studied at the St. Thomas School, and some believe he studied law at the university there, but there is no record of this. In 1750, William, Count of Schaumburg-Lippe appointed Johann Christoph harpsichordist at Bückeburg, and in 1759, he became concertmaster. While there, Bach collaborated with Johann Gottfried Herder, who provided the texts for six vocal works; the music survives for only four of these.

Wild animal suffering is suffering experienced by non-human animals living outside human care or control, arising from natural processes. Sources of harm include disease, injury, parasitism, starvation and malnutrition, dehydration, exposure to weather and natural disasters, killing by other animals, and psychological stress. Assessments of scope emphasize the very large numbers affected and the mechanisms that produce it, including natural selection, high-fecundity reproductive strategies (r-selection), high juvenile mortality, and population dynamics.

Religious, philosophical, and literary sources have variously explained, justified, accepted, or criticized harm in nature, with some advocating compassion or intervention and others defending non-intervention or the value of natural processes. Treatments appear in Christianity and Islam, and in Eastern traditions such as Buddhism and Hinduism; in religious contexts, it has been linked to the problem of evil and theodicy. Eighteenth-century figures include Georges-Louis Leclerc, Comte de Buffon, and Johann Gottfried Herder; nineteenth-century discussion features Lewis Gompertz, pessimist philosophers, John Stuart Mill, and Henry Stephens Salt; twentieth-century contributors include J. Howard Moore, William Temple Hornaday, and Alexander Skutch. In the late twentieth and early twenty-first centuries, the topic has featured in scholarship in animal ethics and environmental ethics, including work by Peter Singer, Jeff McMahan, Yew-Kwang Ng, Clare Palmer, Sue Donaldson and Will Kymlicka, Steve F. Sapontzis, Stephen R. L. Clark, J. Baird Callicott, Holmes Rolston III, David Pearce, Alasdair Cochrane, Kyle Johannsen, Catia Faria, Brian Tomasik, and Oscar Horta, in dedicated university and think tank programs, and in the work of advocacy organizations and research institutes.